Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 93 værker af Otto Eerelman i vores katalog
Kort sagt
I galleriets øjne er Otto Eerelmans mest berømte maleri Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter (1859), hvis original hænger på Groninger Museum i Groningen. Portrait of Anna Frederica Braak, wife of the painter (1881) og Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek (1869) fuldender trioen, som ethvert øje genkender. Ud af de 93 værker af Otto Eerelman i vores katalog præsenterer galleriet herunder de 93 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
We are looking at the Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter. This intimate work was executed by Otto Eerelman, a Dutch artist born in 1839 who would go on to achieve significant recognition in his native Groningen. The subject of this piece is Cornelisje Eerelman-Pluimker herself, captured in a moment of quiet composure.
The light finds her face first, a pale island in a sea of dark pigment. Anna Frederica Braak sits with a quiet, heavy dignity, her gaze meeting the viewer with a steady, unblinking clarity. She is framed by the deep shadows of a 19th-century interior, where the darkness feels thick and tactile. Her high-collared black dress is a study in texture, the fine embroidery and lace catching the light just…
The gaze of the viewer meets the steady, composed presence of the subject in the Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek. Painted in 1869, this work captures a specific moment of quiet dignity. The woman, Fokje van Griffen, sits as the central figure, her identity inextricably linked to her husband, Rudolph Jacob Schierbeek, through the very title of the piece. She exists here in a state…
The imagery functions as a visual record of military honor and regional identity. By grouping these specific artifacts—the drums, the flags, and the weaponry—the artist creates a static, frontal perspective that emphasizes the permanence of the achievements being commemorated. The verticality of the columns and flags provides a rigid structure to the piece, contrasting with the fluid movement of the textiles. It remains a formal study of the symbols associated…
The light enters from the upper left, a sharp, singular presence that carves the face of Samuel Eerelman out of a heavy, dark void. He sits in a three-quarter pose, a man anchored by the weight of his own history. His hair is a textured landscape of grey, curling around ears and sideburns that frame a face etched with the fine, quiet lines of age. There is a stillness here,…
In this 1876 oil portrait, we encounter Geert Jaxon Deelman, a man whose presence commands a quiet, somber respect. The composition is a bust-length study, presented within an oval format that focuses our attention entirely on the subject's face and upper torso. There is a certain gravity in his expression, a stillness that suggests a life of consequence. The lighting is handled with a delicate chiaroscuro, a soft light emanating…
The air in the room feels heavy, thick with the scent of old wood and the lingering dust of a performance just ended. A solitary circus performer sits in the dim light, her body leaning against a weathered wooden structure as she finds a moment of stillness. She is draped in a soft pink costume that catches the light, a stark contrast to the deep, earthy shadows that swallow the…
In this 1889 oil on canvas, we find the artist looking back at himself through a lens of quiet gravity. The portrait captures a man in the middle of his life, positioned slightly off-center as he meets the viewer's gaze with a steady, direct presence. There is a certain weight to the composition, a sense of a man settled into his own skin and his own history. The lighting is…
In this 1889 oil-on-canvas, we find ourselves in a quiet, intimate encounter with the artist himself. The composition is a close-up portrait, focusing on the head and shoulders of a middle-aged man positioned slightly off-center. There is a certain weight to the presence of the subject, a sense of gravity that comes from his direct gaze toward the viewer. The lighting is handled with a deliberate chiaroscuro technique; a single…
