Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 71 værker af Marco Ricci i vores katalog
Kort sagt
Af alle de originale værker, som Marco Ricci efterlod, er det mest berømte Architectural Capriccio (1702), som er en del af samlingen på Bavarian State Painting Collections i München. Lige efter følger Rehearsal of an opera (1709) og Rehearsal of an opera (1709). Vores katalog indeholder 71 værker af Marco Ricci; galleriet har bevaret de 71 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
The oil painting presents a crowded indoor setting where a group of musicians and singers are gathered for an opera rehearsal. The composition is horizontal, filling the space with figures arranged in the foreground and middle ground. A muted, dark olive-green wall forms the backdrop for the assembly. In the foreground, the curves of a cello and the rectangular frame of a harpsichord are visible among the performers. The color…
Step into this grand, interior space where the air feels heavy with the anticipation of a performance. We find ourselves in a room of significant scale, perhaps a private salon or a rehearsal hall, where a group of figures has gathered for a musical session. The scene is dense, filled with the quiet energy of artists in motion. A cello rests in the immediate foreground, its dark wood grounding the…
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Woodland Scene with Bandits is an oil painting by Marco Ricci. Created about 1726, the work captures a moment of tension within a dense thicket. A group of bandits or travelers occupies the forest, their presence disrupting the quietude of the trees. The scene is framed by the verticality of weathered trunks and the shadows of a deep landscape view.
The painting Caprice Landscape with Ruins and a Statue is a work by the Italian artist Marco Ricci. Born in Belluno, Italy, in 1676, Ricci brought a specific Venetian sensibility to this composition. The canvas captures a moment of stillness amidst crumbling stone and weathered marble. It dates to about 1729.
We are looking at Landscape with an Allegorical Monument to Newton, a work by the Venetian painter Marco Ricci. Created about 1728, this piece presents an allegorical scene set within a landscape of ancient ruins. The composition focuses on a central structure of classical architectural elements, including a plinth with inscriptions and various sculptural figures, all positioned under a clear blue sky.
Landscape with two Praying Monks is an oil painting by Marco Ricci. The work emerged around 1729, during the final years of the artist's life. Ricci, born in 1676, lived until 1730, leaving behind a legacy defined by the atmospheric expanses of the Venetian tradition.
The scene unfolds within the frantic energy of A Wood with Peasants Alarmed by a Bear, a work that captures a sudden moment of chaos amidst the trees. This dramatic encounter is the creation of Marco Ricci, an artist whose life began in Belluno, Italy, in 1676. The painting emerges from a time of great movement in the early eighteenth century, dating to about 1725. Every brushstroke seems to pulse…
The Courtyard of a Country House1728 · Royal Collection
12
A Classical Ruin Caprice1728 · Royal Collection
13
Landscape with a Woman and Child1727 · Royal Collection
14
Landscape with Women Washing Clothes1727 · Royal Collection
15
Landscape with Peasants and Woodcutters1725 · Royal Collection
16
A Ruin Caprice with Roman Motifs1727 · Royal Collection
17
Landscape with Cattle and a Woman Speaking to a Seated Man1727 · Royal Collection
18
Villa in a Park Setting1720 · Gallerie dell'Accademia di Venezia
19
Landscape with River and Figures1720 · Gallerie dell'Accademia di Venezia
20
Landscape with Monks1705 · Scottish National Gallery
21
Ships in a Gale1707 · Indianapolis Kunstmuseum
22
Landscape with a road (detail).1700 · Nationalmuseet i Warszawa
23
Christ on the Sea of Galilee1710 · Statens Museum for Kunst
24
Landscape1700
25
Landscape1700
26
Southern Landscape in Evening Light1712 · Gemäldegalerie
27
Venetian Capriccio with a body being exhumed and a Franciscan Monk in Attendance1714 · Birmingham Museum and Art Gallery
28
Capriccio Landscape1712
29
Capriccio Landscape1712
30
A Winter Landscape1720 · Royal Collection
31
An Italian Town Caprice1719 · Royal Collection
32
Landscape with a Farm Building at the Centre1720 · Royal Collection
33
A Rocky Landscape with a Waterfall1720 · Royal Collection
34
A Town and Ruins Beside a River1719 · Royal Collection
35
A Wooded Landscape with Huntsmen1722 · Royal Collection
36
A Hilly Landscape with two Men on Horseback Galloping1720 · Royal Collection
37
Landscape with a Hill Town1720 · Royal Collection
38
View of Belluno1720 · Royal Collection
39
Landscape with a Sawmill1720 · Royal Collection
40
