Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 76 værker af Lowes Cato Dickinson i vores katalog
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I galleriets øjne er Lowes Cato Dickinsons mest berømte maleri Sir Henry James Sumner Maine (1890), hvis original hænger på Pembroke College i Cambridge. George Peabody (1795-1869) (1868) og James Clerk Maxwell, Fellow, Physicist (1891) fuldender trioen, som ethvert øje genkender. Ud af de 76 værker af Lowes Cato Dickinson i vores katalog præsenterer galleriet herunder de 62 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Sir Henry James Sumner Maine (1822–1888) – Et Portrættet af en Jurist og Historiker Lowes Cato Dickinson, født i Kilburn, London, i 1819, var en kunstner og kristen socialistisk figur dybt rodfæstiget i den viktorianske kunstverden. Hans familie havde et nært forhold til kunst – hans far, Joseph Dickinson, var en respekteret litograf og udgiver på Bond Street – hvilket synes at have givet Dickinson en naturlig vej fremad. Han…
A single light source strikes the face of George Peabody, carving his features from a deep, velvet shadow. He sits in a three-quarter pose, a man composed of heavy fabrics and quiet authority. The light catches the crisp white of his collar and the subtle texture of his skin, revealing the map of a life lived through intellect and influence. His left hand holds a small piece of paper, a…
Lowes Cato Dickinson’s 1891 oil on canvas, “James Clerk Maxwell, Fellow, Physicist,” transcends the conventional portrait to become a profound meditation on scientific inquiry and Victorian intellectualism. Housed within the hallowed halls of the University of Cambridge, this painting isn't merely a likeness; it’s an embodiment of Maxwell’s formidable mind and his pivotal role in shaping our understanding of the universe. Dickinson masterfully captures not just the outward appearance of…
In the quiet, dignified realm of Victorian portraiture, few works capture the essence of scientific devotion as profoundly as Lowes Cato Dickinson’s 1874 masterpiece, Sir George Gabriel Stokes. This oil on canvas is far more than a mere likeness of a prominent physicist; it is a window into an era defined by the relentless pursuit of truth through observation and reason. As the viewer encounters this portrait, they are immediately…
This oil on canvas painting is a portrait of Goldsworthy Lowes Dickinson, executed by the artist Lowes Cato Dickinson. The work was created in 1869. The subject of the portrait is the son of Lowes Cato Dickinson and Margaret Ellen Williams.
Lowes Cato Dickinson rendered this portrait of John Russell, 1st Earl Russell, between 1855 and 1867. The sitter was a prominent statesman who served as Prime Minister and was a prolific writer. His influence extended into the institutional management of British art through his role as an ex-officio Trustee of the National Portrait Gallery.
Lowes Cato Dickinson’s 1890 portrait of James Anthony Froude is more than a simple likeness; it's a carefully constructed tableau of Victorian intellect and understated melancholy. The painting, housed within the hallowed halls of the University of Oxford, immediately draws the viewer in with its formal composition and rich palette – a testament to Dickinson’s mastery of oil paint and his ability to capture both physical presence and inner character.
In the quiet, dignified realm of Victorian portraiture, few works capture the intersection of scientific rigor and soulful contemplation as profoundly as Lowes Cato Dickinson’s 1869 masterpiece, William Thomson (1824–1907), Baron Kelvin. This oil on canvas is far more than a mere biographical record; it is an evocative window into an era defined by the relentless pursuit of truth and the burgeoning light of the scientific revolution. As the viewer…
Lowes Cato Dickinson presents Reverend Frederick William Hope, MA, DCL, FRS, LS in this 1861 oil portrait. The subject sits with the quiet gravity of a man defined by the study of the natural world. As an English clergyman, naturalist, collector, and entomologist, Hope carries the weight of his many titles in the steady set of his features. He is a man of science and spirit, captured in a moment…
This portrait of Thomas Hare is a significant work by the English painter Lowes Cato Dickinson. Executed in 1867, the painting captures a man who was deeply involved in the legal and political shifts of the Victorian era. Hare was a British lawyer and a dedicated supporter of electoral reform, a man whose ideas regarding proportional representation would eventually influence democratic systems across several nations.
