Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 156 værker af Jules Dupré i vores katalog
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L'Automne er det maleri af Jules Dupré, der fanger flest blikke. Derefter falder blikket på Forest View (1850) og Un orage en mer (fin des années 1880). Blandt de 156 værker af Jules Dupré i vores katalog er disse 100 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
A dirt road winds through a wooded landscape, drawing the eye toward a distant, hazy horizon. The scene captures a moment of seasonal transition, where the foliage of the trees has turned to shades of yellow and brown. Along the path, figures and animals move through the landscape, suggesting the rhythmic, everyday labor of countryside life. The atmosphere is heavy with the stillness of an overcast day, where light filters…
Forest View is a moody and atmospheric landscape painting that captures a dramatic forest scene under a turbulent sky. The composition is dominated by a large, detailed tree positioned slightly left of center, which anchors the foreground. To the right, a small stream or pool reflects the light from the sky, creating a focal point in the lower portion of the work. The color palette is somber and earthy, consisting…
Portrait de l'artiste au soleil couchant : Une Ode à la Nature Dramatique La peinture "Portrait de l’artiste au soleil couchant" attribuée à Jules Dupré représente une œuvre emblématique du mouvement Barbizon, incarnant les préoccupations esthétiques et émotionnelles qui définissent cette période artistique française. Datée probablement vers 1875, cette huile sur toile témoigne d'une maîtrise exceptionnelle de la couleur et d’une sensibilité profonde pour capturer la puissance brute et la…
In this 1865 oil on canvas, we find ourselves standing before a landscape that feels heavy with the scent of damp earth and approaching rain. The composition is anchored by a gnarled, skeletal tree, its dark limbs reaching upward like veins against a turbulent sky. There is a profound sense of stillness here, yet it is a restless quiet, the kind that precedes a storm. The palette is muted, leaning…
A cluster of thatched-roof cottages occupies the center of this 1840 landscape, nestled between mature, heavy-limbed trees. A dirt path cuts through the foreground, leading the eye toward a horse-drawn carriage moving through the village. The scene is defined by a dramatic, cloud-filled sky that casts dappled light across the uneven, muddy terrain. Earthy tones of ochre and sienna ground the composition, while cool blues and bright whites emerge from…
To stand before Jules Dupré’s Landscape with Cattle at Limousin is to be enveloped by a moment suspended between tranquility and impending drama. This magnificent oil on canvas, dating from 1837, transports the viewer deep into the heart of rural France. It is more than just a depiction of grazing cattle beneath an expansive sky; it is a masterful study in atmospheric tension. Duppré captures that fleeting energy inherent in…
The air feels heavy and damp, thick with the scent of river water and the soft rustle of willow leaves. A lone figure stands waist-deep in the still, dark water, his silhouette breaking the surface as he holds a fishing rod with patient intent. Around him, the willow trees stretch toward the sky, their long, leafy branches dipping low to touch the water's edge. The scene is one of profound…
A massive, dark silhouette of an oak tree dominates the left side of this oil on canvas painting, extending vertically toward the upper edge of the frame. To the right, a secondary cluster of darker trees creates a boundary for a central opening in the sky. Within this gap, bright, turbulent clouds are illuminated from behind, casting light that reflects upon the surface of a pool below. The color palette…
The Cottage by the Roadside, Stormy Sky1860 · Art Institute of Chicago
