Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 38 værker af John Scarlett Davis i vores katalog
Kort sagt
The Cathedral of St Bavon, Ghent (1833) er det maleri af John Scarlett Davis, der vækker mest opsigt; originalen findes på Birmingham Museum and Art Gallery, Birmingham. Derefter falder blikket på Rue Saint Martin, Paris og Leominster Market Hall, Herefordshire. Blandt de 38 værker af John Scarlett Davis i vores katalog er disse 38 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
In The Cathedral of St Bavon, Ghent, John Scarlett Davis turns his attention to the soaring interior of this Belgian landmark. Created about 1833, the work captures the immense scale of the Gothic nave. The artist focuses on the architectural rhythm of the space, documenting the way the structure rises toward the heavens. It is a quiet study of a sacred environment, rendered with a precision that reflects Davis's specialized…
Street Scene In Calais
12
A Herefordshire Worthy
13
Untitled
14
Figures And A Dog On The Quayside, Paris, Near The Pont Neuf
15
Portrait Of A Man
16
Self Portrait
17
Man In A Top Hat
18
Landscape With Trees
19
Head Of An Old Man
20
Interior Of St Peter's, Rome
21
Self Portrait In Oil
22
Caroline Ann DavisBavarian State Painting Collections
23
Leominster, Herefordshire
24
Interior Of St Sulpice, Paris
25
View Of A Venetian Canal With A Religious Procession On A Bridge, And A Monk At The Foot Of The Steps
26
Interior Of Amiens Cathedral
27
Interior Of St Peter's Basilica, Rome
28
Amiens Cathedral Interior, France
29
Antwerp Cathedral, Belgium
30
The Artist's Brother, Edmund James Davis
31
The Interior Of The British Institution GalleryYale Center for British Art
32
The Tomb of Hendrick van Balen
33
Rembrandt's Studio
34
View From No.2 High Street Looking Down Church Street, Leominster
35
Interior Of A Church
36
The Library
37
Interior Of The Church Of St Michael, Munich, GermanyHereford Museum and Art Gallery
38
Main Gallery Of The Louvre, Paris
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 5 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Scarlett Davis | Malerier fra denne liste |
|---|---|---|---|
 Birmingham Museum and Art Gallery |
Birmingham | 1 | The Cathedral of St Bavon, Ghent |
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 1 | Interior of a Church |
 Bavarian State Painting Collections |
München | 1 | Caroline Ann Davis |
 Yale Center for British Art |
New Haven | 1 | The Interior Of The British Institution Gallery |
 Hereford Museum and Art Gallery |
1 | Interior Of The Church Of St Michael, Munich, Germany |
Alle de daterede John Scarlett Davis-originaler, der vises her, tilhører et enkelt år, 1833: de er opstillet efter berømmelse.
Vælg et årstal for at se de originale værker.
In The Cathedral of St Bavon, Ghent, John Scarlett Davis turns his attention to the soaring interior of this Belgian landmark. Created about 1833, the work captures the immense scale of the Gothic nave. The artist focuses on the architectural rhythm of the space, documenting the way the structure rises toward the heavens. It is a quiet study of a sacred environment, rendered with a precision that reflects Davis's specialized…
The Cathedral of St Bavon, Ghent (1833), Birmingham Museum and Art Gallery, Birmingham. Derefter følger Rue Saint Martin, Paris og Leominster Market Hall, Herefordshire.
29 år gammel: The Cathedral of St Bavon, Ghent er fra 1833, og John Scarlett Davis blev født i 1804.
The Cathedral of St Bavon, Ghent, Rue Saint Martin, Paris, Leominster Market Hall, Herefordshire, Portrait Of An Unknown Man, Self Portrait, Aged - (16), Interior of St. Peter's, Hampton Court Palace Interior, The Interior Of A Large Country House (great Hall, Mount Edgcumbe), Interior of a Church og Near The Seine. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 38 værker af John Scarlett Davis.
Primært i Birmingham Museum and Art Gallery (Birmingham), Auckland Art Gallery Toi o Tāmaki (Auckland) og Bavarian State Painting Collections (München). Museumslisten ovenfor viser dem alle.
Interior (5), Saints (4) og France (4), fordelt på de 38 værker på denne side.
Romanticism, baseret på originalerne på denne side.
Born in Leominster, England, John Scarlett Davis emerged from a family of skilled craftsmen, the son of a silversmith and watchmaker. His journey into the world of fine art began with an innate, precocious talent that was recognized even in his earliest years; by the age of eleven, he had already garnered accolades from local societies dedicated to the encouragement of the arts. This early spark led him from the quiet streets of his birthplace to the prestigious Royal Academy Schools in London, where he sought to refine his vision. Under the tutelage of masters such as Sir Thomas Lawrence, Davis developed a profound command over portraiture, while also absorbing the landscape techniques of contemporaries like David Cox. His early life was marked by this rapid ascent from a self-taught prodigy to a professional artist capable of navigating the complex demands of both the London art scene and the broader European continent.
While Davis was a versatile practitioner, his true artistic soul resided in the meticulous rendering of architectural grandeur and the intimate atmosphere of interior spaces. He possessed a rare, specialized ability to capture the essence of art galleries, documenting the very halls that housed the Old Masters. His work, such as The Interior of the British Institution Gallery, serves not merely as a painting but as a historical record of the collections of his era. This fascination with interiority extended far beyond England; his travels through Europe allowed him to immerse himself in the light and scale of magnificent structures, from the Louvre to the Uffizi Gallery in Florence. Whether through the delicate line work of a pencil sketch or the dramatic, layered compositions of oil on canvas, Davis sought to translate the weight of stone and the ethereal quality of light into a tangible experience for the viewer.
The career of John Scarlett Davis was as much defined by his travels as it was by his brushstrokes. Driven by a desire to capture the essence of the Grand Tour, he traversed through Italy, France, and the Netherlands, bringing back views of the Seine and the majestic interiors of cathedrals like Amiens. His work often reflected the influence of Richard Parkes Bonington, blending a sense of romanticism with a rigorous attention to detail. However, his life was not without its tribulations; despite his immense talent and the admiration of figures such as Turner, he faced significant financial hardships and periods of personal struggle. Though his time was tragically short, his contributions as a painter and lithographer remain a poignant testament to a life dedicated to observing the beauty of the world's most sacred and storied spaces.
