Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 298 værker af Nathaniel Dance-Holland i vores katalog
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I galleriets øjne er Nathaniel Dance-Hollands mest berømte maleri Tobias Smollet (1764), hvis original hænger på Yale Center for British Art i New Haven. James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne (1760) og The Meeting of Dido and Aeneas (1766) fuldender trioen, som ethvert øje genkender. Ud af de 298 værker af Nathaniel Dance-Holland i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Nathaniel Dance-Holland painted this formal portrait of the British novelist Tobias Smollett in 1764. The sitter is presented with the dignity typical of eighteenth-century portraiture, positioned within a setting that emphasizes his intellectual standing.
This captivating portrait, dating from the vibrant year of 1760, transports the viewer directly into the sophisticated drawing rooms and sunlit gardens of eighteenth-century London. It is a masterful gathering of four distinguished gentlemen—James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne—whose presence speaks volumes about the era's elite social circles. The composition itself is a study in structured elegance; three figures stand with confident poise…
The Meeting of Dido and Aeneas is an oil on canvas painting by Nathaniel Dance-Holland. Created in 1766, the work captures a pivotal moment of encounter between two figures of antiquity. The scene draws its narrative from the epic poem Aeneid. It depicts the Carthaginian queen Dido seated upon her throne as the Trojan prince Aeneas approaches her presence.
In this 1759 oil portrait, two men are positioned within a musical setting. The central figure is seated, his body angled toward a large, ornate harp. He wears a red waistcoat and his hands are placed upon the instrument. To his right, a second man stands, dressed in a blue-green garment. The composition is defined by a strong directional light source originating from the upper left, which casts deep shadows…
Maria Walpole, Duchess of Gloucester, is presented in a three-quarter length seated pose, positioned slightly to the left of the center. She is draped in a voluminous gown of white and silver satin, the heavy silk folds catching a soft, directional light from the upper left. This illumination emphasizes the tactile quality of the lace details and the lustrous sheen of the fabric. She holds an open book, a gesture…
This oil on canvas portrait, titled Thomas "Sense" Browne, was executed by the artist Nathaniel Dance-Holland in 1775. The subject of the painting is Thomas Browne, a man recognized during his lifetime as a noted land surveyor. His professional standing is indicated by his role as the Garter Principal King of Arms within the College of Arms, a position he attained in 1774.
The year is 1769, and within the hallowed halls of Queens' College, Cambridge, a scene unfolds captured with remarkable precision by Sir Nathaniel Dance Holland. Before us rests “Daniel Wray (1701–1783), Antiquary, Fellow Commoner,” an oil painting that transcends mere portraiture to become a poignant study in age, intellect, and the quiet dignity of scholarly pursuits. More than just a likeness, this work offers a glimpse into the intellectual climate…
The portrait titled Portrait Of Princess Charlotte Sophia , Wife Of King George Iii is a work by Nathaniel Dance-Holland. This depiction of a young woman captures a sense of beauty and refinement. The subject is presented with a quiet, composed grace. It is a piece from the 18th century, dated about 1744.
In the Portrait of Olive Craster, Nathaniel Dance-Holland presents a formal and elegant scene from about 1762. The subject appears from the waist up, framed within an oval portrait that rests against a dark, rectangular field. A young woman occupies the center of this space, her presence defined by a sense of quiet poise. She holds a small squirrel in her hands, a detail that introduces a touch of nature…
In the portrait of a lady with flowers by Nathaniel Dance-Holland, a young woman is captured in a bust-length view within an oval frame. She sits slightly off-center, her gaze meeting the viewer with a calm and poised expression. An elaborate garland of flowers rests around her neck and bodice, its organic shapes contrasting with the structured elegance of her attire. Her hair is gathered in an intricate updo, perhaps…
Christian VII (1749-1808), King of Denmark1768 · Royal Collection
12
A Lord Mayor of London1770 · Indianapolis Kunstmuseum
13
George Harry Grey (1737–1819), Lord Grey of Groby, Later 5th Earl of Stamford, and His Travelling Companion, Sir Henry Mainwaring (1726–1797), 4th Bt1760 · National Trust
14
Frederick North, 2nd Earl of Guilford1774
15
Sir Robert Kite (c.1708–1772), Lord Mayor of London (1766)Guildhall Art Gallery
16
Portrait of a Man (probably William Currie, 1756–1829, MP)1790 · Government Art Collection
17
Captain Samuel Barrington (1729–1800)1770 · National Maritime Museum
