Portræt af Signe Scheel

Signe Scheel malerier: De 16 mest berømte, set gennem et galleris øjne

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 16 værker af Signe Scheel i vores katalog

Kort sagt

I galleriets øjne er Signe Scheels mest berømte maleri Study of Light (1884), hvis original hænger på Nationalmuseet for kunst, arkitektur og design i Oslo. Portrait of Marie Tannæs (1892) og The Artist's Home, Undesløs, at Toten (1888) fuldender trioen, som ethvert øje genkender. Ud af de 16 værker af Signe Scheel i vores katalog præsenterer galleriet herunder de 16 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1860 – 1942, Hamar Municipality Flest værker: Nationalmuseet for kunst, arkitektur og design

Galleriets top 10 Signe Scheel malerier

Signe Scheels malerier, rangeret fra 11 til 16

De museer, der udstiller Signe Scheels originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Signe Scheel Malerier fra denne liste
Nationalmuseet for kunst, arkitektur og design, OsloNationalmuseet for kunst, arkitektur og design Oslo 14 Study of Light, The Artist's Home, Undesløs, at Toten, Portrait of Sara Scheel
Oslo Museum, OsloOslo Museum Oslo 1 Portrait of Marie Tannæs
Trondheim Kunstmuseum, TrondheimTrondheim Kunstmuseum Trondheim 1 Mary's Visit to Elizabeth

Signe Scheel, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Signe Scheel's malerier: galleriets svar

Hvilket maleri af Signe Scheel er det mest berømte af alle?Vis svaret

Study of Light (1884), Nationalmuseet for kunst, arkitektur og design, Oslo. Derefter følger Portrait of Marie Tannæs (1892) og The Artist's Home, Undesløs, at Toten (1888).

Hvor gammel var Signe Scheel, da Study of Light blev færdiggjort?Vis svaret

24 år gammel: Study of Light er fra 1884, og Signe Scheel blev født i 1860.

Hvilke er Signe Scheels top 10 malerier?Vis svaret

Study of Light, Portrait of Marie Tannæs, The Artist's Home, Undesløs, at Toten, Portrait of Sara Scheel, Psyche, Portrait of the Painter Helga Ring (Reusch), Figure Study of the Painter Helga Ring (Reusch), Halvakt, Portrait of Tora Scheel, The Artist's Sister og Portrait of Valborg Nicolaysen, the Artist's Sister. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Signe Scheel?Vis svaret

Vores katalog indeholder 16 værker af Signe Scheel, dateret fra 1884 til 1923.

Hvor hænger Signe Scheels mest berømte originaler?Vis svaret

Primært i Nationalmuseet for kunst, arkitektur og design (Oslo), Oslo Museum (Oslo) og Trondheim Kunstmuseum (Trondheim). Museumslisten ovenfor viser dem alle.

Hvornår skabte Signe Scheel sine mest berømte malerier?Vis svaret

I 1890s: 6 af de 16 værker på denne side blev skabt dengang, herunder Portrait of Marie Tannæs.

Hvilke er Signe Scheels tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Study of Light (1884) og det seneste Flowers at the Window (1923).

Hvilke originalværker af Signe Scheel findes i Nationalmuseet for kunst, arkitektur og design?Vis svaret

Study of Light, The Artist's Home, Undesløs, at Toten og Portrait of Sara Scheel: Nationalmuseet for kunst, arkitektur og design, Oslo har 14 af værkerne på denne side.

Signe Scheel: kunstneren

A life near the water and the brush

Signe Scheel spent her early years at Villa Ekely, where the presence of Lake Mjøsa was a constant neighbor. Born in Hamar, she grew up in a large family of eleven children. Her talent first caught the eye of Hans Gude, a friend of her father, who encouraged her to pursue the brush. This support allowed her to move toward formal training, eventually leading her back to Kristiania at the age of twenty.

Her education was shaped by several hands across different cities. In Norway, she studied under Christian Krohg and attended the women's class at the art school run by Krohg, Heyerdahl, and Werenskiold. She also learned from Eilif Peterssen. Her studies took her beyond Norway to Berlin, where she worked with Karl Gussow, and to Paris, where she attended the Académie Colarossi under Pascal Dagnan-Bouveret.

The eye for detail and light

Her work often focused on the people closest to her. She frequently used her mother and sisters as models, finding a quiet efficiency in their presence. While portraiture remained close to her heart, her interests shifted toward landscapes and figures within nature. She had a way of placing subjects within their surroundings, connecting them to the space they occupied.

As she painted, her technique changed. She was a colorist who used light to find different nuances in a single shade. Over time, her brushwork became broader and her expression grew rougher. Her body of work, estimated between 120 and 140 pieces, shows this progression from precise observation to a more textured approach.

Recognition and presence

She debuted at the Autumn Exhibition in Kristiania in 1884 with a portrait of her sister, Mrs. Frederikke Lütken. This early success was followed by frequent exhibitions at the Høstutstillingen. Some of her notable pieces include:

Her paintings are kept in important collections, including the National Museum of Art, Architecture and Design in Oslo. She lived much of her life in places like Skrivergarden Undesløs and eventually passed away in Oslo in 1942.