12
On the Road1856 · Art Institute of Chicago
13
Le chêne
14
Two Boats in a Storm1872 · Art Institute of Chicago
15
Autumn Landscape1850 · Hermitage Museum
16
Pointe de dunes1831 · Kelvingrove Kunstgalleri og Museum
17
The Estuary Farm1830 · Art Institute of Chicago
18
Evening on the French Coast near Dieppe1830 · Reading Public Museum
19
Setting Sun over a Marsh1837
20
Landscape1832
21
Marsh at Setting Sun1832 · The Mesdag Collection
22
View of the Pastures of the Limousin (France)1835 · Minneapolis Institute of Art
23
A Bright Day1837 · Walters Art Museum
24
The Pond1837 · Minneapolis Institute of Art
25
In the Landes, France1841 · Leeds Art Gallery
26
Fontainebleau Oaks1840 · Minneapolis Institute of Art
27
Setting Sun After the Storm1851
28
Cows near a Pond1850 · Musée Hyacinthe Rigaud
29
The Path of Cayeux-sur-Mer1850
30
The Pond1850
31
Sunset1850
32
Wooded Path1850 · Musée des Beaux-Arts de Caen
33
Cows in a Pond1852 · National Gallery of Ireland
34
The Windmill1850 · Cleveland Museum of Art
35
On the river1850 · National Museum of Fine Arts
36
Landscape with a pond.1850 · Nationalmuseet i Warszawa
37
Untitled (Landscape)1850 · Minneapolis Institute of Art
38
On the Marsh1850 · Brooklyn Museum
39
Landscape with a pond1855 · Nationalmuseet i Warszawa
40
Landscape with Cows near a Pool of Water1857 · Rijksmuseum Twenthe
41
The Windmill1857 · Scottish National Gallery
42
Still Life with a grey Jug1862 · Nationalmuseum
43
Riverbanks1870
44
Evening1865 · Musée d'Arts de Nantes
45
The Morning1865 · Musée d'Arts de Nantes
46
Choppy Sea1870 · Hamburger Kunsthalle
47
Marshland1870 · Cleveland Museum of Art
48
A Fisherman1867 · Scottish National Gallery
49
Village Scene, Sunset1870 · Minneapolis Institute of Art
50
Barks Fleeing Before the Storm1870 · Art Institute of Chicago
51
Sunset on the Coast1870 · Walters Art Museum
52
At Sea1870 · Walters Art Museum
53
Le Crotoy1868 · The Mesdag Collection
54
Calm before the storm1870
55
Landscape with Cattle1865
56
The Old Oak1870 · National Gallery of Art
57
Open Sea1868
58
Landscape (with cow at the water).1877 · Museum Gouda
59
Landscape with Cow1872 · Saint Louis Art Museum
60
Evening1877 · The Mesdag Collection
61
Sunset1877 · The Mesdag Collection
62
Bridge to L'Isle-Adam1872 · The Mesdag Collection
63
Sunset over the Forest1875
64
Landscape with River1884
65
Sunset (Coucher du soleil)1884
66
A Stiff Breeze1879
67
Sunset1879 · Museum Boijmans Van Beuningen
68
View in the Woods, Jules Dupré, 1840 - 18891889 · Rijksmuseum
69
A Village by Night, Jules Dupré, 1840 - 18891889 · Rijksmuseum
70
Cattle Watering1888
71
Scenery with farmhouses under trees
72
Forest-landscape, wash-women at the brook
73
Portrait Of Guillaume Roumy, Uncle Of Pauline Ono
74
Portrait of Jean-Victor Schnetz
75
Autoportrait de l'artiste à son chevalet
76
Le vieux chêne à l'abreuvoir après 1880
77
Marine
78
Paysanne assise sous un chêne et son chien
79
Le port Saint Nicolas à ParisMusée Condé
80
La vanne
81
Landscape by moonlight1852 · Nationalmuseet i Warszawa
82
VACHES AU BORD DE L'EAULouvre
83
Forest Landscape1840 · Hermitage Museum
84
Landscape with Cows1870 · Hermitage Museum
85
La petite charretteLouvre
86
SOLEIL COUCHANT SUR UN MARAISLouvre
87
MarineLouvre
88
Landscape with Cattle WateringNorfolk Museums
89
A Country CottageLeeds Art Gallery
90
A SeascapeNational Gallery of Ireland
91
LandscapeDetroit Institute of Arts
92
Cows DrinkingRhode Island School of Design Museum of Art
93
The Old WindmillRhode Island School of Design Museum of Art
94
LandscapeRhode Island School of Design Museum of Art
95
Shipping in a breezeFitzwilliam Museum
96
Watering PlaceMuseum of Fine Arts
97
Cottages by the SeaMuseum of Fine Arts
98
Cattle on the DunesMuseum of Fine Arts
99
LandscapeFine Arts Museums of San Francisco
100
The RiverThe Frick Collection
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jules Dupré | Malerier fra denne liste |
|---|---|---|---|
