Portræt af Matthijs Accama

De 5 mest berømte Matthijs Accama-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Matthijs Accama i vores katalog

Kort sagt

Portrait of Maria Louise van Hessen Kassel (1750) er det maleri af Matthijs Accama, der vækker mest opsigt; originalen findes på Fries Museum, Leeuwarden. Derefter falder blikket på Portrait of Lady Anschie van Doijs (1760) og Portrait of Jan Zeper (soapboiler) (1759). Blandt de 5 værker af Matthijs Accama i vores katalog er disse 5 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1702 – 1783, Leeuwarden Flest værker: Fries Museum

Top 10 malerier af Matthijs Accama, set gennem galleriets øjne

De museer, der udstiller Matthijs Accamas originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Matthijs Accama Malerier fra denne liste
Fries Museum, LeeuwardenFries Museum Leeuwarden 5 Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs, Portrait of Jan Zeper (soapboiler)

Matthijs Accama gennem årene: de unikke originaler fra hver enkelt

Matthijs Accamas daterede originaler vist her strækker sig over cirka ti år, fra 1750 til 1760: øjet følger dem år for år.

Værker per år

Vælg et årstal for at se de originale værker.

Matthijs Accamas malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Matthijs Accama?Vis svaret

Portrait of Maria Louise van Hessen Kassel (1750), Fries Museum, Leeuwarden. Derefter følger Portrait of Lady Anschie van Doijs (1760) og Portrait of Jan Zeper (soapboiler) (1759).

Hvilken alder havde Matthijs Accama, da Portrait of Maria Louise van Hessen Kassel blev skabt?Vis svaret

48 år gammel: Portrait of Maria Louise van Hessen Kassel er fra 1750, og Matthijs Accama blev født i 1702.

Hvor mange værker af Matthijs Accama er kendt?Vis svaret

Vores katalog indeholder 5 værker af Matthijs Accama, dateret fra 1750 til 1760.

Hvor kan de mest berømte originaler af Matthijs Accama ses?Vis svaret

Primært i Fries Museum (Leeuwarden). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Matthijs Accama sine mest kendte malerier?Vis svaret

I 1759: 2 af de 5 værker på denne side blev skabt dengang, herunder Portrait of Jan Zeper (soapboiler).

Hvilket berømt maleri af Matthijs Accama er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Portrait of Maria Louise van Hessen Kassel (1750) og det seneste Portrait of Lady Anschie van Doijs (1760).

Hvilke originalværker af Matthijs Accama kan jeg se på Fries Museum?Vis svaret

Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs og Portrait of Jan Zeper (soapboiler): Fries Museum, Leeuwarden har 5 af værkerne på denne side.

Matthijs Accama: et portræt af kunstneren

A Life in Leeuwarden

Matthijs Accama was born in 1702 in Leeuwarden, within the Dutch Republic. He grew up in a household where art was a shared language, being the brother of the painter Bernardus Accama. His early years in Leeuwarden provided the foundation for a life spent observing the world through a painterly lens. He eventually left his home to travel to Italy, a move that would fundamentally shape his understanding of light and form.

During his time in Italy, Accama spent much of his energy studying the works of the ancient masters. He did not merely look at these paintings; he sought to replicate them, using the old techniques to refine his own hand. This period of imitation and study allowed him to develop a talent for capturing the essence of classical subjects. He returned to his roots, eventually passing away in his native town in 1783.

The Nature of His Work

Accama’s brush was often directed toward subjects that required a sense of narrative or moral weight. He focused his efforts on two primary areas of subject matter:

  • Historical scenes that sought to recreate the gravity of past events.
  • Emblematical subjects designed to convey specific meanings or allegories.

His approach was characterized by a desire to translate the grandeur of the Italian masters into a Dutch context. By copying the works of those who came before him, he learned how to structure complex compositions and manage the subtle shifts in tone that define historical painting.

Historical Presence

While his brother Bernardus achieved a level of recognition for portraiture, Matthijs carved out a niche through his interest in the allegorical and the historical. His work reflects the intellectual interests of the 18th century, where art often functioned as a way to communicate complex ideas through visual symbols. He remained connected to Leeuwarden throughout his life, a constant presence in the artistic landscape of the Dutch Republic until his death.