Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 193 værker af Pieter Claesz i vores katalog
Kort sagt
I galleriets øjne er Pieter Claeszs mest berømte maleri Still life (1640), hvis original hænger på Gemäldegalerie i Berlin. Still life with cat, fish, asparagus, a bowl of strawberries, and a stone jar on a table (1650) og till life with a bowl of strawberries, head of a fish, roemer, and salt cellar (1650) fuldender trioen, som ethvert øje genkender. Ud af de 193 værker af Pieter Claesz i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In the work Still life by Pieter Claesz, dated about 1640, the composition presents a dense arrangement of luxury items situated upon a table covered with a white cloth. The objects are organized in a tight grouping against a dark, neutral background. A tall, ornate silver or pewter goblet, which is topped with a small figure, occupies a prominent position within the assembly. Beside it, a glass chalice and a…
In the painting Still life with cat, fish, asparagus, a bowl of strawberries, and a stone jar on a table by Pieter Claesz, dated about 1650, the composition is a dense arrangement of objects resting on a stone ledge or table. The scene is set against a dark, atmospheric background that provides a high degree of contrast for the items on the tabletop. In the foreground, several whole fish are…
The light catches the edge of a glass roemer, casting a soft glow across a table draped in a heavy white cloth. Everything feels suspended in a moment of profound stillness. A bowl of strawberries sits near a silver salt cellar, their deep red skins glistening against the muted, earthy tones of the setting. Nearby, the head of a fish rests upon a plate, its scales catching the light with…
The scene unfolds within the quiet, heavy atmosphere of a Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table. This work by Pieter Claesz captures a moment of profound stillness, where the objects resting upon the surface seem to hold their breath. Every item, from the hollow eye sockets of the skull to the delicate…
In this 1659 oil on panel, we find ourselves in a space of profound stillness. The composition is a dense, diagonal arrangement of objects resting upon a dark, draped surface, pulling the viewer into an intimate, almost tactile encounter with the ephemeral. A skull, a lute, and a glass roemer are positioned with a deliberate, heavy grace, their forms emerging from a shadowy background. The light, arriving from the upper…
In "Still life with a cat and fish" by Pieter Claesz, a tense moment of instinct unfolds upon a stone tabletop. The composition forms a dense, horizontal arrangement where a bounty of seafood, a large ceramic jug, and a watchful cat occupy the space. A dark, indeterminate background pushes these objects forward, creating an intimate, eye-level view that draws the observer into the immediate scene. The depth of the arrangement…
The scene is set upon a wooden table, where a dense arrangement of objects occupies the foreground against a dark, indeterminate background. A collection of fresh-water fish lies at the center, their silvery scales catching a directional light that enters from the upper left. Beside them, a dark cat rests with its fur rendered in coarse, tactile strokes. A large stoneware jug, known as a Bartmannkrug, sits among the items,…
Light spills from the upper left, grazing the surface of a heavy glass goblet and catching the sharp, metallic edge of a salt cellar. Everything sits in a state of profound stillness upon a draped table. A lemon, partially peeled, lies near the center, its bright, textured skin contrasting against the smooth, dark shadows of the background. The scene feels intimate, as if the viewer has just stepped into a…
A single light source spills from the left, catching the silver rim of a beaker and the translucent curve of a wine flute. On a white tablecloth, a cooked fish rests upon a platter, its moist skin reflecting the dim light of a 17th-century interior. Beside it, a lemon lies partially peeled, its bright yellow rind cascading in a sharp, waxy spiral against the fabric. The scene is an arrangement…
This painting, titled Still Life, was executed by the Dutch artist Pieter Claesz. It belongs to the genre of still life, a category that Claesz helped define through his intimate observations of domestic objects. The work is an oil on panel medium, a choice that allows for a particular level of detail in the rendering of textures and light.
