Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 39 værker af Leo Gestel i vores katalog
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Woman at Makeup Table (also known as Lisette at Toilette) (1911) er det maleri af Leo Gestel, der fanger flest blikke. Derefter falder blikket på Portrait of a Lady and Profile (1905) og Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette) (1911). Blandt de 39 værker af Leo Gestel i vores katalog er disse 37 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
A woman sits before a mirror, caught in a moment of private preparation. She wears a blue dress that catches the light, her head adorned with a hat. One hand holds a brush, while the other rests against her chin, a gesture of quiet contemplation. The room is filled with the small, necessary objects of a morning ritual: bottles of cosmetics, a bowl on the table, and the soft presence…
In this 1905 portrait, we find ourselves drawn into a private, silent space. The subject is captured in a strict profile, her gaze directed toward the left of the frame, lost in a moment of profound introspection. There is a certain weight to her stillness, a sense of melancholy that settles over the composition. The lighting is deliberate, emerging from the front and left to illuminate the delicate planes of…
The air feels heavy with the scent of tobacco and the soft rustle of fabric as she sits, poised and still. This 1911 portrait captures a woman caught in a private, fleeting instant, her presence defined by a certain modern elegance. She is seated in a chair, her form composed of geometric lines and simplified shapes that suggest the burgeoning energy of the early twentieth century. A hat rests upon…
The poet J. Rensburg sits before us, caught in a moment of quiet, structured stillness. He is a slender figure, draped in a dark, patterned suit jacket and a light-colored shirt with a high collar, his hands resting calmly in his lap. A pair of glasses rests upon his face, catching the light in a way that suggests a mind preoccupied with rhythm and meter. The air around him feels…
A solitary figure sits within a small, open-fronted structure, positioned centrally against a backdrop of stylized foliage. The composition utilizes a flattened perspective, where depth is suggested through layered planes rather than traditional vanishing points. Muted ochre, terracotta, and soft greens define the landscape, creating a quiet, earthy atmosphere. The figure remains in a contemplative pose, surrounded by small vessels and organic forms that appear both structured and organic.
In this work, titled Lady with Large Hat in Summer House, we encounter a portrait of an elegant lady with a hat. The artist, Leo Gestel, captures the subject within a setting that suggests a quiet, seasonal repose. It is a study of form and presence, focusing on the silhouette of the woman and the distinctive scale of her headwear.
This high-contrast, black and white photograph from 1915 presents a close-up, profile view of two individuals. The figures are positioned on the far left and far right edges of the frame, appearing as dark silhouettes. Their heads are turned inward, directing their gaze toward a central mass of dense, textured terrain or foliage. The composition is split between these smooth, dark human profiles and a chaotic, irregular center. This central…
Created in 1920, this work reflects the shifting tides of early 20th-century modernism. The style leans toward expressionism, where the artist uses the medium to convey an internal state rather than a mere photographic likeness. The heavy application of paint and the blurred boundaries between the figure and her environment suggest a preoccupation with the psychological weight of the subject. This is a portrait of a person caught in a…
Leo Gestel captures the seasonal transition through a highly stylized, mosaic-like application of pigment. The composition centers on a large, weeping willow-style tree, its cascading yellow foliage dominating the upper two-thirds of the canvas. To the left, a smaller tree provides balance with orange and reddish tones. The background is a dense, patterned sky composed of short, rectangular brushstrokes in alternating shades of blue, light blue, white, and peach, creating…
