Portræt af Pieter Codde

Pieter Codde malerier: De 75 mest berømte, set gennem et galleris øjne

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 82 værker af Pieter Codde i vores katalog

Kort sagt

I galleriets øjne er Pieter Coddes mest berømte maleri Double Portrait of a Married Couple (1634), hvis original hænger på Mauritshuis Royal Picture Gallery i Haag. Venus Mourning over Adonis (1650) og Family Group (1642) fuldender trioen, som ethvert øje genkender. Ud af de 82 værker af Pieter Codde i vores katalog præsenterer galleriet herunder de 75 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1599 – 1678, Amsterdam Dutch golden age Flest værker: Rijksmuseum

Galleriets top 10 Pieter Codde malerier

1
Double Portrait of a Married Couple (1634) af Pieter Codde

Double Portrait of a Married Couple

1634 · Oil On Panel · Mauritshuis Royal Picture Gallery, Haag

Pieter Codde executed the Double Portrait of a Married Couple in 1634. This oil on panel work presents two figures positioned side by side. The subjects are dressed in formal, high-status attire, characterized by ruffled collars and white cravats. They are situated before a doorway, a setting that provides a structured architectural backdrop to the pair.

2
Venus Mourning over Adonis (1650) af Pieter Codde

Venus Mourning over Adonis

1650 · Oil On Panel · Hermitage Museum, Sankt Petersborg

In this oil painting on panel, a group of figures is arranged in a dense, pyramidal structure. At the center of the composition, the pale skin of a lifeless male figure, Adonis, is positioned against a dark, shadowed background. Venus leans over his body, her form integrated into the central mass of the mourning group. Surrounding the central pair, several female attendants are depicted in various states of grief. Their…

3
Family Group (1642) af Pieter Codde

Family Group

1642 · Oil On Canvas · Rijksmuseum, Amsterdam

Family Group (Moore) – A Window Into Domestic Tranquility The sculpture “Family Group” by Henry Moore, created in 1950, stands as a testament to the enduring fascination with familial bonds and the exploration of human form through abstraction. Unlike traditional portraiture, Moore eschewed meticulous detail, opting instead for a simplified representation that prioritizes gesture and emotional resonance—a deliberate departure from the conventions of his time. The piece’s impact transcends mere…

4
Departure with Two Soldiers and a Woman (1632) af Pieter Codde

Departure with Two Soldiers and a Woman

1632 · Oil On Panel · Rijksmuseum Twenthe, Enschede

Departure with Two Soldiers and a Woman is a genre painting executed by the Dutch artist Pieter Codde. Created in 1632, this work belongs to the era of the Dutch Golden Age, a period when the Netherlands saw a significant flourishing of domestic and social scenes. The painting captures a specific, quiet moment of interaction, rendered with the technical precision characteristic of the seventeenth-century tradition.

5
A Prisoner Kneels Before an Officer (1624) af Pieter Codde

A Prisoner Kneels Before an Officer

1624 · Oil On Panel

The tension of a sudden confrontation unfolds in A Prisoner Kneels Before an Officer, a work by the Dutch painter Pieter Codde. This scene captures a moment of high drama, known also by the title Travellers interrogated by an officer. The narrative weight of the piece shifts depending on the language used to describe it, appearing in other records as Verhaftete Reisende vor einem Offizier (Der Überfall).

6
Interior with Figures (1630) af Pieter Codde

Interior with Figures

1630 · Oil · National Gallery of Ireland, Dublin

A man bows deeply toward a group of women, his back turned to the viewer, creating a central axis of movement within a quiet Dutch interior. To the left, three women gather around a table draped in white linen, their postures suggesting a moment of social interaction or perhaps a formal greeting. A woman stands to the right, positioned near the heavy folds of a large, draped four-poster bed. The…

7
Company of Music-Makers (1633) af Pieter Codde

Company of Music-Makers

1633 · Oil · Städel Museum, Frankfurt

The painting titled Company of Music-Makers is a work by the Dutch artist Pieter Codde. Created about 1633, it captures a specific moment of domestic harmony. The artist, a specialist in genre works, guardroom scenes, and portraits, focuses here on the rhythmic life of a musical gathering.

