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De 3 mest berømte Lazar Meyer-malerier, hver og en unik
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af Lazar Meyer i vores katalog
Kort sagt
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) er det maleri af Lazar Meyer, der vækker mest opsigt; originalen findes på Carnavalet Museum, Paris. Derefter falder blikket på Saint-Lazare Prison (1908) og Saint-Lazare Prison (1908). Blandt de 3 værker af Lazar Meyer i vores katalog er disse 3 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
1847 – 1935, Fegersheim
Flest værker: Carnavalet Museum
Top 10 malerier af Lazar Meyer, set gennem galleriets øjne
De museer, der udstiller Lazar Meyers originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lazar Meyer | Malerier fra denne liste |
|---|---|---|---|
 Carnavalet Museum |
Paris | 3 | The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison, Saint-Lazare Prison |
Lazar Meyer gennem årene: de unikke originaler fra hver enkelt
Mellem 1903 og 1908, i alt 6 år, skabte Lazar Meyer hvert eneste daterede originalværk vist her: et kort tidsspand, år for år.
Værker per år
Vælg et årstal for at se de originale værker.
Lazar Meyers malerier: spørgsmål til galleriet
Hvad er det mest berømte værk af Lazar Meyer?Vis svaret
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903), Carnavalet Museum, Paris. Derefter følger Saint-Lazare Prison (1908) og Saint-Lazare Prison (1908).
Hvilken alder havde Lazar Meyer, da The Maquis of Montmartre seen from Rue Caulaincourt in 1903 blev skabt?Vis svaret
56 år gammel: The Maquis of Montmartre seen from Rue Caulaincourt in 1903 er fra 1903, og Lazar Meyer blev født i 1847.
Hvor mange værker af Lazar Meyer er kendt?Vis svaret
Vores katalog indeholder 3 værker af Lazar Meyer, dateret fra 1903 til 1908.
Hvor kan de mest berømte originaler af Lazar Meyer ses?Vis svaret
Primært i Carnavalet Museum (Paris). Museumslisten ovenfor viser dem alle.
I hvilken periode skabte Lazar Meyer sine mest kendte malerier?Vis svaret
I 1908: 2 af de 3 værker på denne side blev skabt dengang, herunder Saint-Lazare Prison.
Hvilket berømt maleri af Lazar Meyer er det tidligste, og hvilket er det seneste?Vis svaret
På denne side er det tidligste The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) og det seneste Saint-Lazare Prison (1908).
Hvilke originalværker af Lazar Meyer kan jeg se på Carnavalet Museum?Vis svaret
The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison og Saint-Lazare Prison: Carnavalet Museum, Paris har 3 af værkerne på denne side.
Lazar Meyer: et portræt af kunstneren
A life shaped by borders and streets
Lazar Meyer arrived in Paris from Fegersheim following the Franco-Prussian War of 1870. The occupation of Alsace-Lorraine by the German Empire had prompted him to move with his brother, Léopold, seeking a different life in the 18th arrondissement. His early years in the city were marked by the heavy atmosphere of the Commune. He served as a secretary for a section during those turbulent days and faced arrest and imprisonment near the Île de Ré. Though he was nearly deported, the court eventually acquitted him because he had not taken up arms.
He settled into a quiet routine in Paris, marrying Louise Albertine Macé in 1880. Together they raised three children: Éva, Léa, and Israël Maurice. While his personal life took root in the city, his professional path was built through steady study and teaching. He learned under Alexandre Laemlein, Alexandre Cabanel, and Émile Lévy. Later, he shared this knowledge as a drawing teacher at Lycée Condorcet.
The brush and the ceramic tile
His work often focused on the intimate details of daily life and the changing face of his surroundings. He was a painter of genre scenes and portraits, showing a particular skill for capturing the texture of silk in a dress or the quiet weight of a family scene. Some of his pieces, like Kaddish pour les morts, carry a heavy, somber tone. He also looked toward the landscape, documenting the hills and thickets of Montmartre before they were transformed by urban expansion.
Beyond the canvas, Meyer worked with different materials to leave a mark on the city itself. In collaboration with the earthenware maker Jules Paul Loebnitz, he helped create large ceramic panels for the 1878 Universal Exhibition. These pieces, titled L'Architecture, La Peinture, and La Sculpture, were based on drawings by Émile Lévy. They eventually found a place on the facade of the former Loebnitz earthenware factory.
His contributions to the art scene included:
- Exhibiting at the Paris Salon between 1870 and 1882.
- Capturing the landscape of Montmartre, such as in Le Maquis de Montmartre vu de la rue Caulaincourt en 1903.
- Creating works that documented the era of the Second Empire.
- Developing a style that placed him among the early painters of Montmartre and a precursor to the School of Paris.
The later years of his life saw the loss of much of his physical output. During the Second World War, several of his works were destroyed or vandalized. He remained in Paris until his death on January 28, 1935.