Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 45 værker af Girolamo Romanino i vores katalog
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I galleriets øjne er Girolamo Romaninos mest berømte maleri Portrait of a Young Man (1511), hvis original hænger på John and Mable Ringling Museum of Art i Sarasota. Madonna and Child (1507) og Salome with the head of John the Baptist (1516) fuldender trioen, som ethvert øje genkender. Ud af de 45 værker af Girolamo Romanino i vores katalog præsenterer galleriet herunder de 40 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In the Portrait of a Young Man by Girolamo Romanino, the sitter is positioned against a dark green curtain that provides a deep, saturated backdrop for the subject. The young man is dressed in a gold brocade coat, the texture of which is rendered with attention to the heavy, woven fabric. Upon his head, he wears a gold-coloured hat. His right hand rests upon the hilt of a sword, a…
The Madonna and Child is an oil painting by Girolamo Romanino. This work emerged from the hand of an artist born in Brescia, Italy, in 1485. The brushstrokes capture a quiet moment of maternal presence, a stillness held within the frame of the Renaissance. Romanino lived until 1562, leaving behind a legacy rooted in the landscapes of his home.
The painting presents a tightly cropped scene set within a shallow, dark space. At the center, a female figure, Salome, is positioned with a pale complexion and a downward gaze. She wears a voluminous, greyish-blue headdress that frames her face, a white chemise with fine pleating, and a green mantle draped over her shoulders. Her hands hold a silver platter, upon which rests the severed head of John the Baptist.…
The Mystic Marriage of St. Catherine is a religious oil painting by Girolamo Romanino. Created about 1540, this work belongs to the Renaissance style. It captures a sacred moment through a careful arrangement of figures and light.
To stand before this depiction of Christ Carrying the Cross is to be confronted by an overwhelming tide of human suffering and divine endurance. The scene, rendered in 1542, transcends mere narrative illustration; it becomes a profound meditation on sacrifice itself. At its heart, we find Jesus, his form burdened under the immense weight of the cross—a physical manifestation of sin and redemption. The artist has masterfully captured not just…
To stand before this self-portrait by Girolamo Romanino is to encounter not merely a likeness, but a profound moment of intellectual and artistic contemplation captured in oil paint. The subject, depicted with meticulous detail, commands attention through his very act: the poised gesture of writing, the pen held ready against the creamy expanse of paper. Clad in the somber dignity of a black robe, he embodies the archetype of the…
Girolamo Romanino's "The Nativity," painted in 1524, isn’t merely a depiction of the biblical birth of Christ; it’s a vibrant window into the heart of Renaissance Venice – a city pulsating with artistic innovation and deeply rooted religious devotion. Housed within the high altarpiece of the church of San Alessandro in Brescia, Italy, this panel transcends simple narrative, offering a complex tapestry of faith, human emotion, and masterful technique. It's…
To gaze upon Girolamo Romanino’s Madonna and Child is to step directly into the luminous heart of the Italian High Renaissance. This painting, executed around 1527, transcends a mere portrait; it is a profound meditation on motherhood, divinity, and enduring grace. The composition immediately draws the eye to the central figures—the Madonna, regal in her blue mantle and adorned with a crown, cradling the infant Christ upon her lap. Romanino…
In the quietude of Girolamo Romanino’s 1524 masterpiece, Saint Gaudioso, one finds more than a mere portrait of a religious figure; one encounters a profound window into the spiritual psyche of the High Renaissance. This evocative work captures the solemnity of Saint Gaudiosus, a revered bishop, in a moment of deep, introspective prayer. As the viewer approaches this painting, they are immediately drawn into the saint's contemplative orbit, guided by…
The work is titled Pope Innocent VIII Handing over a Banner to Niccolo Orsini. It was executed by the artist Girolamo Romanino, who is also identified in historical records as Girolamo Romani. This specific composition focuses on the figure of Nicolo Orsini, an Italian leader who lived from 1442 to 1510.
