Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 67 værker af Józef Simmler i vores katalog
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I galleriets øjne er Józef Simmlers mest berømte maleri Portrait of singer Wilhelm Troszel as Don Juan (1846), hvis original hænger på Nationalmuseet i Warszawa i Warszawa. Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867) og Portrait of Teresa Kicka (1841) fuldender trioen, som ethvert øje genkender. Ud af de 67 værker af Józef Simmler i vores katalog præsenterer galleriet herunder de 67 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
The air in the room feels heavy and still, as if time itself has paused to respect the dignity of the woman before us. Teresa Kicka sits in a quiet, formal poise, her gaze meeting the observer with a steady, unblinking clarity. She is draped in a garment of deep burgundy velvet, a color so saturated it seems to absorb the very light around it. The fabric possesses a palpable…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The room falls into a heavy, respectful silence as Julia Bock sits before us, her presence commanding the space through a quiet, aristocratic dignity. She is draped in voluminous black silk and satin, the fabric catching the light in deep, sweeping folds that suggest both weight and a slow, rhythmic movement. A stark white lace collar and cuffs frame her face and hands, creating a sharp, luminous contrast against the…
A profound stillness settles over the room as we encounter Nikodem Biernacki. Seated in a three-quarter pose, the man holds a stringed instrument—perhaps a cello or a violin—with a grace that suggests the music has only just ceased or is about to begin. The composition is contained within a soft oval, focusing all attention on the sitter and his instrument. Dark, earthy tones of deep brown and black dominate the…
In this 1865 oil on canvas, we find ourselves in a quiet, misty forest, where the atmosphere is thick with the scent of damp earth and evergreen. The subject, Ludwik Mycielski, is positioned with a quiet authority, standing amidst the vertical lines of the trees. He is a man of status, perhaps a soldier or a nobleman, holding a saber at his side with a practiced ease. His attire is…
In this 1863 oil on canvas, we encounter Colonel Konstanty Fiszer, a man whose very posture commands the space he occupies. He is depicted in mid-to-late adulthood, his white hair and mustache catching the light against a somber, dark background. There is a quiet authority in the way he holds his walking cane and a folded document, suggesting a life defined by duty and formal decorum. The composition is vertical,…
The composition is a vertical arrangement of three primary subjects: two young girls and a large dog. One girl stands, holding a leash, while the second girl sits on the floor, cradling a doll. A large, black, long-haired dog is positioned beside them. The scene is set within a staged environment featuring a heavy, rectangular pedestal and a draped velvet curtain. In the foreground, fruit is placed upon the floor.…
In this 1849 oil on canvas, Józef Simmler turns his gaze toward the intimate sphere of family, capturing his sister, Katarzyna Jahn. The composition follows a traditional three-quarter view, positioning her from the waist up against a dark, atmospheric backdrop that pushes her figure into the foreground. A soft, directional light enters from the upper left, sculpting the contours of her face and the delicate architecture of her neck. This…
Nobleman with a Parrot1859 · Nationalmuseet i Kraków
12
Portrait of Dr. Teodor Teutold-Tripplin, traveler.1852 · Nationalmuseet i Warszawa
13
Portrait of Julia Simmlerowa née Hoeggenstaller, artist's wife.1863 · Nationalmuseet i Warszawa
14
Portrait of Aleksander Waszkowski, member of the National Government in 18631864 · Nationalmuseet i Warszawa
15
Portrait of countess Róża Sobańska1867 · Nationalmuseet i Warszawa
16
Study of a male nude.1841 · Nationalmuseet i Warszawa
17
Wacław's farewell to Maria1848 · Nationalmuseet i Warszawa
18
Portrait of Jakub Simmler, artist’s father1847 · Nationalmuseet i Warszawa
19
Male nude study1841 · Nationalmuseet i Warszawa
20
Portrait study of a lady.1855 · Nationalmuseet i Warszawa
21
Portrait of Miss Pisarzowska1852 · Nationalmuseet i Kraków
22
Portrait of Jan Reszke1862 · Nationalmuseet i Warszawa
23
Portrait of Mrs. Skwarcowa1855 · Nationalmuseet i Warszawa
24
Entombment of Christ, sketch for a painting1850 · Nationalmuseet i Warszawa
25
Portrait of Antoni Kruszewski, prelate1850 · Nationalmuseet i Warszawa
26
Portrait of Juliusz Kossak1860 · Nationalmuseet i Warszawa
27
Portrait of Aleksandra Zatlerowa.1862 · Nationalmuseet i Warszawa
28
Martyrdom of Josaphat Kuntsevych1861 · Nationalmuseet i Warszawa
29
Catherine Jagiellon and her son Sigismund in Gripsholm prison1859 · Nationalmuseet i Warszawa
30
Portrait of Matylda Wernerowa.1858 · Nationalmuseet i Warszawa
31
Catherine Jagiellon with her son Sigismund imprisoned in the Gripshom Castle (sketch)1859 · Nationalmuseet i Warszawa
32
Wacław's farewell to Maria1856 · Nationalmuseet i Warszawa
33
Portrait of a man1856 · Nationalmuseet i Warszawa
34
Portrait of Capuchin Beniamin Szymański1856 · Nationalmuseet i Warszawa
35
Boy at breakfast1856 · Nationalmuseet i Warszawa
36
Queen Jadwiga's oath.1867 · Nationalmuseet i Warszawa
37
Portrait of Emilia Włodkowska1865 · Nationalmuseet i Warszawa
38
Sketch for “Crucifixion”1868 · Nationalmuseet i Warszawa
39
Portrait of Maurycy Brauman1866 · Nationalmuseet i Warszawa
40
Portrait of Julia Simmler, artist's daughter1864 · Nationalmuseet i Warszawa
