Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 145 værker af Lajos Csordák i vores katalog
Kort sagt
Af alle de originale værker, som Lajos Csordák efterlod, er det mest berømte Study of a Seated Old Man (1890), som er en del af samlingen på Slovak National Gallery i Bratislava. Lige efter følger Spring (1893) og Self-Portrait (1904). Vores katalog indeholder 145 værker af Lajos Csordák; galleriet har bevaret de 100 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
In the landscape painting Spring by Lajos Csordák, created about 1893, a solitary female figure is positioned within a rugged, rocky environment. The woman is seated amidst the terrain, her presence providing a focal point against the natural elements. On the right side of the composition, large, heavy rock formations rise upward, while the left side is occupied by dense, dark foliage. This arrangement creates a sense of enclosure around…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
A wooden plank bridge stretches from the foreground, pulling the eye toward a soft, hazy middle ground. Two women walk across this structure, their figures moving toward the viewer through a landscape of muted ochre and pale blue. The scene captures a singular, quiet moment of daily life in a village setting. Everything feels softened by an overcast sky, casting a diffused light that avoids harsh shadows. The air in…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
By the Stream1897 · Vychodoslovenské Galéria
12
Study of a Dry Tree1894 · Slovak National Gallery
13
Slanecký Castle1893 · Slovak National Gallery
14
Forest1894 · Slovak National Gallery
15
Landscape with Cows Grazing1897 · Vychodoslovenské Galéria
16
Forest Stream1897 · Vychodoslovenské Galéria
17
Little Shepherdess1896 · Slovak National Gallery
18
Rocks1895 · Slovak National Gallery
19
Zádiel Canyon1896 · Slovak National Gallery
20
Landscape with Cords of Wood1896 · Slovak National Gallery
21
Moonlit Landscape with Hrad Slanec1896 · Slovak National Gallery
22
Oldřich Oak in Peruc1893 · Slovak National Gallery
23
Okoř Castle1893 · Slovak National Gallery
24
Wooded Landscape with Little Birches1895 · Slovak National Gallery
25
Interior of Coniferious Woods with Rocks1897 · Slovak National Gallery
26
Forest in Winter1903 · Vychodoslovenské Galéria
27
Tree in the Landscape1902 · Vychodoslovenské Galéria
28
Landscape from Turna1905 · Vychodoslovenské Galéria
29
Horned Tree by the Lake1900 · Vychodoslovenské Galéria
30
Ruins of Slanecký Castle1902 · Vychodoslovenské Galéria
31
Little Grove with Does1905 · Vychodoslovenské Galéria
32
Waterfall1902 · Vychodoslovenské Galéria
33
Sixteen-Year-Old1900 · Gallery of Spis Artists
34
Forest with Sheep1905 · Vychodoslovenské Galéria
35
View of Spišská Nová Ves1900 · Gallery of Spis Artists
36
Meadow with a Group of Trees1900 · Slovak National Gallery
37
Landscape with a Castle1905 · Slovak National Gallery
38
Summer Landscape1900 · Slovak National Gallery
39
Path to Bankov1911 · Vychodoslovenské Galéria
40
Autumn in the Slanca Valley1907 · Vychodoslovenské Galéria
41
Forest1907 · Vychodoslovenské Galéria
42
Winter Landscape under the Tatras1909 · Vychodoslovenské Galéria
43
Cloudy1911 · Vychodoslovenské Galéria
44
Village1909 · Vychodoslovenské Galéria
45
Landscape with Hornád1907 · Vychodoslovenské Galéria
46
Forest1908 · Vychodoslovenské Galéria
47
Landscape1910 · Miloš Alexander Bazovský Gallery
48
Consideration of Hay1910 · Slovak National Gallery
49
The Edge Of The Forest1908 · Slovak National Gallery
50
Artist's Courtyard in Slanec in Winter1907 · Slovak National Gallery
