Portræt af Marion Post Wolcott

Marion Post Wolcott malerier: De 65 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 65 værker af Marion Post Wolcott i vores katalog

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I galleriets øjne er Marion Post Wolcotts mest berømte maleri Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Coney Island Lunch (1938) og White man in shack (1938) fuldender trioen, som ethvert øje genkender. Ud af de 65 værker af Marion Post Wolcott i vores katalog præsenterer galleriet herunder de 65 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1910 – 1990 Documentary photography Flest værker: Boca Raton Museum of Art

Galleriets top 10 Marion Post Wolcott malerier

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Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940) af Marion Post Wolcott

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi

1940

This poignant black and white photograph by Marion Post Wolcott offers a powerful glimpse into the hardships of the American South during the Great Depression. Captured in 1940 in Natchez, Mississippi, it depicts two women, burdened with heavy loads – one carrying a box of surplus relief commodities on her head – walking along a dusty path. More than just a snapshot, this image serves as a testament to human…

Marion Post Wolcotts malerier, rangeret fra 11 til 65

11Large white house (1938) af Marion Post WolcottLarge white house1938 12Coal miners' card game on the porch, Chaplin, West Virginia (1938) af Marion Post WolcottCoal miners' card game on the porch, Chaplin, West Virginia1938 13Miner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia (1938) af Marion Post WolcottMiner's wife on porch of their home, an abandoned company store. Pursglove, West Virginia1938 14French mulatto farmer. Melrose, Louisiana (1940) af Marion Post WolcottFrench mulatto farmer. Melrose, Louisiana1940 15Proprietor of a poolhall playing cards, Woodstock, Vermont (1939) af Marion Post WolcottProprietor of a poolhall playing cards, Woodstock, Vermont1939 16Barn and silos on rich farmland. Bucks County, Pennsylvania (1939) af Marion Post WolcottBarn and silos on rich farmland. Bucks County, Pennsylvania1939 17Dancing during the Cotton Carnival. Memphis, Tennessee (1940) af Marion Post WolcottDancing during the Cotton Carnival. Memphis, Tennessee1940 18Daughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana (1940) af Marion Post WolcottDaughter of a Cajun family returning home after fishing in Cane River. Melrose, Louisiana1940 19Sulky Races, Shelby County Fair, Kentucky (1940) af Marion Post WolcottSulky Races, Shelby County Fair, Kentucky1940 20Woman lying in the sun, Miami Beach, Florida (1939) af Marion Post WolcottWoman lying in the sun, Miami Beach, Florida1939 21The hazards of travel by car. Jackson, Kentucky (1940) af Marion Post WolcottThe hazards of travel by car. Jackson, Kentucky1940 22Hanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky (1940) af Marion Post WolcottHanging bands of tobacco in barn to dry, Russell Spear's farm. Near Lexington, Kentucky1940 23Gambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida (1941) af Marion Post WolcottGambling (skin game) in juke joint on Saturday night, near Moore Haven, Florida1941 24Advertisement on the side of a drugstore, Wendell, North Carolina (1939) af Marion Post WolcottAdvertisement on the side of a drugstore, Wendell, North Carolina1939 25Selling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky (1940) af Marion Post WolcottSelling watermelons on Saturdays and court day in Jackson, Breathitt County, Kentucky1940 26Migrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida (1939) af Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for a day's work. Near Belle Glade, Florida1939 27County judge on the main street, Leadville, Colorado (1941) af Marion Post WolcottCounty judge on the main street, Leadville, Colorado1941 28Work horses on a Farm Security Administration project. Scott's Bluff, Nebraska (1941) af Marion Post WolcottWork horses on a Farm Security Administration project. Scott's Bluff, Nebraska1941 29Counting ballots to see whether the town will go wet or dry. Woodstock, Vermont (1940) af Marion Post WolcottCounting ballots to see whether the town will go wet or dry. Woodstock, Vermont1940 30Flint River Farms School, near Montezuma, Georgia (1939) af Marion Post WolcottFlint River Farms School, near Montezuma, Georgia1939 · Boca Raton Museum of Art 31Corn shucking at the Fred Wilkins farm. Stem, North Carolina (1939) af Marion Post WolcottCorn shucking at the Fred Wilkins farm. Stem, North Carolina1939 32Pahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida (1941) af Marion Post WolcottPahokee Hotel, migrant vegetable picker's quarters. Near Homestead, Florida1941 33Child in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida (1939) af Marion Post WolcottChild in doorway of shack of migrant pickers and packing house workers, near Belle Glade, Florida1939 34Hot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida (1941) af Marion Post WolcottHot lunches for children of agricultural workers in day nursery of Okeechobee, Migratory Labor camp. Belle Glade, Florida1941 35Haircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi (1939) af Marion Post WolcottHaircutting in front of general store on Saturday afternoon, Marcella Plantation. Mileston, Mississippi1939 36Peddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont (1940) af Marion Post WolcottPeddler who goes from door to door, selling hardware and groceries. Woodstock, Vermont1940 37A fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana (1940) af Marion Post WolcottA fireplace in an old mud hut which was built and is still lived in by a French mulatto family, near the John Henry plantation. Melrose, Louisiana1940 