8
Portrait of a Man with a Watch (1630) af Pieter Codde

Portrait of a Man with a Watch

1630 · Oil · Gemäldegalerie, Berlin

In this portrait, Portrait of a Man with a Watch by Pieter Codde, we encounter a middle-aged man presented within an oval composition. He is depicted from the chest up, his gaze directed slightly toward the viewer with a focused, steady expression. The subject wears a large, dark, wide-brimmed hat that frames his face, while a black doublet with subtle textures suggests the weight of heavy fabric. A prominent white…

9
The Guardroom (1630) af Pieter Codde

The Guardroom

1630 · Oil On Canvas · Staatliche Kunsthalle Karlsruhe, Karlsruhe

The air in the guardroom hangs thick with the scent of stale ale and damp wood. Shadows cling to the corners of the room, swallowing the back wall and leaving only a sliver of light to dance across the scene. A central wooden table anchors the composition, its surface worn by the weight of heavy mugs and the restless movements of men. One figure lies slumped upon the floor, a…

10
Portrait of Joan van Werkhoven ( -1665) (1635) af Pieter Codde

Portrait of Joan van Werkhoven ( -1665)

1635 · Oil · Centraal Museum, Utrecht

In the Portrait of Joan van Werkhoven ( -1665) by Pieter Codde, a single figure occupies the vertical space, positioned slightly off-center against a dark and atmospheric background. The subject meets the viewer at eye-level, creating an immediate sense of presence. This person is dressed in an elaborate period costume, featuring a wide-brimmed hat and a large, ruffled lace collar that catches the light. A voluminous doublet or cloak adds…

