Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 43 værker af Josef Danhauser i vores katalog
Kort sagt
Af alle de originale værker, som Josef Danhauser efterlod, er det mest berømte Liszt Fantasizing at the Piano. Lige efter følger The Scholars' Room (1842) og Portrait of the Piano-Manufcturer Konrad Graf (1840). Vores katalog indeholder 43 værker af Josef Danhauser; galleriet har bevaret de 42 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
In the heart of 19th-century Vienna, where the air was often thick with the scent of coffee and the echoes of burgeoning Romanticism, Josef Franz Danhauser captured a moment of pure, unadulterated musical transcendence. His masterpiece, Liszt Fantasizing at the Piano, is far more than a mere depiction of a social gathering; it is a window into a vanished era of elegance and artistic fervor. As we gaze upon the…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
The artwork is titled Portrait of the Piano-Manufcturer Konrad Graf. It was painted by the artist Josef Danhauser. The subject of this oil painting is Konrad Graf, a man who was one of Vienna's most outstanding piano-manufacturers during the early nineteenth century. This portrait was commissioned by Graf in 1840, a year when he acted as a patron to contemporary artists such as Josef Danhauser.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene unfolds within the chaotic confines of an artist's workspace in Funny Scene in the Studio. Painted by Josef Danhauser, this oil on canvas captures a sudden, humorous mishap that disrupts the quiet order of the room. A person, a dog, and a large easel find themselves caught in a moment of unexpected disorder, freezing a split second of comedy in time. The energy of the accident ripples through…
A young man is captured in a three-quarter view, his gaze directed toward the viewer with a composed, steady expression. The portrait, rendered in a realistic academic style, emphasizes the quiet refinement of the Biedermeier era. Light enters from the upper left, casting soft shadows across the contours of the face and creating a sense of three-dimensional form through a controlled chiaroscuro effect. The subject is positioned against a dark,…
The portrait painting titled 'Portrait of a Young Woman' was created by the artist Josef Danhauser. This work dates to 1830. The subject is presented in a bust-length composition, positioned centrally within the frame. The figure faces slightly toward the viewer's left, while the gaze is directed forward toward the observer.
In Poor (young) Painter in a Cottage Studio, Josef Danhauser presents a melancholic and intimate monochrome scene set within a cluttered, dimly lit attic studio. The composition centers on the seated figure of the painter, positioned slightly off-center amidst the remnants of his craft. A grayscale palette defines the space, utilizing a wide range of tones from deep blacks in the shadows to bright whites where light enters through a…
This oil on canvas painting, titled Portrait of a Woman, was executed by the Austrian artist Josef Danhauser in 1836. It is a quiet study of a female subject, presented in a profile view that emphasizes the stillness of the moment. The work belongs to the genre of portraiture, capturing a specific presence through the careful application of pigment on the canvas.
The Shipwrecked Woman1837
12
Wine women and singing1839
13
Abraham Rejects Hagar and Ishmael1835
14
The Monastery Soup1838
15
The Opening of the Will1839
16
Head of an old Man1838
17
The Little Virtuosos1843
18
Social Scene1844
19
Newspaper Readers1840
20
Interior with hand-organist + dancer1844
21
Scene in an Inn1844
22
Literature in the Studio1842
23
Liszt at the Piano
24
The game of chess
25
Siesta (The Sleepers)1831 · Szépművészeti Múzeum
26
Mother Love (also known as Mutterliebe)1839 · Österreichische Galerie Belvedere
27
The Widow's Offering1838 · Residenzgalerie
28
The Gottscheer Boy1844
29
Beethoven1890 · Beethoven-Haus Bonn
30
Boy lying on Rokoko chair and books. Sleeping dog and toys
31
Austrian author Friedrich Halm.
32
Portrait of austrian violonist Ignaz Schuppanzigh
33
The rich man
34
Portrait of Josef Danhauser
35
The Lady from the Sea
36
The village politicians
37
Profile Portrait of a Lady with lace collar and white stitch
38
Funny scene in the studio
39
Mother's love
40
Karl Ludwig von Littrow and his wife
41
Ludwig van Beethoven1827 · Beethoven-Haus Bonn
42
Liszt at the PianoAlte Nationalgalerie
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Josef Danhauser | Malerier fra denne liste |
|---|---|---|---|
 Österreichische Galerie Belvedere |
Wien | 2 | The Scholars' Room, Mother Love (also known as Mutterliebe) |
 Beethoven-Haus Bonn |
Bonn | 2 | Beethoven, Ludwig van Beethoven |
 Academy of Fine Arts Vienna |
Wien | 1 | Portrait of the Piano-Manufcturer Konrad Graf |
 Szépművészeti Múzeum |
Budapest | 1 | Siesta (The Sleepers) |
 Residenzgalerie |
Salzburg | 1 | The Widow's Offering |
 Alte Nationalgalerie |
Berlin | 1 | Liszt at the Piano |
Vælg et årti for at se det originale værk, der definerer det.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
Liszt Fantasizing at the Piano. Derefter følger The Scholars' Room (1842) og Portrait of the Piano-Manufcturer Konrad Graf (1840).