Bending Again (Landscape near Montfoort)1909 · Centraal Museum
12
Wooded Valley1910 · Rijksmuseum Twenthe
13
Lezende vrouw (Marie Boendermaker-Schoenmaker)1910
14
Liggend naakt1910
15
Garden View1908 · Museum Boijmans Van Beuningen
16
Autumn Day1909 · Van Gogh Museet
17
Portrait of Sluyters at Work (also known as Sluyters Studio sketch)
18
Self portrait
19
DECAYING Mallorca,1914 · Groninger Museum
20
Orchard1913 · Museum Boijmans Van Beuningen
21
Evening on Mallorca1914 · Museum Boijmans Van Beuningen
22
Farm at Beemster1915 · Groninger Museum
23
De dichter Jac. Rensburg1913
24
Self Portrait (also known as False Color)1913
25
Trees in Mallorca1914
26
Still Life with Peonies1913
27
Olive Grove (also known as Cubist Orchard)1914
28
Untitled1920
29
Church in KoedijkChurch in Koedijk1919 · Stedelijk Museum
30
Blooming Tree1921 · Stedelijk Museum
31
Landscape at De Beemster1921 · Rijksmuseum Twenthe
32
Return from the fields1919 · Stedelijk Museum
33
Still Life with Flowers1939 · Stedelijk Museum
34
Tree in moonlight (Blue Tree)
35
Mallorca, houseKunstmuseum Den Haag
36
Gladiolen
37
Reclining nude
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Leo Gestel | Malerier fra denne liste |
|---|---|---|---|
 Stedelijk Museum |
Alkmaar | 6 | Portrait of a Lady and Profile, Farmstead, Church in KoedijkChurch in Koedijk |
 Rijksmuseum Twenthe |
Enschede | 3 | Landscape, Mallorca, Wooded Valley, Landscape at De Beemster |
 Museum Boijmans Van Beuningen |
Rotterdam | 3 | Garden View, Orchard, Evening on Mallorca |
 Kunstmuseum Den Haag |
Hague | 2 | Autumn, Mallorca, house |
 Groninger Museum |
Groningen | 2 | DECAYING Mallorca,, Farm at Beemster |
 Frans Hals Museet |
Haren | 1 | Lady with Large Hat in Summer House |
 Centraal Museum |
Utrecht | 1 | Bending Again (Landscape near Montfoort) |
 Van Gogh Museet |
Amsterdam | 1 | Autumn Day |
Vælg et årti for at se det originale værk, der definerer det.
In this 1905 portrait, we find ourselves drawn into a private, silent space. The subject is captured in a strict profile, her gaze directed toward the left of the frame, lost in a moment of profound introspection. There is a certain weight to her stillness, a sense of melancholy that settles over the composition. The lighting is deliberate, emerging from the front and left to illuminate the delicate planes of…
A woman sits before a mirror, caught in a moment of private preparation. She wears a blue dress that catches the light, her head adorned with a hat. One hand holds a brush, while the other rests against her chin, a gesture of quiet contemplation. The room is filled with the small, necessary objects of a morning ritual: bottles of cosmetics, a bowl on the table, and the soft presence…
Created in 1920, this work reflects the shifting tides of early 20th-century modernism. The style leans toward expressionism, where the artist uses the medium to convey an internal state rather than a mere photographic likeness. The heavy application of paint and the blurred boundaries between the figure and her environment suggest a preoccupation with the psychological weight of the subject. This is a portrait of a person caught in a…
Woman at Makeup Table (also known as Lisette at Toilette) (1911). Derefter følger Portrait of a Lady and Profile (1905) og Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette) (1911).
30 år gammel: Woman at Makeup Table (also known as Lisette at Toilette) er fra 1911, og Leo Gestel blev født i 1881.
Woman at Makeup Table (also known as Lisette at Toilette), Portrait of a Lady and Profile, Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette), Portrait of the poet J. Rensburg, Landscape, Mallorca, Lady with Large Hat in Summer House, Farmstead, Untitled, Autumn og Amstel, Bending Weather. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 39 værker af Leo Gestel, dateret fra 1905 til 1939.
Primært i Stedelijk Museum (Alkmaar), Rijksmuseum Twenthe (Enschede) og Museum Boijmans Van Beuningen (Rotterdam). Museumslisten ovenfor viser dem alle.
I 1910s: 21 af de 37 værker på denne side blev skabt dengang, herunder Woman at Makeup Table (also known as Lisette at Toilette).
På denne side er det tidligste Portrait of a Lady and Profile (1905) og det seneste Still Life with Flowers (1939).
Woman (5), Dark background (2) og Portrait (2), fordelt på de 37 værker på denne side.