Pieter Coddes malerier, rangeret fra 11 til 75

11Company playing backgammon in an interior (1630) af Pieter CoddeCompany playing backgammon in an interior1630 · Museum of Fine Arts Ghent (MSK) 12Portrait of a painter in front of his easel (1630) af Pieter CoddePortrait of a painter in front of his easel1630 · Museum Boijmans Van Beuningen 13A Conversation (1628) af Pieter CoddeA Conversation1628 · Nationalmuseum 14Company Making Music (1625) af Pieter CoddeCompany Making Music1625 · Nationalmuseum 15Elegant company conversing and singing in an interior (1633) af Pieter CoddeElegant company conversing and singing in an interior1633 · Staatliches Museum Schwerin 16Elegant company conversing and singing in an interior (1630) af Pieter CoddeElegant company conversing and singing in an interior1630 · Staatliches Museum Schwerin 17Portrait of a richly dressed young lady, full-length, before a draped table (1635) af Pieter CoddePortrait of a richly dressed young lady, full-length, before a draped table1635 187 persons in a room, chatting (1624) af Pieter Codde7 persons in a room, chatting1624 19Travellers interrogated by an offiece (1624) af Pieter CoddeTravellers interrogated by an offiece1624 20Conversation Piece (1638) af Pieter CoddeConversation Piece1638 · Bavarian State Painting Collections 21musical company (1638) af Pieter Coddemusical company1638 · Bavarian State Painting Collections 22Portrait of a Man (1658) af Pieter CoddePortrait of a Man1658 · Museum of Fine Arts Ghent (MSK) 23Interior of Guardroom (1652) af Pieter CoddeInterior of Guardroom1652 · Petit Palais 24Soldiers ransacking a house (1649) af Pieter CoddeSoldiers ransacking a house1649 · Frans Hals Museet 25Portrait of a Family (1661) af Pieter CoddePortrait of a Family1661 · Nationalmuseum 26An Artist in his Studio (1650) af Pieter CoddeAn Artist in his Studio1650 · Hallwyl Museum 27Portrait of a Family (1665) af Pieter CoddePortrait of a Family1665 28The Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193) (1670) af Pieter CoddeThe Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193)1670 · Museum der bildenden Künste 29Soldiers Breaking into a Peasant's Cottage (1645) af Pieter CoddeSoldiers Breaking into a Peasant's Cottage1645 · Statens Museum for Kunst 30An Artist in Front of the Easel (1637) af Pieter CoddeAn Artist in Front of the Easel1637 · Hermitage Museum 31Actors' Changing Room (1630) af Pieter CoddeActors' Changing Room1630 · Staatliche Museen zu Berlin 32DAME A SA TOILETTE af Pieter CoddeDAME A SA TOILETTELouvre 33Art-lovers in a Painter's Studio (1630) af Pieter CoddeArt-lovers in a Painter's Studio1630 · Staatsgalerie 34The Dancing Lesson (1627) af Pieter CoddeThe Dancing Lesson1627 · Louvre 35Tric-Trac Players (1628) af Pieter CoddeTric-Trac Players1628 · Mauritshuis 36Interior with Musicians Seated around a Table (detail) (1627) af Pieter CoddeInterior with Musicians Seated around a Table (detail)1627 37An Elegant Company (1632) af Pieter CoddeAn Elegant Company1632 · Art Institute of Chicago 38A Woman holding a Mirror (1625) af Pieter CoddeA Woman holding a Mirror1625 · National Gallery 39The Young Draughtsman (1630) af Pieter CoddeThe Young Draughtsman1630 · Musées Royaux des Beaux-Arts 40Portrait of a young Man standing (1625) af Pieter CoddePortrait of a young Man standing1625 · The Ashmolean Museum of Art and Archaeology 41Dutch Cavaliers and Their Ladies Making Music (1631) af Pieter CoddeDutch Cavaliers and Their Ladies Making Music1631 · Bristol Museum - Art Gallery 42Young Scholar in His Study: Melancholy (1630) af Pieter CoddeYoung Scholar in His Study: Melancholy1630 · Palais des Beaux-Arts de Lille 43Portrait of a Man, a Woman and a Boy in a Room (1640) af Pieter CoddePortrait of a Man, a Woman and a Boy in a Room1640 · National Gallery 44Merry Company with Masked Dancers (1636) af Pieter CoddeMerry Company with Masked Dancers1636 · Mauritshuis Royal Picture Gallery 45Merry Company (1633) af Pieter CoddeMerry Company1633 · Academy of Fine Arts Vienna 46Halt of Travellers Among Ruins (1649) af Pieter CoddeHalt of Travellers Among Ruins1649 47Landscape with a Lake and Castle (1666) af Pieter CoddeLandscape with a Lake and Castle1666 48Portrait of a Man, Holding a Scroll af Pieter CoddePortrait of a Man, Holding a Scroll 49Woman in front of the mirror af Pieter CoddeWoman in front of the mirrorNationalmuseet i Warszawa 50Man at the table af Pieter CoddeMan at the tableNationalmuseet i Warszawa 51Portrait Of A Child af Pieter CoddePortrait Of A ChildBavarian State Painting Collections 52LE CONTENTEMENT DE PEU af Pieter CoddeLE CONTENTEMENT DE PEU 53Soldat avec une femme af Pieter CoddeSoldat avec une femme 54Lady Seated at Virginals af Pieter CoddeLady Seated at Virginals 55LA CONVERSATION. SCENE GALANTE af Pieter CoddeLA CONVERSATION. SCENE GALANTEPalais des Beaux-Arts de Lille 56Portrait d'homme af Pieter CoddePortrait d'hommeMusée des Beaux-Arts de Strasbourg 57Joueuse de théorbe af Pieter CoddeJoueuse de théorbeMusée des Beaux-Arts de Strasbourg 58Scène de cabaret af Pieter CoddeScène de cabaret 59Gallant Company (1633) af Pieter CoddeGallant Company1633 · Rijksmuseum 60Merry Company (1633) af Pieter CoddeMerry Company1633 · Akademie Der Bildenden Künste Wien 61Interior with Musicians Seated around a Table (1627) af Pieter CoddeInterior with Musicians Seated around a Table1627 62The Meagre Company (1633) af Pieter CoddeThe Meagre Company1633 · Rijksmuseum 63Musical Company af Pieter CoddeMusical Company 64Young Scholar In His Study af Pieter CoddeYoung Scholar In His Study 65The Meagre Company af Pieter CoddeThe Meagre Company 66A Woman holding a Mirror af Pieter CoddeA Woman holding a Mirror 67The Music Party af Pieter CoddeThe Music PartyCity Museum and Art Gallery 68Portrait of a Man, a Woman and a Boy in a Room af Pieter CoddePortrait of a Man, a Woman and a Boy in a Room 69Lute Player af Pieter CoddeLute PlayerPhiladelphia Museum of Art 70An elegant company making music in an interior af Pieter CoddeAn elegant company making music in an interior 71A Merry Company in an Interior af Pieter CoddeA Merry Company in an Interior 72Elegant company making music af Pieter CoddeElegant company making music 73Travelers resting on a path af Pieter CoddeTravelers resting on a path 74Family portrait with husband, wife and two daughters seated at a table draped in red cloth, a son playing a lute, another son holding a fiddle beside a lady playing the virginal, a maidservant pouring wine by the window, and a dog resting on the floor af Pieter CoddeFamily portrait with husband, wife and two daughters seated at a table draped in red cloth, a son playing a lute, another son holding a fiddle beside a lady playing the virginal, a maidservant pouring wine by the window, and a dog resting on the floor 75The Adoration of the Shepherds, Pieter Codde, 1645 (1645) af Pieter CoddeThe Adoration of the Shepherds, Pieter Codde, 16451645 · Rijksmuseum