Still-life With A Skull And Writing Quill
12
Vanitas with the Five Senses1621
13
Still life with smoker's requisites1622 · Richard Green Fine Paintings
14
Still life with fruit and sweets1622
15
Still life with berries and other fruit1621
16
Still Life with Ham1625 · Nivaagaards Malerisamling
17
Still Life with Two Lemons, a Facon de Venise Glass, Roemer, Knife and Olives on a Table1629
18
Still-life1630 · Fitzwilliam Museum
19
Breakfast Still Life with a Ham and a Basket of Cheese1627 · Yale University Art Gallery
20
Still life with a silver chalice, lemon, bread, and berkemeyer1632 · Frans Hals Museet
21
Still Life with Herring, Bread, Cheese and Tobacco1624 · Het Prinsenhof
22
Banketje1628
23
Open book, Skull, Violin and Oil Lamp1629
24
Still Life with Peacock Pie1627 · National Gallery of Art
25
Breakfast Piece with a Tazza, Fruit, and Cheese in a Basket1623 · Frans Hals Museet
26
Still life (toebackje) with smoker's paraphernalia1625
27
Still life with roemer, pears, plums, mulberries and redcurrants1627
28
Vanitas Still Life with Overturned Gilded Cup and Chain1630 · Sanct Lucas
29
Still life with ham and mustard pot, 16351635 · David Collection
30
Still Life with Pigeon Pie and Delftware Jug1626
31
Breakfast still life with herring, shrimp, bread, orange and red wine1623 · Wallraf-Richartz-Museum
32
Still life with berkemeyer, lemon, oyster and bread accompanied by a book and candle1629
33
Still life with Jan Steen pitcher (and berkemeyer on its spout), pie and lemon1632
34
Still life with a large berkemeyer, silver chalice and a gold pocket watch1632 · Kunsthaus Zürich
35
Still life with roemer, fallen tazza and lemon1633 · Frans Hals Museet
36
Still life with roemer, bread, fruit and salmon1631 · Martin von Wagner Museum
37
Fruit still life, dated 16271627 · Kunsthandel P. de Boer
38
Still life with fruit and an overturned tazza before a roemer1635 · Gebruder Douwes
39
Still life with roemer, silver cup, lemon, and knife1635 · Gebruder Douwes
40
Still life with roemer, roast pheasant, salt-cellar, stoneware Jug, fruits and bread on a white cloth1626 · Koetser Gallery
41
Still life with berkemeyer, lemon, grapes and knife1627 · Fondation Custodia
42
Still life with a roemer, a roll, smoked herring, a watch, smoker's requisites, hazelnuts and a brazier1625
43
Still life of a laid table with rummer, pie, and fruit1629
44
Vanitas with an oil lamp, a pocket watch, an open song book, an overturned roemer, a gilded covered cup and sea shells, all arranged on a table draped with a green cloth1629
45
Still life with fruit on a table1629 · Kunsthandel P. de Boer
46
Still life with roemer, an overturned pewter jug, olives, and half-peeled lemon on pewter plates1635 · Gebruder Douwes
47
Still life with roemer, bread and herring1632 · Gebruder Douwes
48
Breakfast piece, 16251625 · Frans Hals Museet
49
Still life with a brazier, a wine-glass, herring, oysters, bread, smoking paraphenalia, and a pewter plate1624 · Rijksmuseum
50
Tabletop Still Life with Mince Pie and Basket of Grapes1625 · Museum of Fine Arts, Houston
51
A Banquet Piece1630 · Getty Center
52
Still Life, oil on oak panel, Staatliche Kunsts1633
53
Vanitas still life, mauritshuis, the hague.1630
54
Still Life1643 · Saint Louis Art Museum
55
Still Life with Oysters1642 · Toledo Museum of Art
56
A Breakfast-piece1637 · National Gallery of Ireland
57
Still Life1638 · The Nelson-Atkins Museum of Art
58
Still Life with Roemer1644 · Detroit Institute of Arts
59
Still Life with a Pewter Jug, a Passglass, a 'Vuurtest' and Smoker's Pipe1645 · Gebruder Douwes
60
Guild Cup of the Haarlem Brewer's Guild1641 · Kunsthandel P. de Boer
61
Still life with ham, lemon, a roll, a glass of wine, and others on a table1643
62
Still Life of Food, a Jug and Glasses on a Table1640 · Nostell Priory
63
Banquet Still Life with Ewer and Bread1641 · Frances Lehman Loeb Art Center
64
Laid table with Jan Steen pitcher and ham1639 · Bavarian State Painting Collections
65
Still life with rummer, oysters, lemon and olives1636 · Bavarian State Painting Collections
66
A still life with a roemer, a crab and a peeled lemon1643 · Art Gallery of South Australia
67
Breakfast1646 · Pushkin State Museum of Fine Arts
68
Still Life with Tazza1636 · Mauritshuis
69
Still life with crab, oysters and roemer, 16451645 · Frans Hals Museet