Landscape with a Foreground River and Buildings Beyond1720 · Royal Collection
41
Ruin Caprice with a Gothic Church1722 · Royal Collection
42
A Wood with Peasants Alarmed by a Bear1720 · Royal Collection
43
A Capriccio of Classical Rome1720
44
Coastal View with Tower1715
45
Landscape with Woodcutters and Two Horsemen1720 · Gallerie dell'Accademia di Venezia
46
Landscape with Watering Horses1720 · Gallerie dell'Accademia di Venezia
47
Landscape with River and Figures (detail)1720 · Gallerie dell'Accademia di Venezia
48
A Rocky Landscape with Herds Watering1727 · Royal Collection
49
Landscape with a Storm1729 · Royal Collection
50
A Mountainside with Hermits1729 · Royal Collection
51
Landscape with a Rocky Stream, Peasants and Cattle1725 · Royal Collection
52
Landscape with a Horse being Ferried across a Stream1723 · Royal Collection
53
Caprice View with Roman Ruins1729 · Royal Collection
54
Mountainous Landscape with a River and a Group of Buildings Beyond1724 · Royal Collection
55
Architectural Capriccio1725
56
Stormy Region1705 · Szépművészeti Múzeum
57
Saint Jérôme dans le désert - Marco Ricci - Musée des Beaux-Arts de NarbonneMusée d'art et d'histoire de Narbonne
58
Landscape with a Monk in a StormKunsthistorisches Museum
59
Landscape1720 · Fondazione Querini Stampalia
60
A Courtyard with an Equestrian StatueRoyal Collection
61
A rocky landscape with figuresAuckland Art Gallery Toi o Tāmaki
62
Landscape with a bridge and a tower (detail).Nationalmuseet i Warszawa
63
A mountainous landscapeFinnish National Gallery
64
A Classical Landscape with Ruins
65
Classical capriccio of Rome
66
The waterfallGallerie dell'Accademia di Venezia
67
View with classical Roman ruinsCa' Rezzonico – Museum for det 18. århundredes Venedig
68
LandscapeNationalmuseet i Kraków
69
A Courtyard of an Imaginary PalaceRoyal Collection
70
Figures among Ruins
71
Southern Landscape at TwilightStaatliche Museen zu Berlin
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Marco Ricci | Malerier fra denne liste |
|---|---|---|---|
 Royal Collection |
London | 36 | Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits |
 Gallerie dell'Accademia di Venezia |
Venedig | 6 | Villa in a Park Setting, Landscape with River and Figures, Landscape with Woodcutters and Two Horsemen |
 Yale Center for British Art |
New Haven | 2 | Rehearsal of an opera, Rehearsal of an opera |
 Nationalmuseet i Warszawa |
Warszawa | 2 | Landscape with a road (detail)., Landscape with a bridge and a tower (detail). |
 Bavarian State Painting Collections |
München | 1 | Architectural Capriccio |
 Scottish National Gallery |
Edinburgh | 1 | Landscape with Monks |
 Indianapolis Kunstmuseum |
Indianapolis | 1 | Ships in a Gale |
 Statens Museum for Kunst |
København | 1 | Christ on the Sea of Galilee |
Vælg et årti for at se det originale værk, der definerer det.
In Architectural Capriccio, Marco Ricci presents a fantasy landscape constructed from various architectural elements of antiquity. The work functions as a classical capriccio, assembling disparate ruins into a fictionalized setting. Rather than a topographical record, the scene offers a re-imagined arrangement of stone and structure.
In Moses and the Miracle of the Rock, Marco Ricci presents a scene of intense movement and crowded energy. The composition is structured through a dynamic arrangement of figures that directs the eye from the immediate foreground toward the central action of Moses. This movement is guided by fluid and expressive lines that define the limbs of the multitude and the sudden flow of water. Organic shapes dominate the landscape,…
The scene unfolds in 1722, a moment captured in The Outskirts of a Town with Women Washing Linen. This work emerges from the brush of Marco Ricci, an artist who brings the light of the Italian landscape to life. He was born in Belluno, Italy, in 1676, and his hand moves across the surface to define a world of quiet, daily labor. The air feels heavy with the presence of…
Architectural Capriccio (1702), Bavarian State Painting Collections, München. Derefter følger Rehearsal of an opera (1709) og Rehearsal of an opera (1709).
26 år gammel: Architectural Capriccio er fra 1702, og Marco Ricci blev født i 1676.
Architectural Capriccio, Rehearsal of an opera, Rehearsal of an opera, Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen, Woodland Scene with Bandits, Caprice Landscape with Ruins and a Statue, Landscape with an Allegorical Monument to Newton, Landscape with two Praying Monks og A Wood with Peasants Alarmed by a Bear. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 71 værker af Marco Ricci, dateret fra 1700 til 1729.
Primært i Royal Collection (London), Gallerie dell'Accademia di Venezia (Venedig) og Yale Center for British Art (New Haven). Museumslisten ovenfor viser dem alle.
