Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 13 værker af Shigeru Aoki i vores katalog
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Af alle de originale værker, som Shigeru Aoki efterlod, er det mest berømte Yomotsuhirasaka,Escape from the Land of the Dead (1903), som er en del af samlingen på The University Art Museum, Tokyo University of the Arts i Tokyo. Lige efter følger The Tempyo Era (1904) og Enjoyment (1904). Vores katalog indeholder 13 værker af Shigeru Aoki; galleriet har bevaret de 13 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
In "Enjoyment" by Shigeru Aoki, two female figures occupy the center of a vertical frame. They sit in an intimate, seated pose, their forms intertwined. This arrangement focuses the eye on the closeness of their bodies. The subjects are positioned in the foreground, creating a shallow sense of space. They exist within a quiet moment of leisure.
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
In "Pray at Dawn" by Shigeru Aoki, a solitary female figure occupies the vertical frame. She is a nude woman shown in profile, kneeling upon the earth. Her body faces toward the right, caught in a moment of quiet devotion. Her hands are clasped together in front of her chest, held in a steady, prayerful gesture. The stillness of her posture anchors the composition against a soft, hazy landscape. Trees…
In this 1910 oil on canvas, a nude female figure is positioned slightly off-center to the right, her body oriented vertically. She reaches upward, creating a sense of movement within the frame. The subject is situated in a setting that suggests a hot spring or bath, characterized by a background of patterned tiles and decorative vessels. The color palette relies on earthy tones, specifically ochre, terracotta, cream, and muted browns.…
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Shigeru Aoki | Malerier fra denne liste |
|---|---|---|---|
 Artizon Museum |
Tokyo | 4 | The Tempyo Era, Paradise Under the Sea, Seascape, Mera |
 The University Art Museum, Tokyo University of the Arts |
Tokyo | 1 | Yomotsuhirasaka,Escape from the Land of the Dead |
 Ohara Museum of Art |
Kurashiki | 1 | Enjoyment |
 Tokyo National Museum |
Tokyo | 1 | The Legendary Prince Yamato Takeru |
 Shimane Art Museum |
Matsue | 1 | Dog |
 Fukuoka Art Museum |
Fukuoka | 1 | Sound of Autumn |
Knap et årti, fra 1903 til 1910, gav verden hvert eneste daterede Shigeru Aoki originalværk i dette udvalg: her er de, år for år.
Vælg et årstal for at se de originale værker.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
Mere fra 1904
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
Mere fra 1907
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
Mere fra 1910
Yomotsuhirasaka,Escape from the Land of the Dead (1903), The University Art Museum, Tokyo University of the Arts, Tokyo. Derefter følger The Tempyo Era (1904) og Enjoyment (1904).
21 år gammel: Yomotsuhirasaka,Escape from the Land of the Dead er fra 1903, og Shigeru Aoki blev født i 1882.
Yomotsuhirasaka,Escape from the Land of the Dead, The Tempyo Era, Enjoyment, The Legendary Prince Yamato Takeru, Paradise Under the Sea, Hot Spring, Pray at Dawn, Hot spring, Seascape, Mera og Boats Mooring under the Moon. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 13 værker af Shigeru Aoki, dateret fra 1903 til 1910.
Primært i Artizon Museum (Tokyo), The University Art Museum, Tokyo University of the Arts (Tokyo) og Ohara Museum of Art (Kurashiki). Museumslisten ovenfor viser dem alle.
I 1904: 3 af de 13 værker på denne side blev skabt dengang, herunder The Tempyo Era.
På denne side er det tidligste Yomotsuhirasaka,Escape from the Land of the Dead (1903) og det seneste Hot Spring (1910).
Woman (6), Nude (3) og Man (2), fordelt på de 13 værker på denne side.
Oil On Canvas, for 5 af de 13 værker på denne side.
The Tempyo Era, Paradise Under the Sea og Seascape, Mera: Artizon Museum, Tokyo har 4 af værkerne på denne side.