A heavy, silent stillness settles over the landscape as a large St. Bernard dog gazes out from a wintry scene. The air feels thick with the dampness of an overcast sky, casting a soft, diffused light that avoids harsh shadows and instead wraps the subject in a gentle, muted glow. Every detail of the dog's coat is palpable, from the coarse, thick texture of the brown and white fur to…
Farmers with cattle on the road to the market of Simmering near Vienna, Hungarian farmers with cattle on the road to the market of Simmering near Vienna,1917 · Groninger Museum
12
Abyssinian Lion,1914 · Groninger Museum
13
Decoupling of the Pack, Rendez-vous for the Fox Hunt,1921 · Groninger Museum
14
A Lady With A Dog
15
Head of a St. Bernard Dog1895 · Museum Boijmans Van Beuningen
16
Sitting Up
17
Flowers
18
The Horse Market on the Vreeburg in Utrecht, Palm Monday1884 · Museum Boijmans Van Beuningen
19
Dog with Parrot1893
20
The Frederiksplein in Amsterdam during the arrival of Queen Wilhelmina, 5 September 18981899 · Rijksmuseum
21
DogsDordrechts Museum
22
DECAYING Two Russian greyhounds on terrace, Two borzois on a terrace,1909 · Groninger Museum
23
The Sleigh-ride
24
To The Party
25
Preparing The Sleigh
26
The Ice Rink Sweeper
27
Stable Interior
28
Four Curious Saint Bernards Puppies
29
Jacoba van Beieren with her horse
30
A Saint Bernard Dog
31
Head of a Dog1912
32
Black Stallion and Fox in Meadow,1915 · Groninger Museum
33
Affenpinscher,1924 · Groninger Museum
34
Flowers, Fruit And Nuts
35
A Portrait Of A Horse
36
Sketch with horses and a jockey
37
Troika in the Snow
38
Studies With Horses
39
The Flirtation
40
Study With Dog
41
Zeelandish Girl
42
Horse drawn sleigh
43
Study Of A Dog
44
A Dachshund Puppy
45
Behind The Scenes At The Circus
46
A Mastiff On A Cushion
47
Study Of Two Hounds
48
Nest Met Jonge Mastiffs
49
A Dog
50
Afbeeldingen Van Grieksche En Romeinsche Goden
51
A Healthy Brood
52
A Riding Tour In The Snow
53
At The Circus
54
Lady On A Horse-drawn Sledge
55
Two Saint Bernard Dogs
56
A Romantic Proposal
57
Terrier With A Calling Card In His Mouth
58
Four Puppies
59
Roland
60
Men Loading Timber On A Cart
61
A Puppy And A Young Mastiff
62
Working The Land
63
A St. Bernard Pup
64
A Saint-bernard In The Snow
65
Mastiff Holding A Calling Card In His Mouth
66
In The Snow
67
A Study Of A Saint Bernard Puppy
68
Two St Bernard Puppies
69
Two Saint-bernard Puppies Playing With A Hat
70
The Little Lions
71
A Saint Bernard Puppy
72
A Circus Girl Grooming The Horses
73
A Mother's Watchful Eye
74
Study Of Boxers
75
In The Stables Of The Circus
76
At The Fair
77
The Two Friends
78
Portrait Of A Bouvier De Flandres Dog From The Le Fevre De Montigny Family
79
A Scottish Collie
80
A Black And Tan King Charles Spaniel
81
Horses In Stable
82
A Riding Tour On A Sunny Day
83
A Still Life Of Pink Roses
84
Portrait Of A Girl
85
A Pincher
86
A Brown Foal
87
Saint-bernard Puppies
88
English Mastiff
89
A Griffon Bruxellois
90
A Still Life Of Flowers
91
A King Charles Spaniel With A Blue Ribbon
92
Portrait Of A Horse In Front Of A Stable
93
De Paardenkeuring1920
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Otto Eerelman | Malerier fra denne liste |
|---|---|---|---|
 Groninger Museum |
Groningen | 13 | Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter, Portrait of Anna Frederica Braak, wife of the painter, Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | Head of a St. Bernard Dog, The Horse Market on the Vreeburg in Utrecht, Palm Monday |
 Museum Voor Moderne Kunst |
Arnhem | 1 | Circus Artist |
 Fries Museum |
Leeuwarden | 1 | St. Bernard Dog |
 Rijksmuseum |
Amsterdam | 1 | The Frederiksplein in Amsterdam during the arrival of Queen Wilhelmina, 5 September 1898 |
 Dordrechts Museum |
Dordrecht | 1 | Dogs |
Vælg et årti for at se det originale værk, der definerer det.
We are looking at the Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter. This intimate work was executed by Otto Eerelman, a Dutch artist born in 1839 who would go on to achieve significant recognition in his native Groningen. The subject of this piece is Cornelisje Eerelman-Pluimker herself, captured in a moment of quiet composure.
The gaze of the viewer meets the steady, composed presence of the subject in the Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek. Painted in 1869, this work captures a specific moment of quiet dignity. The woman, Fokje van Griffen, sits as the central figure, her identity inextricably linked to her husband, Rudolph Jacob Schierbeek, through the very title of the piece. She exists here in a state…
In this 1876 oil portrait, we encounter Geert Jaxon Deelman, a man whose presence commands a quiet, somber respect. The composition is a bust-length study, presented within an oval format that focuses our attention entirely on the subject's face and upper torso. There is a certain gravity in his expression, a stillness that suggests a life of consequence. The lighting is handled with a delicate chiaroscuro, a soft light emanating…
The light finds her face first, a pale island in a sea of dark pigment. Anna Frederica Braak sits with a quiet, heavy dignity, her gaze meeting the viewer with a steady, unblinking clarity. She is framed by the deep shadows of a 19th-century interior, where the darkness feels thick and tactile. Her high-collared black dress is a study in texture, the fine embroidery and lace catching the light just…
A heavy, silent stillness settles over the landscape as a large St. Bernard dog gazes out from a wintry scene. The air feels thick with the dampness of an overcast sky, casting a soft, diffused light that avoids harsh shadows and instead wraps the subject in a gentle, muted glow. Every detail of the dog's coat is palpable, from the coarse, thick texture of the brown and white fur to…
The scene depicts a wide landscape where Hungarian farmers drive a herd of cattle along a dirt road. The path leads from the foreground toward a distant village and hills under a vast, cloudy sky. In the center, a figure wears clothing of blue and white, providing a point of contrast against the earthy tones of the landscape. The cattle, rendered in white, move along the path, their forms defined…
Decoupling of the Pack, Rendez-vous for the Fox Hunt, is an oil painting by the Dutch painter Otto Erelman. Created about 1921, this work reflects the artist's lifelong dedication to the study of animals. Erelman was a significant figure in the Dutch art tradition, known for his precise understanding of equine and canine subjects.
Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter (1859), Groninger Museum, Groningen. Derefter følger Portrait of Anna Frederica Braak, wife of the painter (1881) og Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek (1869).
20 år gammel: Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter er fra 1859, og Otto Eerelman blev født i 1839.
Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter, Portrait of Anna Frederica Braak, wife of the painter, Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek, Participation of the Groningen marksmen in the campaign of 1830-1831,, Portrait of Samuel Eerelman, husband of Cornelisje Eerelman-Pluimker, father of the artist, Portrait of Geert Jaxon Deelman, Circus Artist, Self-Portrait at Age 50,, Selbstporträt og St. Bernard Dog. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 93 værker af Otto Eerelman, dateret fra 1859 til 1924.
Primært i Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Rotterdam) og Museum Voor Moderne Kunst (Arnhem). Museumslisten ovenfor viser dem alle.
I 1880s: 5 af de 93 værker på denne side blev skabt dengang, herunder Portrait of Anna Frederica Braak, wife of the painter.
På denne side er det tidligste Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter (1859) og det seneste Affenpinscher, (1924).
Saints (6), Woman (4) og Man (4), fordelt på de 93 værker på denne side.
Oil On Canvas, for 11 af de 93 værker på denne side.
Realism og Contemporary realism, baseret på originalerne på denne side.
Portrait of Cornelisje Eerelman-Pluimker, wife of Samuel Eerelman, mother of the painter, Portrait of Anna Frederica Braak, wife of the painter og Portrait of Fokje van Griffen, wife of Rudolph Jacob Schierbeek: Groninger Museum, Groningen har 13 af værkerne på denne side.
