Kort sagt
I galleriets øjne er Lawrence Weiners mest berømte maleri Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) og A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) fuldender trioen, som ethvert øje genkender. Ud af de 11 værker af Lawrence Weiner i vores katalog præsenterer galleriet herunder de 11 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Galleriets top 10 Lawrence Weiner malerier
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Lawrence Weiners malerier, rangeret fra 11 til 11
De museer, der udstiller Lawrence Weiners originalværker
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lawrence Weiner | Malerier fra denne liste |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, ét signaturmaleri per årti
Værker per årti
Vælg et årti for at se det originale værk, der definerer det.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Lawrence Weiner's malerier: galleriets svar
Hvilket maleri af Lawrence Weiner er det mest berømte af alle?Vis svaret
Turf, Stake and String from S.M.S. No. 5 (1968). Derefter følger Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) og A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
Hvor gammel var Lawrence Weiner, da Turf, Stake and String from S.M.S. No. 5 blev færdiggjort?Vis svaret
26 år gammel: Turf, Stake and String from S.M.S. No. 5 er fra 1968, og Lawrence Weiner blev født i 1942.
Hvilke er Lawrence Weiners top 10 malerier?Vis svaret
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By og Wind and the Willows What's Our Hero To Do. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Hvor mange værker skabte Lawrence Weiner?Vis svaret
Vores katalog indeholder 11 værker af Lawrence Weiner, dateret fra 1968 til 2004.
Hvor hænger Lawrence Weiners mest berømte originaler?Vis svaret
Primært i Serralves Foundation (Porto), Art Institute of Chicago (Chicago) og Museu d'Art Contemporani (Barcelona). Museumslisten ovenfor viser dem alle.
Hvornår skabte Lawrence Weiner sine mest berømte malerier?Vis svaret
I 1970s: 3 af de 11 værker på denne side blev skabt dengang, herunder The Level of Water.
Hvilke er Lawrence Weiners tidligste og seneste berømte værker?Vis svaret
På denne side er det tidligste Turf, Stake and String from S.M.S. No. 5 (1968) og det seneste Some Objects of Desire (2004).
Lawrence Weiner: kunstneren
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: