Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 35 værker af Joseph Légaré i vores katalog
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I galleriets øjne er Joseph Légarés mest berømte maleri Conversion of Saint Paul (1822). Le Massacre des Hurons par les Iroquois (1827) og Le Père éternel entouré d'anges (1824) fuldender trioen, som ethvert øje genkender. Ud af de 35 værker af Joseph Légaré i vores katalog præsenterer galleriet herunder de 23 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
The oil on canvas titled Conversion of Saint Paul represents a significant moment in the career of Joseph Légaré. Created about 1822, the work captures a profound spiritual transformation through the medium of oil. The pigments settle into the weave of the fabric, anchoring a scene of divine encounter within the physical weight of the canvas.
Le Massacre des Hurons par les Iroquois is a historical painting by the artist Joseph Légaré. The work was created between 1827 and 1828. It depicts a violent conflict between Indigenous groups. The scene captures a chaotic battle or massacre occurring within a dense forest.
In the work Le Père éternel entouré d'anges by Joseph Légaré, the composition follows a vertical portrait format. A middle-aged man occupies the central position within the frame, presented in a medium close-up. The subject is captured in a moment of animation, with his expression appearing mid-speech. His hands are raised in an open, gesturing motion toward the viewer. This physical engagement is emphasized by the sharp focus maintained on…
The air in the composition feels heavy with the weight of the divine. A muscular, semi-nude Saint Jerome recoils from the sky, his torso draped in a deep red cloth that anchors him to the rocky earth. He looks upward, eyes fixed on a celestial rupture where light breaks through swirling, luminous clouds. From this heavenly opening, an angelic figure descends, blowing a long trumpet to signal the Last Judgment.…
La Vision de saint Roch is an oil painting by Joseph Légaré. The artist, born in 1795 in Quebec City, Canada, captured this religious scene about 1825. His hand moved across the canvas to translate a moment of spiritual revelation into a permanent image of light and shadow.
Josephte Ourné by Joseph Légaré presents a full-length fashion photograph of a model captured in mid-stride. The composition is centered on the subject as she walks down a runway, set against a dense wall of green leaves. This lush, textured backdrop provides depth through a shallow depth of field that softly blurs the foliage. The lighting is bright and even, reminiscent of studio or stage lighting, which highlights the specific…
The work titled Landscape is a creation by the artist Joseph Légaré. This piece dates to about 1844. Légaré was born in 1795 in Quebec City, Canada.
The Battle of Sainte-Foy is a medium painting by Joseph Légaré. Created about 1854, the work captures a moment of historical tension through the artist's brush. Joseph Légaré rendered the scene with a focus on the specific topography of the site, ensuring the landscape remains an accurate anchor for the composition. While the terrain follows the physical reality of the location, the battle scene itself remains an imaginary construction of…
Cholera Plague, Quebec1832 · National Gallery of Canada
12
Sainte Marguerite d'Antioche1825 · Musée national des beaux-arts du Québec
13
Saint François d'Assise en prière devant un crucifix1825 · Musée national des beaux-arts du Québec
14
Madame Charles-Maxime Defoy, née Marie-Louise Légaré, soeur de l'artiste1830 · Musée national des beaux-arts du Québec
15
Nature morte au portrait de Calvin1835 · Musée national des beaux-arts du Québec
16
La Chute Montmorency1839 · Musée national des beaux-arts du Québec
17
The Corpus Christi Procession, Nicolet1832 · National Gallery of Canada
18
L'Incendie du quartier Saint-Jean à Québec, vu vers l'ouest1845 · Musée national des beaux-arts du Québec
19
Paysage au monument à Wolfe1845 · Musée national des beaux-arts du Québec
20
The Martyrdom of Fathers Brébeuf and Lalemant1843 · National Gallery of Canada
21
The Engagement of an Indian Girl1844 · National Gallery of Canada
22
The Rock Slide at Cape Diamond1841 · Musée de la civilisation
23
The Church of Sainte-FoyMusée de la civilisation
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Joseph Légaré | Malerier fra denne liste |
|---|---|---|---|
 Musée national des beaux-arts du Québec |
Québec City | 11 | Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) |
 National Gallery of Canada |
Ottawa | 9 | Josephte Ourné, Landscape, The Battle of Sainte-Foy |
 Musée de la civilisation |
Quebec City | 2 | The Rock Slide at Cape Diamond, The Church of Sainte-Foy |
Vælg et årti for at se det originale værk, der definerer det.