70
Vanitas, circa 16301636 · Kröller-Müller Museet
71
Still Life1643 · Minneapolis Institute of Art
72
Still Life with Herring, Wine and Bread1647 · Los Angeles County Museum of Art
73
Still Life with Stoneware Jug, Wine Glass, Herring, and Bread1642 · Museum of Fine Arts
74
Still Life with Wine Goblet and Oysters1639 · Museum of Fine Arts
75
Still Life (rejoined to its left half in 1956)1636 · Statens Museum for Kunst
76
Still Life1636 · Statens Museum for Kunst
77
Still Life1647 · Fine Arts Museums of San Francisco
78
Still life with nautilus cup and musk apple on golden chain1636 · Westfälisches Landesmuseum
79
Still Life at breakfast piece with Berckemeyer1641 · Cincinnati Art Museum
80
Still Life with a Crab1644 · Musée des Beaux-Arts de Strasbourg
81
Still life with ham, herring, oysters, lemon, bread, onions, grapes and roemer on a table1645
82
Still Life with a Stoneware Jug, Berkemeyer and Smoking Utensils1640 · Indianapolis Kunstmuseum
83
Plate with lobster, silver jug, large Berkenmeyer, fruit bowl, violin and books1641
84
Breakfast Piece1640 · Walters Art Museum
85
Still life with smoking equipment, herrings, a beer glass and a stone jug1644 · Musée d'Arts de Nantes
86
Still life with a fish1647 · Rijksmuseum
87
Still life of a crab on a pewter plate1646 · Rafael Valls Limited
88
Still life of a basket of cheese and fish1646
89
Still life with berkemeyer, crab and a Jan Steen pitcher1647
90
Still life with rummer, wine glass, crab and bread on a platter, with a violin and a flute on a table, 16441644 · Richard Green Fine Paintings
91
Still life with crab, oyster, lemon, twist of pepper, overturned beaker, bread, knife, roemer and salt cellar1640
92
Still life with gilt covered beaker, fallen decanter, turkey pie, tazza, silver platter with berkemeyers and fruit1648 · Gebruder Douwes
93
Still life with roemer, oysters, salt cellar and bread1642
94
Still life with roemer and peeled lemon1646
95
Still life with a gilt covered beaker, fallen wine glass and façon de Venise flask1640
96
Still life with roemer, upturned berkemeyer, pie, spoon, knife, bread and lemon1641
97
Still life with Jan Steen pitcher, berkemeyer and fruit1638
98
Still life with beer glass, overturned jug, herring and onions1647
99
Still Life of a meal with a fruit pie and a Jan Steen jug on a draped tabletop1642
100
Still life with Jan Steen pitcher, pie, lemon, bread, and berkemeyer1642 · Koetser Gallery
#4 Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table
#5 Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table
#6 Still life with a cat and fish
#7 Still life with fresh-water fish, cat, Bartmannkrug, barrel and a small fishing net on a table
#9 Breakfast with Fish
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Pieter Claesz | Malerier fra denne liste |
|---|---|---|---|
| Gebruder Douwes | 12 | Still life with fruit and an overturned tazza before a roemer, Still life with roemer, silver cup, lemon, and knife, Still life with roemer, an overturned pewter jug, olives, and half-peeled lemon on pewter plates | |
 Frans Hals Museet |
Haren | 5 | Still life with a silver chalice, lemon, bread, and berkemeyer, Breakfast Piece with a Tazza, Fruit, and Cheese in a Basket, Still life with roemer, fallen tazza and lemon |
 Kunsthandel P. de Boer |
6 | Fruit still life, dated 1627, Still life with fruit on a table, Guild Cup of the Haarlem Brewer's Guild | |
| Richard Green Fine Paintings | London | 3 | Still life with smoker's requisites, Still life with rummer, wine glass, crab and bread on a platter, with a violin and a flute on a table, 1644 |
 Statens Museum for Kunst |
København | 3 | Still Life (rejoined to its left half in 1956), Still Life |
| Koetser Gallery | 2 | Still life with roemer, roast pheasant, salt-cellar, stoneware Jug, fruits and bread on a white cloth, Still life with Jan Steen pitcher, pie, lemon, bread, and berkemeyer | |
 Rijksmuseum |
Amsterdam | 2 | Still life with a brazier, a wine-glass, herring, oysters, bread, smoking paraphenalia, and a pewter plate, Still life with a fish |
 Bavarian State Painting Collections |
München | 2 | Laid table with Jan Steen pitcher and ham, Still life with rummer, oysters, lemon and olives |
Vælg et årti for at se det originale værk, der definerer det.
This painting, titled Still Life, was executed by the Dutch artist Pieter Claesz. It belongs to the genre of still life, a category that Claesz helped define through his intimate observations of domestic objects. The work is an oil on panel medium, a choice that allows for a particular level of detail in the rendering of textures and light.
Light spills from the upper left, grazing the surface of a heavy glass goblet and catching the sharp, metallic edge of a salt cellar. Everything sits in a state of profound stillness upon a draped table. A lemon, partially peeled, lies near the center, its bright, textured skin contrasting against the smooth, dark shadows of the background. The scene feels intimate, as if the viewer has just stepped into a…
In the work Still life by Pieter Claesz, dated about 1640, the composition presents a dense arrangement of luxury items situated upon a table covered with a white cloth. The objects are organized in a tight grouping against a dark, neutral background. A tall, ornate silver or pewter goblet, which is topped with a small figure, occupies a prominent position within the assembly. Beside it, a glass chalice and a…
In the painting Still life with cat, fish, asparagus, a bowl of strawberries, and a stone jar on a table by Pieter Claesz, dated about 1650, the composition is a dense arrangement of objects resting on a stone ledge or table. The scene is set against a dark, atmospheric background that provides a high degree of contrast for the items on the tabletop. In the foreground, several whole fish are…
Still life (1640), Gemäldegalerie, Berlin. Derefter følger Still life with cat, fish, asparagus, a bowl of strawberries, and a stone jar on a table (1650) og till life with a bowl of strawberries, head of a fish, roemer, and salt cellar (1650).
44 år gammel: Still life er fra 1640, og Pieter Claesz blev født i 1596.
Still life, Still life with cat, fish, asparagus, a bowl of strawberries, and a stone jar on a table, till life with a bowl of strawberries, head of a fish, roemer, and salt cellar, Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table, Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table, Still life with a cat and fish, Still life with fresh-water fish, cat, Bartmannkrug, barrel and a small fishing net on a table, Still life with a salt cellar and a lemon., Breakfast with Fish og Still Life. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 193 værker af Pieter Claesz, dateret fra 1621 til 1659.
Primært i Gebruder Douwes, Frans Hals Museet (Haren) og Kunsthandel P. de Boer. Museumslisten ovenfor viser dem alle.
I 1640s: 37 af de 100 værker på denne side blev skabt dengang, herunder Still life.
På denne side er det tidligste Vanitas with the Five Senses (1621) og det seneste Vanitas still life with a book, a glass roemer, a skull, a lute, a pack of cards and piece of parchment on a table (1659).
Bread (50), Lemon (44) og Glassware (33), fordelt på de 100 værker på denne side.
Oil On Canvas, for 38 af de 100 værker på denne side.
Dutch golden age, baseret på originalerne på denne side.
Still life with fruit and an overturned tazza before a roemer, Still life with roemer, silver cup, lemon, and knife og Still life with roemer, an overturned pewter jug, olives, and half-peeled lemon on pewter plates: Gebruder Douwes har 6 af værkerne på denne side.
I den gyldne, ravfarvede æra under den hollandske storhedstid, hvor storslåede landskaber og dramatiske portrætter ofte indtog rampelyset, fandtes der en mester af det intime og det oversete. Pieter Claesz (ca. 1597 – 1660) søgte ikke at indfange verdens vidstrakte panoramaer, men snarere de dybe sandheder, der lå skjult i de stille hjørner af et hjemligt interiør. Han var en kunstner, der fandt det uendelige i det uendeligt lille, og som transformerede simple genstande—et brødstykke, et glimtende glas eller et vejrbidt kranium—til dybsindige meditationer over den menneskelige tilstand. At betragte et maleri af Claesz er ikke blot at observere en samling af genstande, men at træde ind i en lydløs dialog med dødelighed og erindring.
Claesz blev født i Berchem i Belgien, nær det livlige kunstneriske knudepunkt Antwerpen, og hans tidlige år blev formet af de rige traditioner fra de flamske mestre. Hans rejse førte ham til Haarlem i 1620, en begivenhed, der uigenkaldeligt skulle ændre kunsthistoriens gang. I dette travle centrum for hollandsk handel og intellekt etablerede han sig ikke blot som maler, men som en grundsten i det lokale kunstneriske samfund. Det var her, han blev et fremtrædende medlem af Sankt Lukas-gildet og forfinede den stil, der i sidste ende skulle definere ontbijtstukken, eller morgenmadsstykkerne, som står tilbage som hans mest varige eftermæle.
Claesz' genialitet ligger i hans afvisning af det teatralske. Hvor samtidige kunstnere som Caravaggio benyttede dramatisk, højkontrast-belysning til at røre sjælen, foretrak Claesz en mere subtil og æterisk tilgang. Han mestrede kunsten at bruge chiaroscuro gennem delikate gradueringer, som lod lyset streife overfladen af en tin-tallerken eller trænge ind i citronens gennemsigtige skal med en overvældende realisme. Hans farvepalette var ofte bevidst afdæmpet, og han foretrak monokrome toner af dæmpede grønne nuancer, jordagtige brune farver og bløde hvide toner, hvilket lod hans motiver og deres teksturer træde frem i fuld pragt.
Hvert penselstrøg i en komposition af Claesz tjener et dobbelt formål: at gengive den fysiske verden og at vække en følelsesmæssig resonans. Han besad en næsten overnaturlig evne til at gengive det taktile – frugtens fløjlsbløde blødhed, metallets kolde hårdhed og glassets delikate skrøbelighed. Denne omhyggelige opmærksomhed på detaljen var aldrig blot dekorativ; den var redskabet til hans dybere filosofiske undersøgelser. Gennem den omhyggelige arrangering af lys og tekstur skabte han en atmosfære af stilhed, der inviterer beskueren til at dvæle og betragte den sanselige verden, før den uundgåeligt svinder ind.
Måske det mest dybsindige aspekt af Claesz’s værk er hans rolle som pioner inden for Vanitas-traditionen. I disse værker er genstandene på bordet aldrig blot genstande; de er symboler i en visuel prædiken om livets forgængelighed. Et flakkende lys, et væltet bæger eller et kranium tjener som et memento mori—en påmindelse om, at alle jordiske glæder og menneskelige bedrifter er flygtige. Han benyttede disse motiver til at væve komplekse fortællinger om verdenslige stræbelsers tomhed og dødens uundgåelighed.
Hans tidlige værker indeholdt ofte mere komplekse, symbolske arrangementer, såsom hans fejrede skildringer med musikinstrumenter eller lærde redskaber som blækhuse og bøger. I disse kompositioner udforskede han krydsfeltet mellem kunst, videnskab og sanserne, hvilket antydede, at selv de højeste menneskelige bestræbelser er underlagt tidens gang. Som hans karriere skred frem i 1630'erne, udviklede hans kompositioner sig mod en mere monumental og strømlinet æstetik, men den underliggende spænding mellem det nuværende øjebliks skønhed og fremtidens skygge forblev altid nærværende.
Den historiske betydning af Pieter Claesz kan ikke overvurderes. Sammen med kunstnere som Willem Claeszoon Heda redefinerede han grænserne for genren stilleben og løftede den fra blot at være dekorativt håndværk til at være en sofistikeret intellektuel disciplin. Hans indflydelse genlød gennem årtierne og formede den måde, efterfølgende generationer af hollandske malere tilgik lys, tekstur og symbolik på.
I dag står hans værker som vedvarende vidnesbyrd om beherskelsens kraft. Han lærte os, at der findes en dyb værdighed i det banale og en hjemsøgende skønhed i det forgængelige. Gennem sine "morgenmadsstykker" og Vanitas-meditationer forbliver Claesz en enestående stemme i kunsthistorien—en digter, der brugte olie og pigment til at skrive elegier over livets flygtige øjeblikke.