51
Motif from Slanec1907 · Slovak National Gallery
52
Blue Valley1910 · Slovak National Gallery
53
Landscape with a River1912 · Vychodoslovenské Galéria
54
Landscape1912 · Vychodoslovenské Galéria
55
In Front of the House1912 · Vychodoslovenské Galéria
56
Meadow with Bushy Trees1912 · Vychodoslovenské Galéria
57
Landscape with a Diluted Stream1917 · Vychodoslovenské Galéria
58
Summer Landscape with Birches1915 · Vychodoslovenské Galéria
59
Church in Svinica1916 · Vychodoslovenské Galéria
60
Courtyard of the Renaissance Manor House in Strážky1912 · Vychodoslovenské Galéria
61
By the River1917 · Vychodoslovenské Galéria
62
Hrčiarska ulica in Košice1912 · Vychodoslovenské Galéria
63
House on Mäsiarska Street in Košice1912 · Vychodoslovenské Galéria
64
Spišská Kapitula1912 · Vychodoslovenské Galéria
65
Rocks1917 · Vychodoslovenské Galéria
66
Hornád Valley near Ťahanovce1914 · Slovak National Gallery
67
Gothic Chapel in Žehra1912 · Vychodoslovenské Galéria
68
Under Slanecký Castle1914 · Vychodoslovenské Galéria
69
Mariásnky Dvor in Košice1912 · Slovak National Gallery
70
Corner Of A Park1915 · Slovak National Gallery
71
Small Town in Spiš1922 · Vychodoslovenské Galéria
72
Alley in the Evening1920 · Slovak National Gallery
73
Village Motif1918 · Slovak National Gallery
74
Landscape1927 · Vychodoslovenské Galéria
75
Minorite Church in Levoča1926 · Vychodoslovenské Galéria
76
Still Life with Apples1927 · Vychodoslovenské Galéria
77
Poplars by the Road1925 · Vychodoslovenské Galéria
78
Interior of Krásna Hôrka Castle1925 · Vychodoslovenské Galéria
79
Forest1925 · Vychodoslovenské Galéria
80
Gymnázium Church in Levoča1926 · Vychodoslovenské Galéria
81
Motif from an Eastern Slovak Village1925 · Vychodoslovenské Galéria
82
Landscape1927 · Vychodoslovenské Galéria
83
Winter Evening1927 · Vychodoslovenské Galéria
84
Krásnohorské Podhradie1927 · Vychodoslovenské Galéria
85
Spiš Castle1923 · Vychodoslovenské Galéria
86
Landscape1927 · Vychodoslovenské Galéria
87
Winter Landscape1927 · Vychodoslovenské Galéria
88
Landscape1926 · Vychodoslovenské Galéria
89
Fir Forest1923 · Vychodoslovenské Galéria
90
Hradište in Vaľkovce1923 · Vychodoslovenské Galéria
91
Twilight in Zádielska dolina1925 · Vychodoslovenské Galéria
92
Small Church in Kysak1923 · Vychodoslovenské Galéria
93
Forest1927 · Vychodoslovenské Galéria
94
Winter Landscape1927 · Vychodoslovenské Galéria
95
View of Krásna Hôrka Castle1925 · Vychodoslovenské Galéria
96
Chrysanthemums on the Table1925 · Ernest Zmeták Art Gallery
97
Church in Moldava1923 · Vychodoslovenské Galéria
98
Rocks above the Brook1925 · Slovak National Gallery
99
Landscape1923 · Slovak National Gallery
100
Pines1929 · Vychodoslovenské Galéria
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 5 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Lajos Csordák | Malerier fra denne liste |
|---|---|---|---|
 Vychodoslovenské Galéria |
Košice | 67 | Self-Portrait, Washing Machine Before a Tree, Wooden Bridge |
 Slovak National Gallery |
Bratislava | 29 | Study of a Seated Old Man, Spring, Study of a Dry Tree |
 Gallery of Spis Artists |
Spišská Nová Ves | 2 | Sixteen-Year-Old, View of Spišská Nová Ves |
 Miloš Alexander Bazovský Gallery |
Trenčín | 1 | Landscape |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Chrysanthemums on the Table |
Vælg et årti for at se det originale værk, der definerer det.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
Study of a Seated Old Man (1890), Slovak National Gallery, Bratislava. Derefter følger Spring (1893) og Self-Portrait (1904).
