Portræt af Leendert Bolle

Leendert Bolle malerier: De 1 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Leendert Bolle i vores katalog

Kort sagt

I galleriets øjne er Leendert Bolles mest berømte maleri Self-Portrait (1920), hvis original hænger på Museum Boijmans Van Beuningen i Rotterdam. Ud af de 1 værker af Leendert Bolle i vores katalog præsenterer galleriet herunder de 1 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1879 – 1942, Rotterdam Flest værker: Museum Boijmans Van Beuningen

Galleriets top 10 Leendert Bolle malerier

De museer, der udstiller Leendert Bolles originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Leendert Bolle Malerier fra denne liste
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 Self-Portrait

Leendert Bolle, årets signaturmalerier

Hvert dateret originalværk af Leendert Bolle på denne side er skabt i 1920: her er de mest berømte først.

Værker per år

Vælg et årstal for at se de originale værker.

Leendert Bolle's malerier: galleriets svar

Hvilket maleri af Leendert Bolle er det mest berømte af alle?Vis svaret

Self-Portrait (1920)

Hvor gammel var Leendert Bolle, da Self-Portrait blev færdiggjort?Vis svaret

41 år gammel: Self-Portrait er fra 1920, og Leendert Bolle blev født i 1879.

Hvor mange værker skabte Leendert Bolle?Vis svaret

Vores katalog indeholder 1 værker af Leendert Bolle.

Hvor hænger Leendert Bolles mest berømte originaler?Vis svaret

Primært i Museum Boijmans Van Beuningen (Rotterdam). Museumslisten ovenfor viser dem alle.

Leendert Bolle: kunstneren

A Life Shaped by Stone and Clay

Leendert Bolle began his life in Rotterdam, Netherlands, born on 11 April 1879. His early years were rooted in the Academy of Fine Arts in Rotterdam, where he first learned to handle form and material. Seeking a broader perspective, he traveled far from his home, spending time as an apprentice in the United States under Lee Lawrie. These travels took him through the streets of Paris and Firenze, where he once attempted to find his voice as a painter. Eventually, the pull of sculpture brought him back to his native Netherlands.

His work was defined by a quiet, focused intensity. He did not merely follow the traditions of his era; instead, he looked for new ways to manipulate the substances around him. While many of his contemporaries preferred pouring concrete into molds, Bolle experimented with compressing the material directly into them. This method gave his pieces a distinct character. He worked with sandstone, plaster, and even metal to create everything from small medals to large-scale architectural elements.

Traces Left in the City

Much of what remains of Bolle's presence can be found integrated into the very fabric of Rotterdam. His hands shaped the public spaces that people pass every day without a second thought. Some of his most recognizable contributions include:

  • The stylized animal sculptures perched on slender columns at the entrance of Diergaarde Blijdorp.
  • The relief and fencing work for the G.J. de Jongh monument located in the garden of Museum Boijmans van Beuningen.
  • Sandstone keystones for the bridge on Statensingel, including a piece featuring Charlie Chaplin and Henry Ford from 1931.
  • Ornaments designed for the SS Nieuw Amsterdam, which was completed in 1937.

These works show a man deeply connected to his surroundings. He saw the city as a place for art to live, not just to be displayed behind glass. Even his smaller works, such as medallions and sketches, reflect this same dedication to detail and form.

A Legacy of Innovation

Bolle's career reached an international stage when he participated in the sculpture event at the 1928 Summer Olympics in Amsterdam. This moment placed his modern approach within a global context. Though his name may have faded from some public memories over the decades, his technical contributions to the medium of sculpture remain significant. He was a man who found beauty in the compression of concrete and the grain of sandstone.

He passed away in Velp, Netherlands, on 13 December 1942. He left behind a body of work that spans many scales, from tiny self-portraits in oil to monumental architectural sketches. His life was spent refining a language of form that continues to be studied by those interested in the interwar period of Dutch sculpture.