 Louvre |
Paris | 12 | Portrait de l'artiste, VACHES AU BORD DE L'EAU, La petite charrette |
 Art Institute of Chicago |
Chicago | 5 | The Cottage by the Roadside, Stormy Sky, On the Road, Two Boats in a Storm |
 The Mesdag Collection |
Haag | 5 | Marsh at Setting Sun, Le Crotoy, Evening |
 Minneapolis Institute of Art |
Minneapolis | 5 | View of the Pastures of the Limousin (France), The Pond, Fontainebleau Oaks |
 Hermitage Museum |
Sankt Petersborg | 4 | Village Landscape, Autumn Landscape, Forest Landscape |
 Walters Art Museum |
Baltimore | 3 | A Bright Day, Sunset on the Coast, At Sea |
 Nationalmuseet i Warszawa |
Warszawa | 3 | Landscape with a pond., Landscape with a pond, Landscape by moonlight |
 Rhode Island School of Design Museum of Art |
Providence | 3 | Cows Drinking, The Old Windmill, Landscape |
Vælg et årti for at se det originale værk, der definerer det.
To stand before Jules Dupré’s Landscape with Cattle at Limousin is to be enveloped by a moment suspended between tranquility and impending drama. This magnificent oil on canvas, dating from 1837, transports the viewer deep into the heart of rural France. It is more than just a depiction of grazing cattle beneath an expansive sky; it is a masterful study in atmospheric tension. Duppré captures that fleeting energy inherent in…
A cluster of thatched-roof cottages occupies the center of this 1840 landscape, nestled between mature, heavy-limbed trees. A dirt path cuts through the foreground, leading the eye toward a horse-drawn carriage moving through the village. The scene is defined by a dramatic, cloud-filled sky that casts dappled light across the uneven, muddy terrain. Earthy tones of ochre and sienna ground the composition, while cool blues and bright whites emerge from…
Forest View is a moody and atmospheric landscape painting that captures a dramatic forest scene under a turbulent sky. The composition is dominated by a large, detailed tree positioned slightly left of center, which anchors the foreground. To the right, a small stream or pool reflects the light from the sky, creating a focal point in the lower portion of the work. The color palette is somber and earthy, consisting…
In this 1865 oil on canvas, we find ourselves standing before a landscape that feels heavy with the scent of damp earth and approaching rain. The composition is anchored by a gnarled, skeletal tree, its dark limbs reaching upward like veins against a turbulent sky. There is a profound sense of stillness here, yet it is a restless quiet, the kind that precedes a storm. The palette is muted, leaning…
The canvas presents a seascape dominated by a heavy, low-hanging sky that occupies the upper two-thirds of the frame. Swirling, tempestuous clouds in shades of deep ochre, muddy brown, and black move across the upper register. In the lower left foreground, a dark, silhouetted sailboat tilts at a sharp angle, its hull cutting through choppy, agitated waves. A second, smaller vessel is positioned further in the distance toward the right,…
L'Automne. Derefter følger Forest View (1850) og Un orage en mer (fin des années 1880).
L'Automne, Forest View, Un orage en mer (fin des années 1880), Portrait de l'artiste, Autumn, Village Landscape, Landscape with Cattle at Limousin, Willows, with a Man Fishing, Valley of the River Loire og Oak pool. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 156 værker af Jules Dupré, dateret fra 1830 til 1889.
Primært i Louvre (Paris), Art Institute of Chicago (Chicago) og The Mesdag Collection (Haag). Museumslisten ovenfor viser dem alle.
I 1850s: 20 af de 100 værker på denne side blev skabt dengang, herunder Forest View.
På denne side er det tidligste The Estuary Farm (1830) og det seneste View in the Woods, Jules Dupré, 1840 - 1889 (1889).
Landscape (9), Sky (8) og Clouds (8), fordelt på de 100 værker på denne side.
Oil On Canvas, for 17 af de 100 værker på denne side.