26 år gammel: Study of a Seated Old Man er fra 1890, og Lajos Csordák blev født i 1864.
Study of a Seated Old Man, Spring, Self-Portrait, Washing Machine Before a Tree, Wooden Bridge, Man with Glasses, Shot from Zádielska dolina, Landscape with Trees, Peat Bog under Slanecký Castle og Landscape with Marsh. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 145 værker af Lajos Csordák, dateret fra 1890 til 1929.
Primært i Vychodoslovenské Galéria (Košice), Slovak National Gallery (Bratislava) og Gallery of Spis Artists (Spišská Nová Ves). Museumslisten ovenfor viser dem alle.
I 1920s: 30 af de 100 værker på denne side blev skabt dengang, herunder Man with Glasses.
På denne side er det tidligste Study of a Seated Old Man (1890) og det seneste Pines (1929).
Woman (2), Tree (2) og Foliage (2), fordelt på de 100 værker på denne side.
Oil On Canvas, for 3 af de 100 værker på denne side.
Self-Portrait, Washing Machine Before a Tree og Wooden Bridge: Vychodoslovenské Galéria, Košice har 67 af værkerne på denne side.
Kassa, 1864. Et barn fødes ind i en verden, som snart vil se ham bevæge sig på tværs af grænser. Omkring 1883 bosætter Csordák-familien sig i München, hvilket placerer den unge Lajos i hjertet af et europæisk landskab i opbrud. Han påbegynder sine formelle studier omkring 1880 og finder sin fodfæste i en tid præget af en streng og disciplineret atmosfære. Vejen fører ham videre til Prag, hvor han mellem 1889 og 1895 bliver optaget på Kunstakademiet. Her lader han sig inspirere af den tjekkiske landskabsmaler Julius Mařák, og under denne vejledning forfiner Lajos Csordák sit blik for den naturlige verden.
Overgangen fra studerende til en etableret kunstner sker gennem hans tilknytning til Mánes-forbundet for skønne kunster. Han bevæger sig i disse cirkler og absorberer de skiftende strømninger i det sene 19. århundredes æstetik. Hans værker begynder at afspejle lyset og atmosfæren fra impressionismen, selvom han fastholder et specifikt fokus på terrænet i sine hjemlige regioner.
Lajos Csordáks penselstrøg finder sit mest intime udtryk i brugen af tørre materialer og pasteller. Han specialiserer sig i landskaber, hvor han indfanger årstidernes stille skiften over de slovakiske og ungarske territorier. Hans kompositioner centrerer sig ofte om specifikke topografiske træk: Tatrabjergnes råhed, sumpens stilhed eller skovens tunge nærvær.
Teknikken varierer fra pastellens bløde tekstur til oliemalingens tyngde på lærred eller bræt. Hans værker fokuserer særligt på følgende elementer:
Efter 1908 finder hans liv en fast ro. Han bosætter sig permanent i Košice, en periode der er præget af en vedvarende dedikation til det østslovakiske landskab. Hans senere værker, som dem fra 1927, vidner om en vedholdende forbindelse til jorden, selvom de politiske grænser omkring ham gennemgår dybe forandringer. Han forbliver en skikkelse, der er uløseligt knyttet til den lokale geografi, og efterlader sig en samling af værker, der i dag findes i institutioner som Det Slovakiske Nationalgalleri og Det Østslovakiske Galleri.
Han går bort i Košice den 28. juni 1937. Den arv, han efterlader, er præget af en specifik og lokaliseret observation – en registrering af Slanec-slottet, vejene i Bankov og lyset over Tatrabjergene, bevaret gennem et blik inspireret af post-impressionismen.
