1
Lukas Kirner malerier: De 6 mest berømte, set gennem et galleris øjne
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Lukas Kirner i vores katalog
Kort sagt
I galleriets øjne er Lukas Kirners mest berømte maleri Self-portrait (1821), hvis original hænger på Augustiner Museum i Freiburg. Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) og Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) fuldender trioen, som ethvert øje genkender. Ud af de 6 værker af Lukas Kirner i vores katalog præsenterer galleriet herunder de 6 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1794 – 1851, Furtwangen im Schwarzwald
Flest værker: Augustiner Museum
Galleriets top 10 Lukas Kirner malerier
2
3
4
5
6
De museer, der udstiller Lukas Kirners originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lukas Kirner | Malerier fra denne liste |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 6 | Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner, Creszentia Kirner, née Knöpfle, the Artist’s Wife |
Lukas Kirner, ét signaturmaleri per årti
Værker per årti
Vælg et årti for at se det originale værk, der definerer det.
Lukas Kirner's malerier: galleriets svar
Hvilket maleri af Lukas Kirner er det mest berømte af alle?Vis svaret
Self-portrait (1821), Augustiner Museum, Freiburg. Derefter følger Karoline Knöpfle from Günzburg, sister of Creszentia Kirner (1821) og Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820).
Hvor gammel var Lukas Kirner, da Self-portrait blev færdiggjort?Vis svaret
27 år gammel: Self-portrait er fra 1821, og Lukas Kirner blev født i 1794.
Hvor mange værker skabte Lukas Kirner?Vis svaret
Vores katalog indeholder 6 værker af Lukas Kirner, dateret fra 1820 til 1851.
Hvor hænger Lukas Kirners mest berømte originaler?Vis svaret
Primært i Augustiner Museum (Freiburg). Museumslisten ovenfor viser dem alle.
Hvornår skabte Lukas Kirner sine mest berømte malerier?Vis svaret
I 1820s: 3 af de 6 værker på denne side blev skabt dengang, herunder Self-portrait.
Hvilke er Lukas Kirners tidligste og seneste berømte værker?Vis svaret
På denne side er det tidligste Creszentia Kirner, née Knöpfle, the Artist’s Wife (1820) og det seneste Portrait of Frau Wenz (1851).
Hvilke originalværker af Lukas Kirner findes i Augustiner Museum?Vis svaret
Self-portrait, Karoline Knöpfle from Günzburg, sister of Creszentia Kirner og Creszentia Kirner, née Knöpfle, the Artist’s Wife: Augustiner Museum, Freiburg har 6 af værkerne på denne side.
Lukas Kirner: kunstneren
A life shaped by the Black Forest
Lukas Kirner began his days in Furtwangen im Schwarzwald, a place defined by the steady rhythm of clock manufacturing. He was born into a family where hands were accustomed to fine, precise work; his father, Johann Kirner, worked as a shoemaker, and he himself spent early years learning the delicate craft of painting clock faces. This background in watchmaker painting left a mark on how he approached a canvas. There was a certain patience required for such small, intricate surfaces, a habit that carried over into his later work with oil and color.
His path moved from the mechanical precision of the Black Forest to the Royal Higher Art School in Augsburg. By 1825, he had moved to Günzburg, Bavaria, alongside his wife, Crescentia Knöpfle. While his brother, Johann Baptist Kirner, sought different paths through Munich and Italy, Lukas remained deeply connected to the people of his home region. He found himself painting the faces of those who lived among the trees and hills—merchants, industrialists, and families of farmers.
The quiet study of a face
The work itself often focused on the individual. In his portraits, there is a reliance on chiaroscuro, using the interplay of light and shadow to pull a figure out from the darkness. He did not seek to decorate a room so much as to capture a presence. His brushwork applied color with a meticulousness that mirrored his early training. When he painted his wife, Crescentia, or his sister Karoline, the attention to detail was not merely about clothing or jewelry, but about the way light rested on a cheek or a brow.
His style sat within the Romantic movement, though it felt more grounded than the grander, more dramatic expressions of that era. He preferred an emphasis on emotion and individuality through subtle means. A portrait of a young man with whiskers or a depiction of two brothers shows a focus on the person in front of him. The use of light was never loud; it was a tool used to highlight specific features, creating a sense of depth and quiet introspection.
Legacy in paint
Lukas Kirner’s time in the art world was marked by these steady commissions. His ability to represent both the local peasantry and those with higher social standing, such as Princess Amélie, allowed his work to bridge different layers of society. Some of his paintings found their way into the Augustinermuseum in Freiburg, where they remain part of a permanent collection.
He returned to Furtwangen, the town of his birth, where he passed away in 1851. The traces of his life are found in the specific subjects he chose to immortalize:
- Crescentia Kirner, née Knöpfle, his wife
- Portrait of Two Children (Two Brothers), from 1842
- Self-portrait, created around 1821 or 1830
- Jakob Ganter, painted in Neukirch in 1827