18
Sir John Russell (1741–1783), 9th BtChequers Court
19
Sir Nathaniel Dance Holland, MP for Midhurst1770 · Government Art Collection
20
Portrait Of Sophie Charlotte )1744
21
View near Rome1759 · Yale Center for British Art
22
John Thomas (1696–1781), Bishop of Winchester1761 · Royal Collection
23
Richard Terrick (1710–1777), Bishop of London1764
24
John Thomas, Bishop of Winchester1761
25
David Garrick (1717–1779), as Richard III (from Shakespeare's 'Richard III')1771 · Stratford-upon-avon Town Hall
26
George Hardinge, MP, KC1775
27
Lord Chief Justice Wilmot1771
28
John Monro1769 · Royal College of Physicians And Surgeons of Glasgow
29
Giovanni Battista Cipriani, RA1768
30
Margaret Maskelyne, Lady Clive1774
31
Margaret Maskelyne (1733–1817), Lady Clive1774
32
Robert Clive (1725–1774), 1st Baron Clive of Plassey, 'Clive of India'1770
33
Mary Brummell1772
34
George William, 6th Earl of Coventry1774 · Worcester Guildhall
35
King George III1773 · Hermitage Museum
36
Sir Harry Fetherstonhaugh (1754–1846), 2nd Bt, MP, as a Boy1770 · Uppark
37
Gustavus Brander (1720–1787)1770
38
George William (1722–1809), 6th Earl of Coventry1774 · Worcester Guildhall
39
Frederick North, 2nd Earl of Guilford1774 · National Portrait Gallery
40
Frederick Cornwallis, Archbishop of Canterbury1768
41
Gustavus Brander1770
42
Thomas Mudge (1715 1716–1794)1775
43
Charles Pratt Earl Camden, Lord Chancellor (1766–1770)1770
44
Charles Pratt, 1st Earl Camden1769 · National Portrait Gallery
45
Mrs. Vere1785
46
Jeremiah Milles1780 · Society of Antiquaries of London
47
William Bromfield1779 · Imperial College Healthcare Charity Art Collection
48
Francis Dashwood, 11th Baron Le Despencer1776
49
Admiral Richard Edwards (d.1794)1780 · National Maritime Museum
50
Thomas Dawson, Lord Cremorne1811
51
Edward, Duke of York (1739 1767)1765 · Royal Collection
52
Portrait of Arthur Murphy ( 1727-1805), Actor and AuthorNational Gallery of Ireland
53
Portrait of a Gentleman
54
Two Frowning Frenchmen
55
A Fashionable Lady
56
Holland And George Dance
57
A Clerical Orchestra
58
The Daggers Being Given To Lady Macbeth
59
Lady Macbeth Taking The Daggers
60
Portrait of George Dance, Architect
61
Portrait Of A Young Boy
62
Portrait of a Huntsman
63
George Hardinge
64
William WeddellUpton House
65
Richard Iii
66
A Clown, Standing Feet Wide Apart In Front Of A Greyhound
67
Portrait Of Charles Pinfold
68
Macbeth Entering The Witches
69
Admiral Keppel
70
Sir hugh palliser
71
Portrait Of Mrs. Vere
72
Sir john russell
73
Thomas Nuthall with a Dog and Gun
74
Portrait Of An Unknown Cleric Of The White FamilyDunham Massey Hall
75
Charles Pratt, 1st Earl Camden
76
Miss HargreavesBirmingham Museum and Art Gallery
77
Charles (1662–1748), 6th Duke of Somerset
78
Bartholomew Burton (c.1695–1770), Governor of the Bank of England (1760–1762)
79
Portrait of Thomas Williams, MP of Temple House
80
Mrs Burbridge of Staverton Hall, NorthamptonshireMaidstone Museum - Bentlif Art Gallery
81
Miss HargreavesBirmingham Museums And Art Gallery
82
Sir Robert Murray Keith (1730–1795), Diplomat og Ambassadeur til DanmarkGovernment Art Collection
83
John Lodge Hubbersty, Recorder of Lancaster, FellowUniversity of Cambridge Museums
84
Sir John Russell (d.1802), 10th BtChequers Court
85
John Lodge Hubbersty (d.1837), Recorder of Lancaster, Fellow (1781)Queens’ College
86
Sketches
87
An Investiture
88
Twins
89
Bond Street
90
A Lady And A Beggar
91
A Nude Figure With Classical Shield And Helm Hurling A Thunderbolt
92
Four Heads
93
Mouthers
94
A Man, Sneezing
95
Captain Scropholo
96
Dollalolla
97
I Thought As Much
98
A Goose And Two Headless Men
99
An Actor With Sword And Spear
100
A Man's Face
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Nathaniel Dance-Holland | Malerier fra denne liste |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 5 | Tobias Smollet, James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne, Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti |
 Government Art Collection |
London | 5 | Portrait of a Man (probably William Currie, 1756–1829, MP), Sir Nathaniel Dance Holland, MP for Midhurst, Sir Robert Murray Keith (1730–1795), Diplomat og Ambassadeur til Danmark |
 Royal Collection |
London | 4 | Christian VII (1749-1808), King of Denmark, John Thomas (1696–1781), Bishop of Winchester, Edward, Duke of York (1739 1767) |
 National Maritime Museum |
London | 4 | Captain Samuel Barrington (1729–1800), Admiral Richard Edwards (d.1794) |
 National Portrait Gallery |
London | 4 | Frederick North, 2nd Earl of Guilford, Charles Pratt, 1st Earl Camden |
 Queens’ College |
Cambridge | 2 | Daniel Wray (1701–1783), Antiquary, Fellow Commoner (1718 1719), John Lodge Hubbersty (d.1837), Recorder of Lancaster, Fellow (1781) |
 Chequers Court |
Aylesbury | 2 | Sir John Russell (1741–1783), 9th Bt, Sir John Russell (d.1802), 10th Bt |
 Worcester Guildhall |
Worcester | 2 | George William, 6th Earl of Coventry, George William (1722–1809), 6th Earl of Coventry |
Vælg et årti for at se det originale værk, der definerer det.