I 1720s: 39 af de 71 værker på denne side blev skabt dengang, herunder The Outskirts of a Town with Women Washing Linen.
På denne side er det tidligste Landscape with a road (detail). (1700) og det seneste Caprice Landscape with Ruins and a Statue (1729).
Trees (13), Landscape (12) og Sky (9), fordelt på de 71 værker på denne side.
Oil On Canvas, for 13 af de 71 værker på denne side.
Baroque, baseret på originalerne på denne side.
Moses and the Miracle of the Rock, The Outskirts of a Town with Women Washing Linen og Woodland Scene with Bandits: Royal Collection, London har 36 af værkerne på denne side.
Marco Ricci står som en central skikkelse i den storslåede vævning af venetiansk barokmaleri, en mester hvis pensel pustede liv i det 18. århundredes atmosfæriske vidder. Født i Belluno, Italien, i 1676, var Riccis kunstneriske rejse dybt forankret i en slægt af excellence. Hans tidlige uddannelse begyndte under det vågne øje af hans onkel, den berømte Sebastiano Ricci, sandsynligvis i Milans livlige kunstneriske knudepunkter i midten af 1690'erne. Denne formative periode etablerede en dyb forbindelse til den venetianske tradition, da han bevægede sig mod Venedig i 1696 for at forene kræfter med sin onkel. Sammen påbegyndte de en samarbejdsmæssig karriere, der ville redefinere grænserne for landskabsmaleriet ved at blande klassisk storhed med en ny, mere ekspressiv sensibilitet.
Udviklingen af Riccis stil blev formet af en rig sammensmeltning af indflydelser, der brobyggede kløften mellem fortidens strukturerede idealer og rokokoens spirende frihed. Han opsugede det lysende, atmosfæriske perspektiv fra Claude Lorrain og Gaspard Dughet, mestre der havde perfektioneret kunsten at skabe idealiserede naturscener. Alligevel fandtes der en mere rå, emotionel strømning i hans arbejde, hentet fra det ekspressive penselstrøg hos Salvatore Rosa og den løse, energiske påføring, man ser i værker af Alessandro Magnasco. Denne unikke syntese gjorde det muligt for Ricci at bevæge sig ud over blot topografisk registrering og i stedet skabe landskaber, der føltes levende med bevægelse, lys og en følelse af dramatisk narrativ.
Et af de mest bemærkelsesværdige aspekter ved Riccis karriere var hans dybe vilje til at indgå i sin tids samarbejdsvillige ånd. Hans arbejde udviskede ofte linjerne mellem individuelt ophav og kollektivt geni, især i storslåede dekorative projekter. Et bemærkelsesværdigt eksempel på denne storhed findes i hans bidrag til dekorationen af Sala d'Ercole i Palazzo Fenzi sammen med Sebastiano Ricci, hvor han demonstrerede en evne til at mestre enorme arkitektoniske rum med vidstrakte udsigter og intrikate detaljer. Dette talent for storskala design strakte sig ind i det teatralske domæne, hvor hans færdigheder inden for operascenedesign gjorde det muligt for ham at manipulere lys og rum for at skabe omsluttende, imaginære verdener.
Riccis indflydelse var ikke begrænset til grænserne for Serenissima-republikken. Drevet af opmuntring fra Charles Montagu, den 4. jarl af Manchester – Venedigs ambassadør i England – begav Ricci sig ud på en transformativ rejse til London i slutningen af 1708. Denne engelske forbindelse udvidede hans horisonter og introducerede hans venetianske sensibilitet for et nyt internationalt publikum, hvilket yderligere cementerede hans ry som en paneuropæisk mester. Hans evne til at tilpasse sin stil til forskellige kulturelle kontekster, mens han bevarede sin kerneidentitet som landskabsinnovatør, står som et vidnesbyrd om hans alsidighed.
Den vedvarende fascination af Marco Riccis værk ligger i hans evne til at indfange den naturlige verdens flygtige kvaliteter. Hans malerier fungerer ofte som vinduer ind til en idealiseret fortid, hvor klassisk arkitektur og utæmmet natur eksisterer i en delikat, harmonisk balance. Uanset om han skildrer en rolig Villa i en parkomgivelse eller et mere dynamisk Landskab med flod og figurer, brugte Ricci lyset til at guide beskuerens øje gennem komplekse kompositioner, hvilket skabte dybde og en følelse af dyb ro.
Hans tekniske mesterskab er tydeligt i flere nøgleområder af hans arbejde:
I sidste ende var Marco Ricci mere end blot en maler af scenerier; han var en følelsernes arkitekt. Gennem sin innovative tilgang til landskabsgenren banede han vejen for de senere triumfer for Canaletto og Guardi, og sikrede, at den venetianske tradition for landskabsmaleri forblev en hjørnesten i den europæiske kunsthistorie.
