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De 3 mest berømte Pasquale Ottini-malerier, hver og en unik
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Pasquale Ottini i vores katalog
Kort sagt
Mary Magdalen (1600) er det maleri af Pasquale Ottini, der vækker mest opsigt; originalen findes på Minneapolis Institute of Art, Minneapolis. Derefter falder blikket på The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) og Saint Lucy. Blandt de 3 værker af Pasquale Ottini i vores katalog er disse 3 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
1578 – 1630, Verona
Flest værker: Minneapolis Institute of Art
Top 10 malerier af Pasquale Ottini, set gennem galleriets øjne
De museer, der udstiller Pasquale Ottinis originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Pasquale Ottini | Malerier fra denne liste |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 1 | Mary Magdalen |
 Dulwich Picture Gallery |
London | 1 | The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman |
Pasquale Ottini gennem årene: de unikke originaler fra hver enkelt
En lang karriere på 31 år, fra 1600 til 1630: Pasquale Ottinis mest berømte originalværker, vist år for år.
Værker per år
Vælg et årstal for at se de originale værker.
Pasquale Ottinis malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Pasquale Ottini?Vis svaret
Mary Magdalen (1600), Minneapolis Institute of Art, Minneapolis. Derefter følger The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630) og Saint Lucy.
Hvilken alder havde Pasquale Ottini, da Mary Magdalen blev skabt?Vis svaret
22 år gammel: Mary Magdalen er fra 1600, og Pasquale Ottini blev født i 1578.
Hvor mange værker af Pasquale Ottini er kendt?Vis svaret
Vores katalog indeholder 3 værker af Pasquale Ottini, dateret fra 1600 til 1630.
Hvor kan de mest berømte originaler af Pasquale Ottini ses?Vis svaret
Primært i Minneapolis Institute of Art (Minneapolis) og Dulwich Picture Gallery (London). Museumslisten ovenfor viser dem alle.
Hvilket berømt maleri af Pasquale Ottini er det tidligste, og hvilket er det seneste?Vis svaret
På denne side er det tidligste Mary Magdalen (1600) og det seneste The Madonna with Saint Lorenzo Giustiniani and a Venetian Nobleman (1630).
Pasquale Ottini: et portræt af kunstneren
The Studio of Brusasorci
In the quiet workshops of Verona, a young man named Pasquale Ottini began to find his voice under the watchful eye of Felice Brusasorci. He was not alone in this pursuit of craft; alongside him, Alessandro Turchi shared the same lessons and the same air. These early years were defined by the discipline of the studio, where the brush was guided by the traditions of a master. When Brusasorci passed away in 1605, the weight of unfinished business fell upon the young pupils. Ottini and Turchi stepped forward to complete a large canvas of the Fall of Manna for the church of San Giorgio in Braida, ensuring their teacher's vision reached its conclusion.
The early works of this period reveal a hand steeped in the Mannerist style. There is a certain tension in those first compositions, a lingering influence of the complex forms and stylized grace that characterized the era. While his path was largely centered in his hometown, whispers of a journey to Rome around 1615 suggest a life that reached beyond the borders of Verona. Whether he traveled with Turchi and Marcantonio Bassetti or remained close to the familiar streets of his birth, his presence in the artistic landscape of the seventeenth century remained steady.
A Life in Verona
Ottini’s career was marked by a devotion to the sacred spaces of his city. His hands worked upon many subjects that sought to bring the divine into the physical realm of the viewer. He left his mark upon the churches of San Stefano and San Giorgio, painting scenes such as the Massacre of the Innocents and San Niccolo. His ability to handle various media and subjects allowed him to move between the grand scale of church altarpieces and more intimate works, such as the Deposition completed for the church of San Francesco di Paola.
The shadows of history eventually caught up to the painter. In 1630, as the plague swept through Verona, Ottini’s own life reached its end. He died in the same city where he had learned his trade, leaving behind a body of work that reflected the shifting tastes of his time. His legacy survives through the paintings he left in the hands of the faithful and the collections that hold his depictions of the Assumption of the Virgin and the Lamentation of Christ.