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Af alle de originale værker, som Maria Oakey Dewing efterlod, er det mest berømte Irises and Calla Lilies (1890), som er en del af samlingen på Detroit Institute of Arts i Detroit. Lige efter følger Garden in May (1895) og Iris at Dawn (1899). Vores katalog indeholder 4 værker af Maria Oakey Dewing; galleriet har bevaret de 4 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Maria Oakey Dewings top 10 malerier: galleriets udvalg
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
De museer, der udstiller Maria Oakey Dewings originalværker
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Maria Oakey Dewing | Malerier fra denne liste |
|---|---|---|---|
| Detroit | 1 | Irises and Calla Lilies | |
| Washington, D.C. | 1 | Garden in May | |
| Hanover | 1 | Iris at Dawn | |
| Bentonville | 1 | Rose Garden |
Maria Oakey Dewing år for år: de originale værker, der definerer hvert år
Udvælgelsen strækker sig over 12 år med Maria Oakey Dewing, fra 1890 til 1901, og indeholder de fineste originalværker fra hvert år.
Værker per år
Vælg et årstal for at se de originale værker.
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
Samleres spørgsmål om Maria Oakey Dewings malerier
Hvilket værk er Maria Oakey Dewing mest kendt for?Vis svaret
Irises and Calla Lilies (1890), Detroit Institute of Arts, Detroit. Derefter følger Garden in May (1895) og Iris at Dawn (1899).
Hvor gammel var Maria Oakey Dewing, da Irises and Calla Lilies blev skabt?Vis svaret
45 år gammel: Irises and Calla Lilies er fra 1890, og Maria Oakey Dewing blev født i 1845.
Hvor mange malerier efterlod Maria Oakey Dewing?Vis svaret
Vores katalog indeholder 4 værker af Maria Oakey Dewing, dateret fra 1890 til 1901.
I hvilke museer udstilles Maria Oakey Dewing's mesterværker?Vis svaret
Primært i Detroit Institute of Arts (Detroit), Smithsonian American Art Museum (Washington, D.C.) og Hood Museum of Art (Hanover). Museumslisten ovenfor viser dem alle.
Hvad er de første og de sidste berømte originaler af Maria Oakey Dewing?Vis svaret
På denne side er det tidligste Irises and Calla Lilies (1890) og det seneste Rose Garden (1901).
Maria Oakey Dewing: liv og værk
Maria Richards Oakey Dewing (1845 – 1927): A Florist’s Vision of Impressionism
Maria Richards Oakey Dewing, born October 27, 1845 in New York City, was a prominent American painter celebrated for her exquisite depictions of flowers and her pivotal role in establishing the Art Students League. Her artistic journey began at seventeen when she enrolled at Cooper Union School of Design, immersing herself in studies under luminaries like William Rimmer, Edwin Forbes, Robert Swain Gifford, and George Edmund Butler—artists who championed a bold new approach to artmaking. Helena de Kay, a fellow artist and cherished friend, further nurtured her talent during these formative years. Dewing’s fascination with Japanese aesthetics profoundly impacted her artistic style, particularly evident in her masterful use of color palettes and compositional techniques. Inspired by John La Farge—a celebrated artist whose own explorations into the beauty of nature served as a guiding force—she embarked on a lifelong pursuit of capturing fleeting moments of visual splendor. Her dedication to botanical observation translated seamlessly onto canvas, resulting in paintings that possessed an unparalleled level of detail and sensitivity.- Early Life & Education: Dewing’s upbringing instilled in her a deep appreciation for art and culture. She honed her skills at Cooper Union and the National Academy of Design, absorbing influences from masters like George Inness and Frederic Church—artists who championed realism alongside Impressionistic ideals.
- Marriage & Family: In 1881, Dewing married Thomas Wilmer Dewing, a fellow artist with whom she shared a passion for artistic experimentation. Together they cultivated a vibrant home life in Cornish, New Hampshire, where their garden served as an unending source of inspiration for her paintings.
- The Art Students League & Artistic Innovation: Recognizing the need for a supportive environment for aspiring artists—particularly women—Dewing co-founded the Art Students League of New York in 1875. This institution fostered a spirit of collaboration and encouraged artistic innovation, propelling Dewing’s career forward.
Floral Mastery: Style & Technique
Dewing's distinctive style was characterized by broad brushstrokes and luminous colors—a hallmark of Impressionism. She prioritized capturing the ephemeral qualities of light and atmosphere, striving to convey not just what she saw but also how it felt. Her meticulous attention to detail—particularly in rendering petal textures and floral forms—demonstrated her profound understanding of botany and her unwavering commitment to artistic excellence. Critics lauded her work for its “absolute uniqueness,” recognizing Dewing’s ability to transform ordinary subjects into extraordinary expressions of beauty.- Notable Works: Among her most celebrated paintings are *Garden in May* (1895), *Bed of Poppies* (1903), and *Iris at Dawn* (1909)—each piece showcasing Dewing’s poetic sensibility and masterful command of color.
- Influence & Legacy: Dewing's influence extended beyond her own artistic output, shaping the aesthetic sensibilities of subsequent generations of American painters. Her unwavering belief in Impressionistic ideals helped solidify its position as a dominant movement within the art world.