Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 25 værker af Osman Hamdi Bey i vores katalog
Kort sagt
Af alle de originale værker, som Osman Hamdi Bey efterlod, er det mest berømte Skildpaddeopdrageren (1906), som er en del af samlingen på Pera Museum i Istanbul. Lige efter følger Kokona Despina (1906) og Koranic Instruction (1890). Vores katalog indeholder 25 værker af Osman Hamdi Bey; galleriet har bevaret de 24 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
I de stille, solplettede kamre i det, der ligner Den Grønne Moské i Bursa, udfolder der sig et dybtgående drama af stilhed. Skildpaddeopdrageren, malet af den visionære Osman Hamdi Bey i 1906, er langt mere end blot en afbildning af en ældre mand og hans langsomme ledsagere; det er en meditativ undersøgelse af reformens natur, tidens gang og den menneskelige ånd. Scenen fanger en skikkelse—ofte antaget at være et selvportræt…
In the quiet intimacy of Osman Hamdi Bey’s 1906 masterpiece, Kokona Despina, the viewer is not merely observing a portrait but is invited into a profound encounter with time itself. This evocative oil on canvas presents the weathered visage of an elderly man, rendered with such startling realism that one can almost feel the weight of the years etched into his skin. The composition is masterfully centered, focusing our gaze…
Within a secluded corner of the Yeşil Cami in Bursa, a quiet exchange of knowledge unfolds. The composition centers on two figures: a standing teacher, or hoja, and a seated student. The teacher, draped in a green robe and white mantle, gestures toward a book, his finger marking a passage of sacred text. The student listens with focused intensity, leaning forward from a position on the patterned carpet. This pedagogical…
In "Islamic theologian with Koran" by Osman Hamdi Bey, we find ourselves in a quiet, intimate space. The scene is presented through a medium shot at eye level, placing the viewer in close proximity to the subject. An elderly Islamic theologian is the central focus, seated upon a patterned rug and positioned slightly to the right of the center. He is deeply immersed in his study, a posture that suggests…
A solitary figure stands within the cool, shadowed embrace of an Ottoman-style mausoleum. He is draped in a long green garment, cinched at the waist, with a yellow scarf and a blue turban that marks him as a man of tradition. The light, perhaps filtering through a high, unseen opening, catches the folds of his heavy, woven robes and illuminates his face as he gazes toward the foreground. Before him…
Turkish Street Scene1888 · Alte Nationalgalerie
12
Hodja Reading The KoranSakıp Sabancı Museum
13
The Arms Dealer1908 · Ankara Painting and Sculpture Museum
14
Fountain of Youth1904 · Alte Nationalgalerie
15
Kökenoğlu Rıza Efendi1871 · Pera Museum
16
Girl With Pink Cap1904 · Pera Museum
17
Lilac Collecting Girl1881
18
Ladies Taking A Walk1887
19
Woman with a Mimos1906
20
Coffee Table1879
21
Arzuhalci / Public Scribe1910 · Sakıp Sabancı Museum
22
Portrait of Naile HanımSakıp Sabancı Museum
23
Flowers In A VaseSakıp Sabancı Museum
24
Two Musician GirlsPera Museum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 5 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Osman Hamdi Bey | Malerier fra denne liste |
|---|---|---|---|
 Sakıp Sabancı Museum |
Istanbul | 5 | Kokona Despina, Hodja Reading The Koran, Arzuhalci / Public Scribe |
 Pera Museum |
Istanbul | 4 | Skildpaddeopdrageren, Kökenoğlu Rıza Efendi, Girl With Pink Cap |
 Alte Nationalgalerie |
Berlin | 2 | Turkish Street Scene, Fountain of Youth |
 Musée d'Orsay |
Paris | 1 | Old man in front of children's graves |
 Ankara Painting and Sculpture Museum |
Altındağ | 1 | The Arms Dealer |
Vælg et årti for at se det originale værk, der definerer det.
Within a secluded corner of the Yeşil Cami in Bursa, a quiet exchange of knowledge unfolds. The composition centers on two figures: a standing teacher, or hoja, and a seated student. The teacher, draped in a green robe and white mantle, gestures toward a book, his finger marking a passage of sacred text. The student listens with focused intensity, leaning forward from a position on the patterned carpet. This pedagogical…
I de stille, solplettede kamre i det, der ligner Den Grønne Moské i Bursa, udfolder der sig et dybtgående drama af stilhed. Skildpaddeopdrageren, malet af den visionære Osman Hamdi Bey i 1906, er langt mere end blot en afbildning af en ældre mand og hans langsomme ledsagere; det er en meditativ undersøgelse af reformens natur, tidens gang og den menneskelige ånd. Scenen fanger en skikkelse—ofte antaget at være et selvportræt…
Skildpaddeopdrageren (1906), Pera Museum, Istanbul. Derefter følger Kokona Despina (1906) og Koranic Instruction (1890).
64 år gammel: Skildpaddeopdrageren er fra 1906, og Osman Hamdi Bey blev født i 1842.
Skildpaddeopdrageren, Kokona Despina, Koranic Instruction, Islamic theologian with Koran, Portrait of woman (His wife Naile Hanim), Two Young Girls Visiting A Shrine, Old man in front of children's graves, Mihrab, Girl Reciting Qur'an og A Lady of Constantinople. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 25 værker af Osman Hamdi Bey, dateret fra 1871 til 1910.
Primært i Sakıp Sabancı Museum (Istanbul), Pera Museum (Istanbul) og Alte Nationalgalerie (Berlin). Museumslisten ovenfor viser dem alle.
I 1900s: 9 af de 24 værker på denne side blev skabt dengang, herunder Skildpaddeopdrageren.
På denne side er det tidligste Kökenoğlu Rıza Efendi (1871) og det seneste Arzuhalci / Public Scribe (1910).
Man (3), Ottoman art (2) og Woman (2), fordelt på de 24 værker på denne side.
Oil On Canvas, for 6 af de 24 værker på denne side.
Orientalisme, baseret på originalerne på denne side.
Kokona Despina, Hodja Reading The Koran og Arzuhalci / Public Scribe: Sakıp Sabancı Museum, Istanbul har 5 af værkerne på denne side.