38The Whittler, an old Negro man (ex slave) Camden, Alabama (1939) af Marion Post WolcottThe Whittler, an old Negro man (ex slave) Camden, Alabama1939 39The Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina (1939) af Marion Post WolcottThe Titus Oakley family stripping, tying, and grading tobacco in their bedroom. Granville, County, North Carolina1939 40Farmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina (1939) af Marion Post WolcottFarmers sleeping in a white camp room in a warehouse. They often must remain several days before their tobacco is sold. Durham, North Carolina1939 41Negro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana (1940) af Marion Post WolcottNegro men and women working in a field, Bayou Bourbeaux Plantation. Natchitoches, Louisiana1940 42Migrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida (1939) af Marion Post WolcottMigrant agricultural workers waiting in line behind truck in the field, for pay for day's work. Near Belle Glade, Florida1939 43Children of migrant workers. Near Homestead, Florida (1939) af Marion Post WolcottChildren of migrant workers. Near Homestead, Florida1939 44Picketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee (1939) af Marion Post WolcottPicketing copper miners on strike waiting for the scabs (strikebreakers) to come out of the mine. Ducktown, Tennessee1939 45Migrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida (1940) af Marion Post WolcottMigrants playing checkers (with bottle caps), on a juke joint porch after a freeze out of vegetable crops. Near Okeechobee, Florida1940 46Oldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida (1939) af Marion Post WolcottOldest child of migrant packing house workers preparing supper. Her parents work during the day and sometimes until 2 A.M. The children are left alone. Near Homestead, Florida1939 47Mexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi (1939) af Marion Post WolcottMexican woman, seasonal labor contracted for by planters, picking cotton on Knowlton Plantation, Perthshire, Mississippi Delta, Mississippi1939 48Jorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama (1939) af Marion Post WolcottJorena Pettway sorting peas inside her smokehouse. She still has many fruits and vegetables, which she canned last year, on the shelves around her. Gee's Bend, Alabama1939 49Meeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina (1940) af Marion Post WolcottMeeting of the Colored County Land Use Planning Committee to work on county maps, in school house, Yanceyville, North Carolina1940 50A woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida (1939) af Marion Post WolcottA woman from New Jersey picking beans. Hampers are heavy and must be moved along as one picks. Homestead, Florida1939 51Migrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida (1939) af Marion Post WolcottMigrant family from Missouri camping out in cane brush. One woman said, We ain't never lived like hogs before, but we sure does now. Canal Point, Florida1939 52Lake Providence Grocery (1938) af Marion Post WolcottLake Providence Grocery1938 53Carnival signs, Strawberry Festival. Plant City, Florida (1978) af Marion Post WolcottCarnival signs, Strawberry Festival. Plant City, Florida1978 54Winter Tourists Picnicking on Beach near Sarasota, Fla. (1980) af Marion Post WolcottWinter Tourists Picnicking on Beach near Sarasota, Fla.1980 · Amon Carter Museum of American Art 55Children of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina af Marion Post WolcottChildren of Tenant Farmer, Younger One with Severe Rickets from Malnourishment. Land Worn Out from Cotton-Tobacco Culture, near Wadesboro, North Carolina 56Mountains (1938) af Marion Post WolcottMountains1938 57The Piney Hotel (1938) af Marion Post WolcottThe Piney Hotel1938 58Tourist Cabins (1938) af Marion Post WolcottTourist Cabins1938 59Coal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia (1938) af Marion Post WolcottCoal Miner's child carrying home a can of kerosene, Scotts Run, West Virginia1938 60Fields of shucked corn. Near Marion, Virginia (1940) af Marion Post WolcottFields of shucked corn. Near Marion, Virginia1940 61Mountaineers cutting tobacco. Jackson, Kentucky (1940) af Marion Post WolcottMountaineers cutting tobacco. Jackson, Kentucky1940 62Couple carrying home groceries, kerosene on horseback. Kentucky Mountains (1940) af Marion Post WolcottCouple carrying home groceries, kerosene on horseback. Kentucky Mountains1940 63Man Playing Guitar on Porch, Natchitoches, Louisiana (1940) af Marion Post WolcottMan Playing Guitar on Porch, Natchitoches, Louisiana1940 · Ogden Museum of Southern Art 64Corn shocks and split rail fence (1978) af Marion Post WolcottCorn shocks and split rail fence1978 65Living quarters and (1982) af Marion Post WolcottLiving quarters and1982

Marion Post Wolcotts berømte malerier, periode for periode

Motiverne, der fangede Marion Post Wolcotts blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Marion Post Wolcotts originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Marion Post Wolcott Malerier fra denne liste
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 Flint River Farms School, near Montezuma, Georgia
Amon Carter Museum of American Art, Fort WorthAmon Carter Museum of American Art Fort Worth 1 Winter Tourists Picnicking on Beach near Sarasota, Fla.
Ogden Museum of Southern Art, New OrleansOgden Museum of Southern Art New Orleans 1 Man Playing Guitar on Porch, Natchitoches, Louisiana

Marion Post Wolcott, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Marion Post Wolcott's malerier: galleriets svar

Hvilket maleri af Marion Post Wolcott er det mest berømte af alle?Vis svaret

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi (1940). Derefter følger Coney Island Lunch (1938) og White man in shack (1938).