Pieter Coddes berømte malerier, periode for periode

Motiverne, der fangede Pieter Coddes blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Pieter Coddes originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Pieter Codde Malerier fra denne liste
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 4 Family Group, Gallant Company, The Meagre Company
Nationalmuseum, StockholmNationalmuseum Stockholm 3 A Conversation, Company Making Music, Portrait of a Family
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 3 Conversation Piece, musical company, Portrait Of A Child
Mauritshuis Royal Picture Gallery, HaagMauritshuis Royal Picture Gallery Haag 2 Double Portrait of a Married Couple, Merry Company with Masked Dancers
Hermitage Museum, Sankt PetersborgHermitage Museum Sankt Petersborg 2 Venus Mourning over Adonis, An Artist in Front of the Easel
Museum of Fine Arts Ghent (MSK), GentMuseum of Fine Arts Ghent (MSK) Gent 2 Company playing backgammon in an interior, Portrait of a Man
Staatliches Museum Schwerin, SchwerinStaatliches Museum Schwerin Schwerin 2 Elegant company conversing and singing in an interior, Elegant company conversing and singing in an interior
Louvre, ParisLouvre Paris 2 DAME A SA TOILETTE, The Dancing Lesson

Pieter Codde, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Pieter Codde's malerier: galleriets svar

Hvilket maleri af Pieter Codde er det mest berømte af alle?Vis svaret

Double Portrait of a Married Couple (1634), Mauritshuis Royal Picture Gallery, Haag. Derefter følger Venus Mourning over Adonis (1650) og Family Group (1642).

Hvor gammel var Pieter Codde, da Double Portrait of a Married Couple blev færdiggjort?Vis svaret

35 år gammel: Double Portrait of a Married Couple er fra 1634, og Pieter Codde blev født i 1599.

Hvilke er Pieter Coddes top 10 malerier?Vis svaret

Double Portrait of a Married Couple, Venus Mourning over Adonis, Family Group, Departure with Two Soldiers and a Woman, A Prisoner Kneels Before an Officer, Interior with Figures, Company of Music-Makers, Portrait of a Man with a Watch, The Guardroom og Portrait of Joan van Werkhoven ( -1665). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Pieter Codde?Vis svaret

Vores katalog indeholder 82 værker af Pieter Codde, dateret fra 1624 til 1670.

Hvor hænger Pieter Coddes mest berømte originaler?Vis svaret

Primært i Rijksmuseum (Amsterdam), Nationalmuseum (Stockholm) og Bavarian State Painting Collections (München). Museumslisten ovenfor viser dem alle.

Hvornår skabte Pieter Codde sine mest berømte malerier?Vis svaret

I 1630s: 26 af de 75 værker på denne side blev skabt dengang, herunder Double Portrait of a Married Couple.

Hvilke er Pieter Coddes tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste A Prisoner Kneels Before an Officer (1624) og det seneste The Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193) (1670).

Hvilke motiver vendte Pieter Codde oftest tilbage til?Vis svaret

Man (17), Woman (13) og People (12), fordelt på de 75 værker på denne side.

Hvilket medie arbejdede Pieter Codde mest med?Vis svaret

Oil On Panel, for 15 af de 75 værker på denne side.

Hvilken stilart er Pieter Codde associeret med?Vis svaret

Dutch golden age og Baroque, baseret på originalerne på denne side.

Hvilke originalværker af Pieter Codde findes i Rijksmuseum?Vis svaret

Family Group, Gallant Company og The Meagre Company: Rijksmuseum, Amsterdam har 4 af værkerne på denne side.

Pieter Codde: kunstneren

Den sølvagtige belysning i den hollandske guldalder

Pieter Codde, et navn der er synonymt med den raffinerede elegance i det syttende århundredes hollandske guldalder, levede et liv, der var lige så tekstureret og lagdelt som de lærreder, han skabte. Født i Amsterdam i 1599 i en familie af beskedne kår—hans far tjente som byembedsmand med ansvar for havneafgifter—trådte Codde frem fra et miljø præget af den maritime handel og det voksende velstand i Nederlandene. Mens de historiske optegnelser vedrørende hans tidlige uddannelse forbliver noget gådefulde, har hvisken om et læretid under den legendariske Frans Hals længe cirkuleret blandt kunsthistorikere. Nyere forskning tyder dog på, at han kan have forfinet sit tekniske mesterskab under Barent van Someren eller Cornelis van der Voort. Uanset hvem hans mester var, var Coddes udvikling præget af en dyb evne til at indfange de stille, ofte sølvgrå nuancer, som skulle blive hans æstetiske signatur.