Oil On Canvas, for 5 af de 37 værker på denne side.
Portrait of a Lady and Profile, Farmstead og Church in KoedijkChurch in Koedijk: Stedelijk Museum, Alkmaar har 6 af værkerne på denne side.
Født i Woerden, Holland, i 1881, var Leo Gestels liv fra en tidlig alder uløseligt forbundet med kunstens verden. Hans far, Willem Gestel, var en respekteret kunstner og direktør for en kunstskole, mens hans onkel, Dimmen Gestel, endda havde samarbejdet med Vincent van Gogh – en slægtshistorie, der uden tvivl har formet Leos kunstneriske bane. Tidlige økonomiske udfordringer tvang ham ud i reklamearbejde for virksomheder som Philips, en pragmatisk nødvendighed, der dog gav ham eksponering inden for visuel kommunikation og design – færdigheder, som han senere ville integrere i sine malerier. Gestels rejse var ikke præget af øjeblikkelig anerkendelse; det var en gradvis evolution gennem forskellige bevægelser, der afspejlede dynamikken i det tidlige 20. århundredes kunst.
Et afgørende vendepunkt i Gestels kunstneriske udvikling fandt sted under hans ophold i Paris. Her, dybt fordybet i den livlige avantgarde-scene, stødte han på kunstnere, der sprængte rammerne med kubisme, ekspressionisme og futurisme – bevægelser, der satte et uudsletteligt præg på hans egen stil. Indflydelsen fra Herwarth Waldens “Erster Deutscher Herbstsalon” i 1913 viste sig at være særligt betydningsfuld, da det gav ham en platform til at fremvise sit udviklende værk side om side med andre innovative europæiske kunstnere. Denne eksponering antændte en dyb trang til eksperimentering og en vilje til at bryde med de traditionelle kunstneriske konventioner.
Gestels samlede værk er bemærkelsesværdigt mangfoldigt og spænder over alt fra vidtstrakte landskaber til stemningsfulde selvportrætter og minutiøst udførte stilleben. Han lod sig aldrig begrænse af en enkelt stilart; i stedet mestrede han kunsten at sammenvæve forskellige indflydelser, hvilket resulterede i værker, der på én gang er dybt personlige og bredt repræsentative for sin samtid. Hans selvportrætter tilbyder især et intimt indblik i hans psyke – ofte karakteriseret ved en rolig selvsikkerhed, der står i kontrast til øjeblikke af indadvendt eftertænksomhed. Landskaberne er ofte præget af dramatisk lyssætning og atmosfæriske effekter, mens hans stilleben – særligt dem, der skildrer gladioler – eksploderer i levende farver og dynamisk energi, hvilket vidner om et tidligt omfavnelse af de fauvistiske principper.
En ødelæggende begivenhed markerede et vendepunkt i Gestels karriere: en brand i hans atelier i 1929 resulterede i tabet af næsten alle hans malerier. Denne katastrofe tvang ham til at flytte til Blaricum, hvor han fortsatte med at male, omend med en reduceret produktion og en fornyet følelse af hastværk. På trods af dette tilbageslag forblev Gestel dedikeret til at udforske nye teknikker og udvide grænserne for sin kunstneriske vision. Branden fungerede som en katalysator for introspektion og eksperimentering, hvilket førte til værker, der bevarer en rå, følelsesmæssig intensitet.
Leo Gestels bidrag til den hollandske modernisme er ubestrideligt. Hans værker, der er kendetegnet ved deres dristige farver, ekspressive penselstrøg og udforskning af psykologiske temaer, indtager en betydningsfuld plads i landets kunstneriske kulturarv. Hans malerier er i dag bevaret på fremtrædende museer over hele Nederlandene, herunder Stedelijk Museum Alkmaar, Drents Museum og Kröller-Müller Museum, hvilket sikrer, at hans eftermæle fortsat inspirerer og fanger publikum. Gestels villighed til at omfavne mangfoldige indflydelser og hans urokkelige dedikation til kunstnerisk innovation cementerede hans position som en central skikkelse i udviklingen af det 20. århundredes kunst.