Alfons II King of Naples Handing over a Banner to Niccolo Orsini1508 · Szépművészeti Múzeum
12
Fall of Phaethon1531
13
Christ Crowned with Thorns, and Ecce Homo1519 · Katedralen
14
Christ before Pilate, and Flagellation of Christ1519 · Katedralen
15
Christ before Pilate (detail)1519 · Katedralen
16
Ecce Homo1550 · Niedersächsisches Landesmuseum
17
Pietà1510 · Gallerie dell'Accademia di Venezia
18
Saint Filippo Benizzi1524 · National Gallery
19
Mary and child enthroned with two saintsGemäldegalerie
20
Saint Catherine of AlexandriaHarvard Art Museums
21
Saint jeromeNational Gallery
22
Saint alexanderNational Gallery
23
The nativity
24
Pegasus and the MusesNational Gallery
25
High altarpiece, s. alessandro, bresciaGemäldegalerie
26
Two Nude MenGalleria degli Uffizi
27
Concert ChampêtreMetropolitan Museum of Art
28
Madonna and Saints1517
29
Mass of Saint Apollonio1535
30
Dinner in the House of Simon the Pharisee1545
31
Presentation of Jesus at the Temple1529 · Pinacoteca di Brera
32
Portrait of a Man1515 · Royal Collection
33
Madonna with child1516 · Pinacoteca di Brera
34
Stories of holiness1526
35
Deposition of Christ1520 · Bode Museum
36
Assumption of Mary1545
37
Pala di san Domenico1545 · Pinacoteca Tosio Martinengo
38
The Marriage of the Virgin1540
39
Madonna with Child, Saint George, Saint Maurice and the Saints Peter and Paul presenting the donors1550
40
Portrait of a Man1520 · Szépművészeti Múzeum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Girolamo Romanino | Malerier fra denne liste |
|---|---|---|---|
 National Gallery |
London | 6 | The Nativity, Saint Gaudioso, Saint Filippo Benizzi |
 Szépművészeti Múzeum |
Budapest | 4 | Self-portrait (.), Pope Innocent VIII Handing over a Banner to Niccolo Orsini, Alfons II King of Naples Handing over a Banner to Niccolo Orsini |
 Gemäldegalerie |
Berlin | 3 | Salome with the head of John the Baptist, Mary and child enthroned with two saints, High altarpiece, s. alessandro, brescia |
 Pinacoteca di Brera |
Milano | 3 | Christ Carrying the Cross, Presentation of Jesus at the Temple, Madonna with child |
 Katedralen |
Cremona | 3 | Christ Crowned with Thorns, and Ecce Homo, Christ before Pilate, and Flagellation of Christ, Christ before Pilate (detail) |
 John and Mable Ringling Museum of Art |
Sarasota | 1 | Portrait of a Young Man |
 Hermitage Museum |
Sankt Petersborg | 1 | Madonna and Child |
 Niedersächsisches Landesmuseum |
Hannover | 1 | Ecce Homo |
Vælg et årti for at se det originale værk, der definerer det.
The Madonna and Child is an oil painting by Girolamo Romanino. This work emerged from the hand of an artist born in Brescia, Italy, in 1485. The brushstrokes capture a quiet moment of maternal presence, a stillness held within the frame of the Renaissance. Romanino lived until 1562, leaving behind a legacy rooted in the landscapes of his home.
In the Portrait of a Young Man by Girolamo Romanino, the sitter is positioned against a dark green curtain that provides a deep, saturated backdrop for the subject. The young man is dressed in a gold brocade coat, the texture of which is rendered with attention to the heavy, woven fabric. Upon his head, he wears a gold-coloured hat. His right hand rests upon the hilt of a sword, a…
Girolamo Romanino's "The Nativity," painted in 1524, isn’t merely a depiction of the biblical birth of Christ; it’s a vibrant window into the heart of Renaissance Venice – a city pulsating with artistic innovation and deeply rooted religious devotion. Housed within the high altarpiece of the church of San Alessandro in Brescia, Italy, this panel transcends simple narrative, offering a complex tapestry of faith, human emotion, and masterful technique. It's…
To stand before this self-portrait by Girolamo Romanino is to encounter not merely a likeness, but a profound moment of intellectual and artistic contemplation captured in oil paint. The subject, depicted with meticulous detail, commands attention through his very act: the poised gesture of writing, the pen held ready against the creamy expanse of paper. Clad in the somber dignity of a black robe, he embodies the archetype of the…
The Mystic Marriage of St. Catherine is a religious oil painting by Girolamo Romanino. Created about 1540, this work belongs to the Renaissance style. It captures a sacred moment through a careful arrangement of figures and light.
The scene unfolds in Ecce Homo, a work by the Italian High Renaissance painter Girolamo Romanino. This piece captures a heavy, charged moment of interaction between figures, rendered with a sense of immediacy that pulls the viewer into the tension of the room. The painting measures 79 x 68 cm, a scale that brings the viewer close to the intense expressions and the physical presence of the men involved in…
Portrait of a Young Man (1511), John and Mable Ringling Museum of Art, Sarasota. Derefter følger Madonna and Child (1507) og Salome with the head of John the Baptist (1516).
26 år gammel: Portrait of a Young Man er fra 1511, og Girolamo Romanino blev født i 1485.