41
Portrait of Emilia Mielżyńska née Bnińska1866 · Nationalmuseet i Warszawa
42
Portrait of Emilia Reszke1862 · Nationalmuseet i Warszawa
43
Portrait of Mrs. Kruszewska née KomorowskaNationalmuseet i Warszawa
44
Study of the hands of Sigismund Augustus for the painting “Death of Barbara Radziwiłł”1860 · Nationalmuseet i Warszawa
45
Jaśko of Tenczyn. Study to the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
46
Sketch to the Painting "Three Marys Walking to Christ's Tomb "Nationalmuseet i Kraków
47
Study of the Amor Figure to the Painting "Wedding Procession of Amor and Psyche"Nationalmuseet i Kraków
48
Study to the Painting "The Death of Barbara Radziwiłł" – Head of Quinn BarbaraNationalmuseet i Kraków
49
Figures of Armoured Guards. Study to the Painting "Catherine Jagiellon in Gripsholm Prison"Nationalmuseet i Kraków
50
The EntombmentNationalmuseet i Kraków
51
Portrait of a ladyNationalmuseet i Warszawa
52
Portrait studyNationalmuseet i Warszawa
53
Portrait of Teofil Lenartowicz, poet and sculptorNationalmuseet i Warszawa
54
Portrait of a manNationalmuseet i Warszawa
55
The Death of Barbara RadziwiłłWarszawa National Museum
56
Quinn's Attire and a Drapery. Studies to the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
57
Study of Both Hands of the Bishop for the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
58
Study (I) of Both Hands of the Bishop to the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
59
Study of Władysław Jagiełło's Garment to the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
60
Jaśko of Tęczyn's Garment. Study to the Painting "The Oath of Queen Jadwiga"Nationalmuseet i Kraków
61
Study of a Lady with a Lute's Robe. Study to the Painting "Upbringing of Sigismund Augustus"Nationalmuseet i Kraków
62
Study of a Brocade HangingNationalmuseet i Kraków
63
Study of Quinn Barbara's Arm to the Painting "The Death of Barbara Radziwiłł"Nationalmuseet i Kraków
64
Sleeves of King's Attire. Study to the Painting "The Death of Barbara Radziwiłł"Nationalmuseet i Kraków
65
Sketch to the Painting "Three Marys Walking to Christ's Tomb"Nationalmuseet i Kraków
66
Fragment of the Cover of Quinn's Bed. Study to the Painting "The Death of Barbara Radziwiłł"Nationalmuseet i Kraków
67
La Mort de Barbara Radziwiłł by Józef Simmler1860 · Nationalmuseet i Warszawa
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Józef Simmler | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 45 | Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński |
 Nationalmuseet i Kraków |
Kraków | 20 | Portrait of Ludwik Mycielski, Nobleman with a Parrot, Portrait of Miss Pisarzowska |
 Hermitage Museum |
Sankt Petersborg | 1 | Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg |
 Warszawa National Museum |
Warszawa | 1 | The Death of Barbara Radziwiłł |
Vælg et årti for at se det originale værk, der definerer det.
The air in the room feels heavy with the scent of old velvet and the cooling warmth of a dying sun. A man leans against a cold stone pillar, his posture a delicate balance of aristocratic poise and a quiet, poetic melancholy. He is not merely a man, but a character caught in a moment of theatrical stillness, embodying the legendary Don Juan. The light, streaming in from the left,…
This 1852 oil portrait presents a middle-aged man in a moment of quiet contemplation. Captured in an oval format, the subject is positioned from the waist up, his gaze directed toward the viewer with a calm, steady expression. The composition relies on a controlled, directional light source from the upper left, which carves the contours of his face and creates a sense of physical volume. Dark, muted tones dominate the…
The air in the room feels heavy with the weight of authority as Field-Marshal Count Fiodor Berg occupies the center of the frame. He stands with a quiet, commanding presence, his figure anchored by the deep shadows of a grand, 19th-century interior. A dark blue military uniform clings to him, its surface catching the light where gold buttons and medals glint against the fabric. The bright red of his trousers…
Portrait of singer Wilhelm Troszel as Don Juan (1846), Nationalmuseet i Warszawa, Warszawa. Derefter følger Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg (1867) og Portrait of Teresa Kicka (1841).
23 år gammel: Portrait of singer Wilhelm Troszel as Don Juan er fra 1846, og Józef Simmler blev født i 1823.
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg, Portrait of Teresa Kicka, Portrait of Ksawery Skrzyński, Portrait of Julia Bock, Nikodem Biernacki, Portrait of Ludwik Mycielski, Portrait of colonel Konstanty Fiszer, Portrait of Kronenberg sisters (Maria Róża and Róża Maria Karolina) with a dog og Portrait of Katarzyna Jahn, artist's sister.. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 67 værker af Józef Simmler, dateret fra 1841 til 1868.
Primært i Nationalmuseet i Warszawa (Warszawa), Nationalmuseet i Kraków (Kraków) og Hermitage Museum (Sankt Petersborg). Museumslisten ovenfor viser dem alle.
I 1860s: 22 af de 67 værker på denne side blev skabt dengang, herunder Portrait of Field-Marshal Count Fiodor (Friedrich Wilhelm) Berg.
På denne side er det tidligste Portrait of Teresa Kicka (1841) og det seneste Sketch for “Crucifixion” (1868).
Man (22), Woman (19) og Lace (8), fordelt på de 67 værker på denne side.
Oil On Canvas, for 39 af de 67 værker på denne side.
Academic realism, baseret på originalerne på denne side.
Portrait of singer Wilhelm Troszel as Don Juan, Portrait of Teresa Kicka og Portrait of Ksawery Skrzyński: Nationalmuseet i Warszawa, Warszawa har 45 af værkerne på denne side.