The portrait titled Portrait Of Princess Charlotte Sophia , Wife Of King George Iii is a work by Nathaniel Dance-Holland. This depiction of a young woman captures a sense of beauty and refinement. The subject is presented with a quiet, composed grace. It is a piece from the 18th century, dated about 1744.
In this 1759 oil portrait, two men are positioned within a musical setting. The central figure is seated, his body angled toward a large, ornate harp. He wears a red waistcoat and his hands are placed upon the instrument. To his right, a second man stands, dressed in a blue-green garment. The composition is defined by a strong directional light source originating from the upper left, which casts deep shadows…
Nathaniel Dance-Holland painted this formal portrait of the British novelist Tobias Smollett in 1764. The sitter is presented with the dignity typical of eighteenth-century portraiture, positioned within a setting that emphasizes his intellectual standing.
This oil on canvas portrait, titled Thomas "Sense" Browne, was executed by the artist Nathaniel Dance-Holland in 1775. The subject of the painting is Thomas Browne, a man recognized during his lifetime as a noted land surveyor. His professional standing is indicated by his role as the Garter Principal King of Arms within the College of Arms, a position he attained in 1774.
The portrait of Mrs. Vere is an oil on canvas rendered by Nathaniel Dance-Holland. This work emerged in 1785, a period when the artist was establishing his presence within the British art scene. The subject sits captured in a moment of quietude, her likeness preserved through the steady hand of a man who understood the weight of a sitter's gaze.
In the soft, luminous glow of late eighteenth-century portraiture, few works capture the spirited essence of an era quite like Sir Nathaniel Dance Holland’s Portrait of a Man. Painted in 1790, this captivating piece serves as more than just a likeness; it is a window into the social fabric of Georgian England. The subject, believed by many to be the influential politician William Currie, gazes out from the canvas with…
Tobias Smollet (1764), Yale Center for British Art, New Haven. Derefter følger James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne (1760) og The Meeting of Dido and Aeneas (1766).
29 år gammel: Tobias Smollet er fra 1764, og Nathaniel Dance-Holland blev født i 1735.
Tobias Smollet, James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne, The Meeting of Dido and Aeneas, Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, Portrait of Maria Walpole, Thomas "Sense" Browne, Daniel Wray (1701–1783), Antiquary, Fellow Commoner (1718 1719), Portrait Of Princess Charlotte Sophia , Wife Of King George Iii, Portrait of Olive Craster og portrait of a lady with flowers. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 298 værker af Nathaniel Dance-Holland, dateret fra 1744 til 1811.
Primært i Yale Center for British Art (New Haven), Government Art Collection (London) og Royal Collection (London). Museumslisten ovenfor viser dem alle.
I 1770s: 23 af de 100 værker på denne side blev skabt dengang, herunder Thomas "Sense" Browne.
På denne side er det tidligste Portrait Of Princess Charlotte Sophia , Wife Of King George Iii (1744) og det seneste Thomas Dawson, Lord Cremorne (1811).
Man (30), 18th century (18) og Portrait (17), fordelt på de 100 værker på denne side.
Oil On Canvas, for 40 af de 100 værker på denne side.
Neoclassical portraiture, baseret på originalerne på denne side.
Tobias Smollet, James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne og Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti: Yale Center for British Art, New Haven har 5 af værkerne på denne side.