Hans tidlige år blev ikke kun defineret af penslen, men også af en litterær sanselighed, der tilføjede dybde til hans visuelle fortællinger. I de første årtier af 1600-tallet var Codde kendt for at engagere sig i de poetiske og dramatiske kunstarter, og han optrådte i publikationer som Hollande Nachtegaelken. Dette krydsfelt mellem ord og billede gjorde det muligt for ham at gribe genremaleriet ikke blot som en registrering af virkeligheden, men som en historiefortæller, der var i stand til at væve klassiske og amorøse temaer ind i hverdagens stof. Hans flytning til det fashionable Sint Antoniesbreestraat i Amsterdam placerede ham i selve hjertet af det kunstneriske samfund, omgivet af den livlige energi fra en by, der var ved at definere sin kulturelle identitet.

Mestring af genren og vagtstuen

Som hans karriere modnedes, blev Codde en mester i flere distinkte genrer, mest bemærkelsesværdigt vagtstuescenen, det musikalske selskab og det intime portræt. Hans arbejde hyldes for sin omhyggelige detaljegrad og en sofistikeret brug af chiaroscibility—det dramatiske samspil mellem lys og skygge, der puster liv i både livløse genstande og menneskelige motiver. I sine vagtstuescener indfangede han den rå, ofte spændte atmosfære i militærlivet, men han besjælede disse scener med en teknisk ynde, der løftede dem ud over ren dokumentation. Hans evne til at gengive stålets kolde glimt, stoffets tunge tekstur og det bløde skær fra stearinlys skabte en fordybende oplevelse for beskueren.

Udover de militære temaer opnåede Codde enorm succes med at skildre sin tids sociale harmonier. Hans musikalske kompositioner er særligt stemningsfulde og indfanger øjeblikke af fælles fritid og kunstnerisk hengivenhed. I værker som Dancing Lesson og The Lute Player kan man mærke musikkens rytmiske puls gennem hans præcise penselstrøg. Disse malerier er ofte præget af en delikat, sølvagtig palet, der giver scenerne en drømmeagtig, nostalgisk kvalitet, som gør dem både nærværende og tidløse. Gennem disse mesterværker i lille skala inviterede Codde beskueren ind i den hollandske domesticitets private, harmoniske hjørner, hvor melodi og bevægelse mødtes.

En arv indgraveret i lys og skygge

Pieter Coddes liv var ikke uden skygger, hvilket spejler de mørkere toner, man finder i hans mere dyster kompositioner. Hans personlige historie var præget af turbulens, herunder en højprofileret juridisk anklage og en skilsmisse, der førte til, at hans kone flyttede ind hos maleren Paulus Potter. Men selv midt i personlige omvæltninger forblev hans professionelle bane en rejse præget af betydelige bedrifter. Omkring 1657 havde han sikret sig en prestigefyldt residens på Keizersgracht, et vidnesbyrd om den stabilitet og succes, hans talent havde givet ham. Hans senere år blev tilbragt i hjertet af Amsterdams storhed, hvor han fortsatte med at forfine de teknikker, der skulle inspirere generationer af hollandske malere.

Coddes historiske betydning ligger i hans rolle som en bro mellem den rå naturalisme i den tidlige guldalder og den mere raffinerede, polerede æstetik i midten af det syttende århundrede. Hans bidrag til udviklingen af genremaleriet leverede en blåtryk for, hvordan lys kunne bruges til at forme følelser og atmosfære. I dag befinder hans værker sig på nogle af verdens mest ansete institutioner, herunder:

  • Louvre, hvor hans Dancing Lesson står som et højdepunkt i hans musikalske genre.
  • Rijksmuseum, som huser hans dybsindige religiøse værker som Adoration of the Shepherds.
  • Uffizi-galleriet, som bevarer hans delikate konversationsscener.
  • Philadelphia Museum of Art, hjemsted for hans stemningsfulde Lute Player.

Ultimativt forbliver Pieter Jacobsz Codde en vital skikkelse i den vestlige kunstkanon, husket ikke blot for sin tekniske dygtighed, men for sin evne til at indfange den flygtige, lysende essens af menneskelig forbindelse og den stille værdighed i den daglige eksistens.