Portrait of a Young Man, Madonna and Child, Salome with the head of John the Baptist, The Mystic Marriage of St. Catherine, Christ Carrying the Cross, Self-portrait (.), The Nativity, Madonna and Child, Saint Gaudioso og Pope Innocent VIII Handing over a Banner to Niccolo Orsini. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 45 værker af Girolamo Romanino, dateret fra 1507 til 1550.
Primært i National Gallery (London), Szépművészeti Múzeum (Budapest) og Gemäldegalerie (Berlin). Museumslisten ovenfor viser dem alle.
I 1510s: 9 af de 40 værker på denne side blev skabt dengang, herunder Portrait of a Young Man.
På denne side er det tidligste Madonna and Child (1507) og det seneste Ecce Homo (1550).
Man (4), Woman (3) og Religious scene (3), fordelt på de 40 værker på denne side.
Oil On Canvas, for 6 af de 40 værker på denne side.
High renaissance, baseret på originalerne på denne side.
The Nativity, Saint Gaudioso og Saint Filippo Benizzi: National Gallery, London har 6 af værkerne på denne side.
Girolamo Romanino, ofte blot omtalt som Romanino, står som en lysende skikkelse i den italienske højrenæssance og fungerede som et ledelys for Brescia-skolen. Han blev født i Brescia, Italien, og hans kunstneriske rejse var dybt vævet sammen med de kulturelle strømninger i både Lombardiet og Veneto-regionen. Hans tidlige liv og uddannelse forbliver delvist indhyllet i historiens tåger, men hans tilstedeværelse i kunstverdenen mærkes utvetydigt gennem et værk, der indfanger den dybe spirituelle og emotionelle landskab i hans samtid. Som kunstner besad han en unik evne til at forene de jordbundne, humanistiske traditioner fra sit hjemland med de levende, atmosfæriske innovationer, der spirede i Venedig.
Udviklingen af Romaninos stil er en fascinerende undersøgelse af kunstnerisk tilpasning og vækst. Hans lange karriere var præget af flere distinkte faser, der afspejlede en rastløs kreativitet, som nægtede at lade sig begrænse til én enkelt udtryksform. I hans yngre år kan man observere spor af Quattrocento-traditionen, især i værker som hans 1510 Pietà til kirken San Lorenzo i Brescia. Men i takt med at han trådte ind i tyverne og etablerede sig i Venedig senest i 1513, begyndte hans palet og teknik at absorbere de rige, mættede farver og det ekspressive lys, der kendetegner de venetianske mestre. Denne fusion gjorde det muligt for ham at skabe værker, der på samme tid var monumentale og dybt menneskelige.
Romaninos værk er gennemgribende defineret af sin religiøse hengivenhed, men han nærmede sig de hellige motiver med en bemærkelsesværdig følelse af narrativ umiddelbarhed og psykologisk dybde. Han skildrede ikke blot bibelske begivenheder; han pustede liv i dem gennem en mesterlig beherskelse af lys og tekstur. I hans mesterværk fra 1524, Jesu fødsel, som er placeret i kirken San Alessandro i Brescia, inviteres beskueren ind i en verden, hvor det guddommelige møder det jordiske. Gennem brugen af dybe røde, blå og gyldne nuancer indfanger han Marias og Josefs ydmyge tilbedelse med en taktil rigdom, der får scenen til at føles både tidløs og nærværende.
Hans evne til at formidle den spirituelle psyke er måske tydeligst i hans mere kontemplative værker. I Sankt Gaudioso, malet i 1524, benytter Romanino en tung, meditativ atmosfære til at guide beskueren ind i helgenens indadvendte bøn. Figurens nedadvendte blik og de omhyggeligt modellerede former skaber en følelse af højtidelighed, der rækker ud over det simple portræt. Denne evne til emotionel resonans findes også i hans verdslige værker, såsom Portræt af en mand, hvor den omhyggelige detaljegrad i det overdådige klædedrag og det fængslende, alvorlige ansigtsudtryk antyder adelens tyngde og det 16. århundredes storhed.
Romaninos historiske betydning ligger i hans rolle som en brobygger mellem forskellige regionale stilarter og generationer af kunstnere. Hans arbejde bidrog til en levende kunstnerisk dialog i Brescia, især gennem hans deltagelse i "kunstneriske dueller" med samtidige som Moretto, herunder udsmykningen af Cappella del Santissimo Sacramento. Hans indflydelse strakte sig ud over hans nærmeste kreds; for eksempel siges den fremtrædende maler Girolamo Muziano at have påbegyndt sit virke under vejledning af Romanino.
Gennem hele sit liv satte Romaninos bidrag til det lombardiske og venetianske landskab et uudsletteligt præg på renæssancen. Hans beherskelse af flere nøgleelementer definerer hans vedvarende eftermæle:
