Portræt af Olof Johan Södermark

De 11 mest berømte Olof Johan Södermark-malerier, en galleriselektion

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 11 værker af Olof Johan Södermark i vores katalog

Kort sagt

Af alle de originale værker, som Olof Johan Södermark efterlod, er det mest berømte Peder Anker (1830), som er en del af samlingen på Bogstad i Oslo. Lige efter følger The German Artist Franz Riepenhausen (1828) og Presumed Self Portrait (1827). Vores katalog indeholder 11 værker af Olof Johan Södermark; galleriet har bevaret de 11 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1790 – 1848, Landskrona Parish Flest værker: Nationalmuseum

Olof Johan Södermarks top 10 malerier: galleriets udvalg

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Portrait of Signora Vincensa af Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Olof Johan Södermark-udvalget fortsætter, fra 11 til 11

Motiverne, der fangede Olof Johan Södermarks blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Olof Johan Södermarks originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Olof Johan Södermark Malerier fra denne liste
Nationalmuseum, StockholmNationalmuseum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Olof Johan Södermarks malerier

Hvilket værk er Olof Johan Södermark mest kendt for?Vis svaret

Peder Anker (1830), Bogstad, Oslo. Derefter følger The German Artist Franz Riepenhausen (1828) og Presumed Self Portrait (1827).

Hvor gammel var Olof Johan Södermark, da Peder Anker blev skabt?Vis svaret

40 år gammel: Peder Anker er fra 1830, og Olof Johan Södermark blev født i 1790.

Hvad er de ti mest berømte Olof Johan Södermark malerier?Vis svaret

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model og Portrait of Signora Vincensa. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Olof Johan Södermark?Vis svaret

Vores katalog indeholder 11 værker af Olof Johan Södermark, dateret fra 1827 til 1845.

I hvilke museer udstilles Olof Johan Södermark's mesterværker?Vis svaret

Primært i Nationalmuseum (Stockholm), Bogstad (Oslo) og National Portrait Gallery of Sweden (Strängnäs). Museumslisten ovenfor viser dem alle.

I hvilke år malede Olof Johan Södermark sine mest berømte værker?Vis svaret

I 1830s: 4 af de 11 værker på denne side blev skabt dengang, herunder Peder Anker.

Hvad er de første og de sidste berømte originaler af Olof Johan Södermark?Vis svaret

På denne side er det tidligste Presumed Self Portrait (1827) og det seneste Grazia, Roman Model (1845).

Hvilke værker af Olof Johan Södermark udstilles på Nationalmuseum?Vis svaret

The German Artist Franz Riepenhausen, Presumed Self Portrait og Regina. Roman Girl with Choral Necklace and Earrings: Nationalmuseum, Stockholm har 8 af værkerne på denne side.

Olof Johan Södermark: liv og værk

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.