Liszt Fantasizing at the Piano, The Scholars' Room, Portrait of the Piano-Manufcturer Konrad Graf, Wallstein's Grave, The Sleeping Painter in the Studio, Funny Scene in the Studio, Self-portrait, Portrait of a Young Woman, Poor (young) Painter in a Cottage Studio og Portrait of a Woman. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 43 værker af Josef Danhauser, dateret fra 1827 til 1844.
Primært i Österreichische Galerie Belvedere (Wien), Beethoven-Haus Bonn (Bonn) og Academy of Fine Arts Vienna (Wien). Museumslisten ovenfor viser dem alle.
I 1830s: 14 af de 42 værker på denne side blev skabt dengang, herunder The Sleeping Painter in the Studio.
På denne side er det tidligste Ludwig van Beethoven (1827) og det seneste Social Scene (1844).
Man (10), Woman (8) og People (6), fordelt på de 42 værker på denne side.
Oil On Canvas, for 10 af de 42 værker på denne side.
Biedermeier, baseret på originalerne på denne side.
The Scholars' Room og Mother Love (also known as Mutterliebe): Österreichische Galerie Belvedere, Wien har 2 af værkerne på denne side.
Født i Wien trådte Josef Danhauser frem som en fremtrædende skikkelse i det østrigske imperium og efterlod sig en arv, der dybt afspejler Biedermeier-perioden. Som søn af billedhuggeren og møbelproducenten Joseph Ulrich Danhauser blev hans tidlige kunstneriske anlæg næret af hans egen far. Dette fundament i håndværk og design har sandsynligvis præget den omhyggelige præcision, man finder i hans senere værker. Hans rejse gennem Wiens Kunstakademi gav ham mulighed for at forfine sine færdigheder under mestre som Johann Peter Krafft, hvilket lagde grunden til en karriere, der ville svinge mellem de stille, intime hverdagsscener og den dybe tyngde i det historiske portræt.
Hans liv var ikke blot præget af ensom skabelse, men var også vævet sammen med sin tids flittige ånd. Efter sin fars død fandt Danhauser sig selv i rollen som leder af familiens møbelfabrik sammen med sine brødre. Denne periode med engagement i moderne design fungerede som en kort pause i hans malerkarriere, men den bidrog utvivlsomt til den æstetiske sans, der senere skulle definere hans genrebilleder. Hans rejser gennem Venedig og Prag berigede hans visuelle ordforråd yderligere og gjorde det muligt for ham at opsuge indflydelsen fra de italienske mestre og integrere et bredere europæisk perspektiv i sine østrigske rødder.
Danhaschers kunstneriske virke er måske mest berømt for sin evne til at indfange de subtile nuancer i den menneskelige eksistens. Han specialiserede sig i genrebilleder, hvor han ofte gav hverdagsscener moralske undertoner og en narrativ dybde, der minder om William Hogarth. Hans malerier inviterer ofte beskueren ind i stille, kontemplative rum – hvad enten det er det intellektuelle fristed i The Scholars' Room eller den serene, solbeskinnede ro i Siesta (The Sleepers). I disse værker benyttede han bløde farvepaletter og mesterlig tonal skyggelægning til at fremkalde en følelse af varme, samvær og tidens stille gang.
Ud over den hjemlige sfære besad Danhauser en bemærkelsesværdig evne til at indfange storhedens essens. Hans portræt af Beethoven står som et vidnesbyrd om hans dygtighed inden for romantisk impressionisme, hvor han bevæger sig ud over det blot lighedstegnende for at formidle den psykologiske intensitet og den højtidelige værdighed hos den legendariske komponist. Gennem en omhyggelig brug af lys og skygge skulpturerede han form og følelse og skabte værker, der resonerer med en aura af introspektion. Uanset om han skildrede den musikalske transcendens i Liszt Fantasizing at the Piano eller den dystre virkelighed ved et dødsleje, indfangede Danhaschers pensel selve pulsen i det 19. århundredes romantik.
Selvom meget af hans arbejde forblev overset i hans egen levetid, ligger Josef Franz Danhaschers historiske betydning i hans rolle som en tidstypisk kronikør af sin æra. Hans bidrag til Biedermeier-bevægelsen var med til at definere en epoke karakteriseret ved underspillet elegance og et fokus på det hverdagsagtige skønhed. Hans bedrifter, herunder modtagelsen af Wiens Akademi-prisen for Die Verstoßung der Hagar og hans virke som vice-rektor for akademiet, understreger hans betydning i Wiens kunstneriske kredse.
Det vedvarende appel i hans værk kan findes i flere centrale elementer:
