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Paul Burlin malerier: De 1 mest berømte, set gennem et galleris øjne
Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Paul Burlin i vores katalog
Kort sagt
I galleriets øjne er Paul Burlins mest berømte maleri A-1961 (1961), hvis original hænger på Smithsonian American Art Museum i Washington, D.C.. Ud af de 3 værker af Paul Burlin i vores katalog præsenterer galleriet herunder de 1 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1886 – 1969, New York City
Flest værker: Smithsonian American Art Museum
Galleriets top 10 Paul Burlin malerier
De museer, der udstiller Paul Burlins originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Paul Burlin | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | A-1961 |
Paul Burlin, årets signaturmalerier
Hvert dateret originalværk af Paul Burlin på denne side er skabt i 1961: her er de mest berømte først.
Værker per år
Vælg et årstal for at se de originale værker.
Paul Burlin's malerier: galleriets svar
Hvilket maleri af Paul Burlin er det mest berømte af alle?Vis svaret
A-1961 (1961)
Hvor gammel var Paul Burlin, da A-1961 blev færdiggjort?Vis svaret
75 år gammel: A-1961 er fra 1961, og Paul Burlin blev født i 1886.
Hvor mange værker skabte Paul Burlin?Vis svaret
Vores katalog indeholder 3 værker af Paul Burlin.
Hvor hænger Paul Burlins mest berømte originaler?Vis svaret
Primært i Smithsonian American Art Museum (Washington, D.C.). Museumslisten ovenfor viser dem alle.
Paul Burlin: kunstneren
The Formative Years and Artistic Evolution
Born in New York City, Paul Burlin was a painter and printmaker who began his formal artistic education between 1900 and 1912 as a part-time student at the National Academy of Art and the Art Student's League. His early travels took him to Europe from 1908 to 1909 and to the Southwestern United States in 1910. Following a trip to Santa Fe, New Mexico, his paintings of the region were exhibited in New York in 1911, an event that led to his invitation to participate in the 1913 Armory Show. During his time in Santa Fe, which lasted until 1920, he painted landscapes, scenes of local daily life, and portraits of Pueblo Indians, often exploring themes of spirituality and anthropomorphism.
Style and Later Life
Burlin's career saw him move to Paris in 1921, where he studied European abstract painting styles. Upon returning to the United States in 1932, he settled in New York and worked as a member of the Federal Project of the Whitney Museum. As his career progressed, his work moved toward abstract expressionism, utilizing key symbols and imagery from Greek mythology to comment on the brutality of war. In his later years, despite losing his sight and undergoing eight cornea implants, he continued to paint, even when declared legally blind. His final works, The Series of Nine, were exhibited at the Museum of Modern Art in New York and the Pasadena Museum.