Hvor gammel var Marion Post Wolcott, da Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi blev færdiggjort?Vis svaret

30 år gammel: Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi er fra 1940, og Marion Post Wolcott blev født i 1910.

Hvilke er Marion Post Wolcotts top 10 malerier?Vis svaret

Two Negro women carrying packages, one has a box of surplus relief commodities on her head. Natchez, Mississippi, Coney Island Lunch, White man in shack, Mule getting shod, White man on wagon, Workers and truck, Gathering of black men, Two black men sitting outside tin shack, Three black women cooking og Black workers. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Marion Post Wolcott?Vis svaret

Vores katalog indeholder 65 værker af Marion Post Wolcott, dateret fra 1938 til 1982.

Hvor hænger Marion Post Wolcotts mest berømte originaler?Vis svaret

Primært i Boca Raton Museum of Art (Boca Raton), Amon Carter Museum of American Art (Fort Worth) og Ogden Museum of Southern Art (New Orleans). Museumslisten ovenfor viser dem alle.

Hvornår skabte Marion Post Wolcott sine mest berømte malerier?Vis svaret

I 1930s: 37 af de 65 værker på denne side blev skabt dengang, herunder Coney Island Lunch.

Hvilke er Marion Post Wolcotts tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Coney Island Lunch (1938) og det seneste Living quarters and (1982).

Hvilke motiver vendte Marion Post Wolcott oftest tilbage til?Vis svaret

American history (5), Rural america (5) og Great depression (3), fordelt på de 65 værker på denne side.

Hvilken stilart er Marion Post Wolcott associeret med?Vis svaret

Documentary photography og Social documentary photography, baseret på originalerne på denne side.

Marion Post Wolcott: kunstneren

The Genesis of a Visionary Eye

Born in the quiet enclave of Montclair, New Jersey, Marion Post Wolcott’s journey toward becoming one of America's most poignant visual chroniclers was shaped by a childhood of both artistic richness and personal upheaval. Growing up amidst the vibrant, bohemian atmosphere of Greenwich Village after her parents' divorce, she was immersed in a world where music and dance were not merely entertainments but vital expressions of the human spirit. This early exposure to the arts instilled in her a profound sensitivity to rhythm and emotion—a quality that would later define her photographic compositions.

Her studies at the New School further refined this aesthetic sensibility, yet it was her encounter with the work of Viennese photographer Trude Fleischmann that truly ignited her technical passion. As the shadows of Nazi persecution loomed over Europe, Wolcott’s return to the United States was marked by a burgeoning awareness of the world's fragility, setting the stage for a career dedicated to documenting the raw, unvarnished truths of the American experience.

Documenting Dignity Amidst Desolation

When Wolcott joined the Farm Security Administration in the late 1930s, she stepped into a landscape of profound economic devastation. Her lens became a tool for social justice, capturing the quiet resilience of those caught in the grip of the Great Depression. Unlike some of her contemporaries who focused solely on the tragedy of poverty, Wolcott possessed a unique ability to find dignity within the struggle. Whether she was documenting the weary strength of black workers in rural fields or the heavy burdens carried by women in Natchez, Mississippi, her images transcended mere reportage.

Her work in the Jim Crow South provided an unflinching look at systemic inequality, yet she approached her subjects with an unwavering empathy that prevented her photos from becoming purely exploitative. Through her camera, the struggle for survival was elevated to a narrative of human endurance, turning the dust and hardship of the American South into a powerful testament to the strength of the human soul.

A Lasting Legacy of Social Realism

The technical mastery of Wolcott’s work lies in its stark, silver gelatin simplicity. Utilizing the profound emotional weight of black and white photography, she stripped away the distractions of color to focus on texture, light, and expression. Her compositions were often direct and unpretentious, mirroring the honesty of her subjects. Through her involvement with the New York Photo League alongside luminaries like Paul Strand and Ralph Steiner, she helped shape the movement of social realism in American photography.

  • Historical Significance: Her FSA archive remains an essential primary source for studying the Great Depression and the Jim Crow era.
  • Artistic Influence: She pioneered a style of documentary photography that balances journalistic truth with poetic composition.
  • Humanitarian Impact: Her work brought the overlooked realities of rural America to the forefront of national consciousness.