The oil on canvas titled Conversion of Saint Paul represents a significant moment in the career of Joseph Légaré. Created about 1822, the work captures a profound spiritual transformation through the medium of oil. The pigments settle into the weave of the fabric, anchoring a scene of divine encounter within the physical weight of the canvas.
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered with the stark clarity of black and white. Measuring 82 x 111 cm, this artwork immediately draws the viewer into a world steeped in shadow and anxiety, reflecting the profound anxieties gripping Quebec during the devastating cholera epidemic of that year.
Josephte Ourné by Joseph Légaré presents a full-length fashion photograph of a model captured in mid-stride. The composition is centered on the subject as she walks down a runway, set against a dense wall of green leaves. This lush, textured backdrop provides depth through a shallow depth of field that softly blurs the foliage. The lighting is bright and even, reminiscent of studio or stage lighting, which highlights the specific…
The Battle of Sainte-Foy is a medium painting by Joseph Légaré. Created about 1854, the work captures a moment of historical tension through the artist's brush. Joseph Légaré rendered the scene with a focus on the specific topography of the site, ensuring the landscape remains an accurate anchor for the composition. While the terrain follows the physical reality of the location, the battle scene itself remains an imaginary construction of…
Conversion of Saint Paul (1822). Derefter følger Le Massacre des Hurons par les Iroquois (1827) og Le Père éternel entouré d'anges (1824).
27 år gammel: Conversion of Saint Paul er fra 1822, og Joseph Légaré blev født i 1795.
Conversion of Saint Paul, Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme), La Vision de saint Roch, Josephte Ourné, Landscape, The Battle of Sainte-Foy, Saint Francis of Paola Raising his Sister's Child from the Dead og Saint Philip Baptizing the Eunuch of Queen Candace. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 35 værker af Joseph Légaré, dateret fra 1821 til 1854.
Primært i Musée national des beaux-arts du Québec (Québec City), National Gallery of Canada (Ottawa) og Musée de la civilisation (Quebec City). Museumslisten ovenfor viser dem alle.
I 1820s: 9 af de 23 værker på denne side blev skabt dengang, herunder Conversion of Saint Paul.
På denne side er det tidligste Saint Francis of Paola Raising his Sister's Child from the Dead (1821) og det seneste The Battle of Sainte-Foy (1854).
Man (5), Clouds (3) og Green leaves (2), fordelt på de 23 værker på denne side.
Oil On Canvas, for 3 af de 23 værker på denne side.
Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges og Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme): Musée national des beaux-arts du Québec, Québec City har 11 af værkerne på denne side.
Joseph Légaré (1795-1855) was a pivotal Canadian artist and politician whose life embodies the intersection of creativity and public service. Born in Saint-Jacques, Canada East, Légaré left an indelible mark on the country’s cultural landscape.
Légaré's early life was marked by a natural inclination towards artistic expression. Though details of his formative years remain somewhat obscure, it is evident he honed skills that would lead him to become one of the founding members of Willow Bunch, Saskatchewan. He wasn’t solely an artist; Légaré skillfully balanced multiple roles throughout his life – painter, glazier, seigneur, and political figure.
Demonstrating a strong entrepreneurial spirit, Légaré ventured into cattle and horse ranching in the Willow Bunch area. This showcased his adaptability and willingness to embrace diverse opportunities. Further solidifying his commitment to community, he served as postmaster in Willow Bunch from 1898 until his death in 1918.
While a significant portion of Légaré’s artistic output remains undocumented, his influence on Canadian art is undeniable. He is particularly remembered for his historical paintings and religious scenes. Cholera Plague, Quebec stands as one of his most recognized works, capturing a poignant moment in the region's history.
Information regarding specific artistic influences on Légaré is limited due to the scarcity of documented sources about his early training. However, it’s reasonable to assume he was influenced by the prevailing artistic styles of Lower Canada during the 19th century – a blend of European traditions adapted to the Canadian context.
Légaré’s life serves as a fascinating case study in the intersection of art and politics. He represents a generation of Canadians who actively participated in both cultural development and civic leadership. His legacy continues to inspire those interested in the rich history of Canadian art and its connection to the nation's social and political evolution.