The Reverend Septimus C. H. Hansard (1823–1895)1890
12
Henry Richards Guard, Fellow, Junior Bursar and Registrary of the University of Cambridge1897 · University of Cambridge Museums
13
Oscar Browning (1837–1923), President (1859) and Treasurer (1881–1902) of the Cambridge Union Society, Fellow of King's College, Teacher and Historian1904 · Cambridge Union Society
14
General the Right Honourable Robert Cornellis (1810–1890), Baron the Lord Napier of Magdala, GCB, GCSI, Governor of Gibraltar (1876–1883)1889 · Government Art Collection
15
John Bright (1811–1889)1873 · Touchstones Rochdale
16
The Right Honourable Lord Justice Sir Robert Romer (1840–1918), PC, KC, GCB1897 · Trinity Hall
17
Thomas Ethelbert Page (1850–1936), Classical Scholar and Schoolmaster1883 · St John’s College
18
Arthur Penrhyn Stanley1850 · National Portrait Gallery
19
Rear Admiral Sir Henry John Codrington (1808–1877)1863 · National Maritime Museum
20
Richard Cobden1870 · National Portrait Gallery
21
Richard Lister Venables (1809–1894), MA1871
22
John Russell, 1st Earl Russell1867
23
John Russell, 1st Earl Russell1867
24
Edmund Law Lushington1876 · Maidstone Museum - Bentlif Art Gallery
25
Gladstone's Cabinet of 18681874 · National Portrait Gallery
26
Arthur Cayley (1821–1895), Fellow and Mathematician, Sadlerian Professor (1863–1895)1874
27
George Edward Wythes (1839–1875)1883 · Ickworth
28
Yearling Sale at Doncaster, South Yorkshire1885 · Doncaster Museum And Art Gallery
29
Sir Charles Lyell, 1st Bt (replica of an original of c.1870 by the artist)1883
30
Thomas Spencer Baynes (1823–1887)1888
31
The Lawn at Goodwood1886
32
John Richardson Selwyn, DD, Bishop, Master1898 · University of Cambridge Museums
33
The Lawn at Goodwood1886
34
Joseph Prior, Fellow and Tutor1898 · University of Cambridge Museums
35
James Clerk Maxwell (1831–1879), Fellow, Physicist1891
36
The Constable of the Tower (General the Right Honourable Robert Cornellis, 1810–1890, Baron the Lord Napier of Magdala, GCB, GCSI, Governor of Gibraltar, 1876–1883)1890
37
Joseph Prior (1834–1918), Fellow and Tutor1898
38
Charles Kingsley1862 · National Portrait Gallery
39
Charles Barry Junior (1823–1900), PRIBA1880 · Royal Institute of British Architects
40
Field Marshal Lord Roberts (1832–1914), VC, KP, GCB, GCSI, GCIE, c.19001901
41
John Campbell White, Baron Overtoun
42
Mrs Alice Westlake (1842–1923)
43
Henry Wilkinson Cookson, Master (1847–1876)1876 · Peterhouse
44
Den Højtærværdige Hugh McCalmont Cairns (1819–1885), 1. hertug af Cairns1876 · National Trust
45
John Bright1873 · Touchstones Rochdale Arts And Heritage Centre
46
Clara Pater1860 · Somerville College
47
Sir Henry James Sumner Maine (1822–1888), KCSI, LLD, FRS, Master (1877–1888)1888 · Trinity Hall
48
Mrs Brown Grieve1863
49
Henry Wilkinson Cookson1875 · Abbot Hall Art Gallery
50
James Anthony Froude1890
51
Henry Sidgwick, Fellow, Philosopher and Knightsbridge Professor1902 · University of Cambridge Museums
52
The Reverend Joseph Waite (1824–1908), DD1874 · Durham University
53
John Walsh, 1st Baron Ormathwaite1865 · Llyfrgell Genedlaethol Cymru
54
George Leeman
55
John Westlake, Esq., QC
56
Sir Richard Green Price (1803–1887)
57
George Noel Freeling
58
George Noel Freeling (1829–1892)Merton College
59
Thomas Gejetan Ragland (1815–1858), Fellow (1841–1858), Missionary
60
Reverend Frederick Denison Maurice (1805–1872), Professor of Moral Philosophy (1866), Christian Socialist
61
The Reverend Henry Latham (1821–1902), Master (1888–1902)Trinity Hall
62
George Sclater Booth, Lord BasingHampshire Cultural Trust
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lowes Cato Dickinson | Malerier fra denne liste |
|---|---|---|---|
 National Portrait Gallery |
London | 7 | Goldsworthy Lowes Dickinson, John Russell, 1st Earl Russell, Thomas Hare |
 University of Cambridge Museums |
Cambridge | 5 | James Clerk Maxwell, Fellow, Physicist, Henry Richards Guard, Fellow, Junior Bursar and Registrary of the University of Cambridge, John Richardson Selwyn, DD, Bishop, Master |
 Trinity Hall |
Cambridge | 3 | The Right Honourable Lord Justice Sir Robert Romer (1840–1918), PC, KC, GCB, Sir Henry James Sumner Maine (1822–1888), KCSI, LLD, FRS, Master (1877–1888), The Reverend Henry Latham (1821–1902), Master (1888–1902) |
 Pembroke College |
Cambridge | 2 | Sir Henry James Sumner Maine, Sir George Gabriel Stokes (1819–1903) |
 Peterhouse |
Cambridge | 2 | William Thomson (1824–1907), Baron Kelvin, Mathematician and Physicist, Henry Wilkinson Cookson, Master (1847–1876) |
 Harvard Art Museums |
Cambridge | 1 | George Peabody (1795-1869) |
 Oriel College |
Oxford | 1 | James Anthony Froude |
 Cambridge Union Society |
Cambridge | 1 | Oscar Browning (1837–1923), President (1859) and Treasurer (1881–1902) of the Cambridge Union Society, Fellow of King's College, Teacher and Historian |
Vælg et årti for at se det originale værk, der definerer det.