Barbizon school, baseret på originalerne på denne side.
Portrait de l'artiste, VACHES AU BORD DE L'EAU og La petite charrette: Louvre, Paris har 5 af værkerne på denne side.
Jules Dupré (1811–1889) står som en hjørnesten i Barbizon-skolen, en kunstnerisk bevægelse, der hyldede rå observation og følelsesmæssig resonans i landskabsmaleriet. I modsætning til sine samtidige, såsom Corot, der ofte søgte den lyriske skønhed og den rolige stilhed, kæmpede Dupré med naturens mørkere og mere stormfulde sider. Han besad en unik evne til at indfange stormens rasen, skumringens melankolske storhed og elementernes utrættelige energi, og han formidlede disse oplevelser med en uovertruffen intensitet. Født i Nantes, Frankrig, begyndte Duprés kunstneriske rejse midt i en spirende fascination for den naturlige verden og dens evne til at vække dybe, ofte turbulente, menneskelige følelser.
Hans tidlige liv lagde fundamentet for en omhyggelig sans for detaljen og en værdsættelse af håndværket, kvaliteter der blev slebet gennem hans fars porcelænsfabrik. Denne formative oplevelse skulle senere oversættes til hans egne kunstneriske bestræbelser, hvilket var særligt tydeligt i hans tidlige værker, hvor han udforskede de indviklede detaljer i keramisk dekoration. Som lærling inden for porcelænsdekoration lærte han disciplinen bag fine linjer og teksturer – et færdighedssæt, der med tiden udviklede sig til hans mesterlige håndtering af atmosfærisk dybde og organiske former.
Duprés karriereforløb blev uigenkaldeligt formet af hans møde med John Constables banebrydende lærreder. Denne eksponering for engelske landskabstraditioner antændte et ønske om at indfange essensen af naturens dynamik – det utrættelige samspil mellem vindblæst løv og det dramatiske vekselspil mellem lys og skygge i dagens mest uforudsigelige timer. Ved sin rejse til Storbritannien i 1831 foretog Dupré dybdegående studier af disse engelske mestre, og han vendte tilbage til Frankrig med en portefølje af billedsprog, der ville omdefinere hans tilgang til landskabet.
Han fandt særlig inspiration i kystdistrikterne omkring Southampton og Plymouth. Disse enorme vandflader, der reflekterede turbulente himle, fungerede som det perfekte laboratorium for ham til at studere stormskydernes voldsomme bevægelser og havets rastløshed. Hans malerier fra denne periode er ikke blot afbildninger af landskaber; de er viscerale udtryk for stemning og følelse, gennemsyret af en mærkbar dramatik og endda sorg. Ved at omfavne Barbizon-æstetikken prioriterede Dupré ekspressive farvepaletter og dristige penselstrøg frem for idealiserede eller polerede repræsentationer, hvilket lod selve malingens tekstur spejle jordens råhed.
Som en central skikkelse i Barbizon-gruppen knyttede Dupré tætte bånd til andre legendariske malere, herunder Théodore Rousseau. Hans opstigning i det franske kunstetablissement var markeret af betydningsfulde milepæle, såsom hans optagelse på Salonen og den officielle anerkendelse gennem medaljer for sine landskaber. Hans arbejde blev synonymt med en vis klangfuld og resonant farveharmoni, hvor lyset fra en nedadgående sol eller mørket fra en kommende storm kunne føles af beskueren ligeså meget, som det kunne ses.
I dag huskes Jules Dupré som en af de mest indflydelsesrige franske landskabsmalere fra det 19. århundrede. Hans bidrag til kunsten ligger i hans evne til at bygge bro mellem ren observation og romantisk følelse. Gennem værker som La Petite Charrette, Cows Crossing a Ford og hans stemningsfulde skildringer af flodlandskaber, lærte han generationer af kunstnere, at naturen ikke blot er et motiv, der skal males, men en kraftfuld størrelse, der skal opleves. Hans eftermæle forbliver indlejret i de tunge, atmosfæriske teksturer og de dramatiske, levende himle, som fortsat formår at fange den moderne fantasi.
