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De 1 mest berømte Malle Leis-malerier, hver og en unik
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Malle Leis i vores katalog
Kort sagt
Young Gardeners (1968) er det maleri af Malle Leis, der vækker mest opsigt; originalen tilhører Tartu Art Museum. Blandt de 1 værker af Malle Leis i vores katalog er disse 1 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
1940 – 2017, Viljandi
Flest værker: Tartu Art Museum
Top 10 malerier af Malle Leis, set gennem galleriets øjne
De museer, der udstiller Malle Leiss originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Malle Leis | Malerier fra denne liste |
|---|---|---|---|
 Tartu Art Museum |
1 | Young Gardeners |
Malle Leis gennem årene: de unikke originaler fra hver enkelt
Alle de daterede Malle Leis-originaler, der vises her, tilhører et enkelt år, 1968: de er opstillet efter berømmelse.
Værker per år
Vælg et årstal for at se de originale værker.
Malle Leiss malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Malle Leis?Vis svaret
Young Gardeners (1968)
Hvilken alder havde Malle Leis, da Young Gardeners blev skabt?Vis svaret
28 år gammel: Young Gardeners er fra 1968, og Malle Leis blev født i 1940.
Hvor mange værker af Malle Leis er kendt?Vis svaret
Vores katalog indeholder 1 værker af Malle Leis.
Hvor kan de mest berømte originaler af Malle Leis ses?Vis svaret
Primært i Tartu Art Museum. Museumslisten ovenfor viser dem alle.
Malle Leis: et portræt af kunstneren
The Artistic Evolution of Malle Leis
Malle Leis was an Estonian painter, printmaker, and theatre designer. Her creative journey began with formal education at the Tartu Art School and the Estonian Academy of Arts, where she graduated from the stage design department. As an original member of the ANK '64 group, she participated in an organization that held exhibitions outside the official system and organized private seminars on modern art.
In the early sixties, Leis preferred working in abstraction, but by the end of the decade, she developed an interest in pop art. Her work during this period often combined geometric forms with pop elements, such as in her 1968 oil and canvas piece, Exchange. Throughout her career, she worked with various mediums, including oil, watercolor, and serigraphs.
Technique and Subject Matter
During the 1970s and 1980s, Leis's work frequently featured large, bright flowers, vegetables, and occasionally horses or human figures. Her 1972 painting, Sunlight Triptych, depicts red poppies and yellow daffodils against a blue background. In her 1977 work, The Longest Day, she placed tulips across a black canvas alongside a human head.
A defining characteristic of her oeuvre was her unique silk screen technique. Developed with the help of her husband, this process involved using ten to twenty different colors in each print, creating works with oriental resemblances. Her art has been featured in numerous exhibitions and is held in various collections, including the Estonian Art Museum and the Library of Congress.