Lowes Cato Dickinson captures the likeness of Arthur Penrhyn Stanley in this oil on canvas. Created about 1850, the portrait presents the man as he was during a period of significant intellectual activity. He appears as a figure of quiet authority, his gaze fixed upon the viewer with a stern, steady expression. The brushwork defines the contours of a face shaped by deep thought and the weight of ecclesiastical study.
A single light source strikes the face of George Peabody, carving his features from a deep, velvet shadow. He sits in a three-quarter pose, a man composed of heavy fabrics and quiet authority. The light catches the crisp white of his collar and the subtle texture of his skin, revealing the map of a life lived through intellect and influence. His left hand holds a small piece of paper, a…
In the quiet, dignified realm of Victorian portraiture, few works capture the essence of scientific devotion as profoundly as Lowes Cato Dickinson’s 1874 masterpiece, Sir George Gabriel Stokes. This oil on canvas is far more than a mere likeness of a prominent physicist; it is a window into an era defined by the relentless pursuit of truth through observation and reason. As the viewer encounters this portrait, they are immediately…
The room holds a heavy, expectant stillness as General the Right Honourable Robert Cornellis sits poised in his chair. He is a man defined by the weight of his station, draped in a red coat that glows with the authority of his rank, its gold trim catching the light of the chamber. His mustache is neatly groomed, framing a face that has weathered the complexities of governance and military command.…
Sir Henry James Sumner Maine (1822–1888) – Et Portrættet af en Jurist og Historiker Lowes Cato Dickinson, født i Kilburn, London, i 1819, var en kunstner og kristen socialistisk figur dybt rodfæstiget i den viktorianske kunstverden. Hans familie havde et nært forhold til kunst – hans far, Joseph Dickinson, var en respekteret litograf og udgiver på Bond Street – hvilket synes at have givet Dickinson en naturlig vej fremad. Han…
This arresting oil portrait captures Oscar Browning in his prime, presenting not merely a likeness but an embodiment of late Victorian intellectual gravity. Dressed in the sober formality of a gentleman of letters and high standing, the subject commands attention with a gaze that seems to penetrate the veil of time itself. The black and white quality inherent in the photograph suggests a study steeped in historical reverence, allowing the…
Sir Henry James Sumner Maine (1890), Pembroke College, Cambridge. Derefter følger George Peabody (1795-1869) (1868) og James Clerk Maxwell, Fellow, Physicist (1891).
71 år gammel: Sir Henry James Sumner Maine er fra 1890, og Lowes Cato Dickinson blev født i 1819.
Sir Henry James Sumner Maine, George Peabody (1795-1869), James Clerk Maxwell, Fellow, Physicist, Sir George Gabriel Stokes (1819–1903), Goldsworthy Lowes Dickinson, John Russell, 1st Earl Russell, James Anthony Froude, William Thomson (1824–1907), Baron Kelvin, Mathematician and Physicist, Reverend Frederick William Hope, MA, DCL, FRS, LS og Thomas Hare. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 76 værker af Lowes Cato Dickinson, dateret fra 1850 til 1904.
Primært i National Portrait Gallery (London), University of Cambridge Museums (Cambridge) og Trinity Hall (Cambridge). Museumslisten ovenfor viser dem alle.
I 1860s: 13 af de 62 værker på denne side blev skabt dengang, herunder George Peabody (1795-1869).
På denne side er det tidligste Arthur Penrhyn Stanley (1850) og det seneste Oscar Browning (1837–1923), President (1859) and Treasurer (1881–1902) of the Cambridge Union Society, Fellow of King's College, Teacher and Historian (1904).
Portrait (11), Man (8) og British art (7), fordelt på de 62 værker på denne side.
Oil On Canvas, for 25 af de 62 værker på denne side.
Victorian portraiture, baseret på originalerne på denne side.
Goldsworthy Lowes Dickinson, John Russell, 1st Earl Russell og Thomas Hare: National Portrait Gallery, London har 7 af værkerne på denne side.
