Portræt af Julius Exner

De 19 mest berømte Julius Exner-malerier, hver og en unik

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 19 værker af Julius Exner i vores katalog

Kort sagt

Visiting Grandfather (1853) er det maleri af Julius Exner, der vækker mest opsigt; originalen findes på Statens Museum for Kunst, København. Derefter falder blikket på En fattig kone der venter på et krus øl i en bondestue (1852) og En amagerkone (1852). Blandt de 19 værker af Julius Exner i vores katalog er disse 19 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1825 – 1910, Copenhagen Flest værker: Statens Museum for Kunst

Top 10 malerier af Julius Exner, set gennem galleriets øjne

Julius Exners berømte malerier, nummer 11 til 19

De museer, der udstiller Julius Exners originalværker

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Julius Exner Malerier fra denne liste
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 12 Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone
Kunsten Museum of Modern Art Aalborg, AalborgKunsten Museum of Modern Art Aalborg Aalborg 2 A village churchyard., Dressing the bride. Scene from the Hollænderby (Dutch village) on Amager.
Den Hirschsprungske Samling, KøbenhavnDen Hirschsprungske Samling København 1 Blind man's bluff
Ribe Kunstmuseum, EsbjergRibe Kunstmuseum Esbjerg 1 Birthday visit to Grandma
ARoS Aarhus Kunstmuseum, AarhusARoS Aarhus Kunstmuseum Aarhus 1 Præsentation for en kender

Julius Exner gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Julius Exners malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Julius Exner?Vis svaret

Visiting Grandfather (1853), Statens Museum for Kunst, København. Derefter følger En fattig kone der venter på et krus øl i en bondestue (1852) og En amagerkone (1852).

Hvilken alder havde Julius Exner, da Visiting Grandfather blev skabt?Vis svaret

28 år gammel: Visiting Grandfather er fra 1853, og Julius Exner blev født i 1825.

Hvilke ti malerier af Julius Exner er de mest berømte?Vis svaret

Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue, En amagerkone, The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives, Interior with peasants from the region of Amager, A Country Dance in the Hedebo District, Zealand, Sorteperspillerne, Blind man's bluff, Grandmother's visit to the little Convalescent og A village churchyard.. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Julius Exner er kendt?Vis svaret

Vores katalog indeholder 19 værker af Julius Exner, dateret fra 1849 til 1910.

Hvor kan de mest berømte originaler af Julius Exner ses?Vis svaret

Primært i Statens Museum for Kunst (København), Kunsten Museum of Modern Art Aalborg (Aalborg) og Den Hirschsprungske Samling (København). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Julius Exner sine mest kendte malerier?Vis svaret

I 1850s: 6 af de 19 værker på denne side blev skabt dengang, herunder Visiting Grandfather.

Hvilket berømt maleri af Julius Exner er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste The Danish Queen Thyra Danebod Trying to Soften the Heart of her Husband, Gorm the Old, towards some Christian Captives (1849) og det seneste Self-Portrait, the Artist’s Last Work (1910).

Hvilke originalværker af Julius Exner kan jeg se på Statens Museum for Kunst?Vis svaret

Visiting Grandfather, En fattig kone der venter på et krus øl i en bondestue og En amagerkone: Statens Museum for Kunst, København har 12 af værkerne på denne side.

Julius Exner: et portræt af kunstneren

The Soul of the Danish Folk: The Life and Art of Julius Exner

Born in the vibrant heart of Copenhagen in 1825, Johan Julius Exner emerged as a defining voice of Denmark’s National Romantic period. While his early academic ambitions leaned toward the grand, dramatic narratives of history painting, Exner’s true genius lay in finding the extraordinary within the ordinary. Guided by the mentorship of masters like J. L. Lund and the legendary Christoffer Wilhelm Eckersberg, he moved away from the distant legends of antiquity to embrace the living, breathing pulse of the Danish countryside. His journey was one of profound intimacy, as he turned his gaze toward the unique customs, colorful costumes, and resilient spirits of the people inhabiting the fringes of his nation.

Exner’s artistic evolution was deeply intertwined with a burgeoning sense of patriotism and the cultural movement led by critic Niels Lauritz Høyen. This movement sought to look inward, celebrating uniquely Danish themes and folk identities. Exner found his most profound inspiration on the island of Amager, where he documented the lives of Dutch-descended farmers with a masterly touch. His works from this period, such as A Woman from Amager Counting Her Money, are not merely portraits but windows into a vanishing way of life. He possessed a rare ability to compose complex groups of people within the warm, textured interiors of old farmhouses, blending light and shadow to create scenes that felt both timeless and deeply human.

A Tapestry of Tradition and Light

The brilliance of Exner’s technique resided in his capacity for affectionate observation. He did not merely observe his subjects; he engaged with them, often traveling to the countryside during summer months to conduct live studies from nature. This dedication allowed him to capture the subtle nuances of character—the gentle humor in a child's play or the quiet dignity of an elder. His later years saw him captivated by the island of Fanø, where he continued to document the traditions of a community facing the encroaching tides of industrialization. Through his brush, these fleeting moments of self-sufficiency and communal joy were preserved in a state of idealized grace.

Beyond the domestic interiors of Denmark, Exner’s artistic curiosity led him across Europe. His travels through Italy, France, and Germany enriched his palette and perspective, as seen in the evocative A Gondola, which captures the shimmering, atmospheric light of Venice. This breadth of experience allowed him to weave together influences from Dutch and German genre painting with a distinctly Nordic sensibility. His work stands as a bridge between the structured perfection of the Golden Age and the raw, unvarnished truth of the Realist movement that would eventually follow in his footsteps.

Legacy and Artistic Significance

Exner’s contributions to the Danish art canon are marked by both academic prestige and enduring public affection. His career was decorated with numerous accolades, including:

  • The Academy's Silver Medallions, earned during his formative years in the 1840s.
  • A Professorship at the Danish Academy, a testament to his technical mastery and influence on subsequent generations.
  • International Recognition, with works exhibited in prestigious venues from Paris to Vienna.

Today, the legacy of Julius Exner lives on through the permanent collections of the Statens Museum for Kunst and the Hirschsprung Collection. He remains a pivotal figure who captured the heart of a nation during a period of profound transition. By elevating the folk life of Amager and Fanø to the level of high art, Exner ensured that the faces, textures, and traditions of the Danish people would remain etched in the collective memory of the world, presented with a warmth and light that continues to enchant viewers centuries later.