Portræt af John Neagle

De 32 mest berømte John Neagle-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 32 værker af John Neagle i vores katalog

Kort sagt

Af alle de originale værker, som John Neagle efterlod, er det mest berømte Junius Brutus Booth as Sir Edward Mortimer (1823), som er en del af samlingen på National Portrait Gallery i Washington, D.C.. Lige efter følger Portrait of a Man (1845) og Portrait of Henry Clay (1842). Vores katalog indeholder 32 værker af John Neagle; galleriet har bevaret de 32 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1796 – 1865, Boston Romanticism Flest værker: National Gallery of Art

John Neagles top 10 malerier: galleriets udvalg

1
Junius Brutus Booth as Sir Edward Mortimer (1823) af John Neagle

Junius Brutus Booth as Sir Edward Mortimer

1823 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

A single, piercing gaze cuts through the gloom. Junius Brutus Booth, caught in the heavy mantle of Sir Edward Mortimer, stares from the canvas with a brow furrowed by internal conflict. The light clings to the stark white of a ruffled collar, a bright island in a sea of deep blues and earthy browns. This is not a quiet moment. It is the tension of a character suspended between thought…

2
Portrait of a Man (1845) af John Neagle

Portrait of a Man

1845 · Oil On Canvas · Brooklyn Museum, Brooklyn

This 1845 oil on canvas presents a three-quarter length portrait of a man, rendered with the disciplined precision of the American academic style. The subject is positioned slightly off-center, his gaze directed toward the viewer's left, projecting a sense of composed dignity. A dramatic chiaroscuro effect defines the composition, where a strong light source illuminates the contours of the face, neck, and hand, leaving the remainder of the figure to…

3
Portrait of Henry Clay (1842) af John Neagle

Portrait of Henry Clay

1842 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

The Portrait of Henry Clay is an oil on canvas painted by John Neagle in 1842. This work captures the likeness of Henry Clay, who lived from 1777 to 1852. The image was commissioned by the National Clay Club of Philadelphia to honor its patron. Neagle, a prominent figure in the American portrait tradition, rendered the subject with a focus on the individual's presence.

4
George Peabody (1822) af John Neagle

George Peabody

1822 · Oil On Canvas · Museum of Fine Arts, Boston

This portrait of George Peabody, painted by John Neagle, offers a quiet encounter with a man of significant influence. Created in 1822, the work captures Peabody during a formative period of his life. He was a prominent American financier and philanthropist, a man whose legacy would eventually extend far beyond the financial circles of his era. In this depiction, we see the individual behind the substantial charitable contributions that would…

5
Reverend Gregory Townsend Bedell (1830) af John Neagle

Reverend Gregory Townsend Bedell

1830 · Oil On Canvas · Detroit Institute of Arts, Detroit

A single point of white light breaks the darkness of the canvas. It is the crisp, starched edge of a clerical collar, a sharp horizontal line that separates the face from the heavy shadows of the torso. Reverend Gregory Townsend Bedell meets the viewer's gaze with a steady, unblinking directness. His eyes hold the quiet gravity of a man accustomed to the weight of spiritual counsel. The light falls from…

7
William Strickland (1787-1854) (1829) af John Neagle

William Strickland (1787-1854)

1829 · Oil On Canvas · Yale University Art Gallery, New Haven

In this 1829 portrait, we find ourselves in the presence of William Strickland, a man whose very posture suggests the precision of his craft. He is captured in a three-quarter view, seated amidst the tools of his intellect. A drawing board rests before him, and his hands hold the implements of an architect, grounding the subject in his professional identity. The composition is deliberate, using a slightly low-angle perspective to…

8
Pat Lyon at the Forge (1829) af John Neagle

Pat Lyon at the Forge

1829 · Oil On Canvas · Pennsylvania Academy of Fine Arts, Philadelphia

In the dim, heat-heavy air of the workshop, John Neagle captures a moment of intense labor in 1829. This oil on canvas presents a full length portrait of Mr. Patrick Lyon, a man whose life is defined by the rhythmic strike of metal against metal. He stands at his anvil, a Scottish-born American blacksmith, mechanic, and inventor, caught in the midst of his craft. The scene is not one of…

9
Gilbert Stuart (1825) af John Neagle

Gilbert Stuart

1825 · Oil On Canvas · Museum of Fine Arts, Boston

John Neagle painted this portrait of Gilbert Stuart in 1825. At this time, Neagle was a prominent figure in Philadelphia, where he established a studio that attracted the era's political and intellectual elite. The sitter, Stuart, was a significant figure in early American portraiture, and Neagle’s depiction captures him during the final years of his life.

10
Pat Lyon at the Forge (1826) af John Neagle

Pat Lyon at the Forge

1826 · Oil · Museum of Fine Arts, Boston

In this work, Pat Lyon at the Forge, the artist John Neagle captures a moment of intense industry. The painting depicts Patrick Lyon, a man who moved from his native Scotland to become a prominent blacksmith, mechanic, and inventor in America. Lyon was a self-made businessman who earned a reputation as a working class hero. The portrait was commissioned by Lyon himself on November 4, 1825, reflecting a desire to…

John Neagle-udvalget fortsætter, fra 11 til 32

Motiverne, der fangede John Neagles blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller John Neagles originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Neagle Malerier fra denne liste
National Gallery of Art, WashingtonNational Gallery of Art Washington 8 Portrait of a Lady, Thomas W. Dyott, George Dodd
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 4 Junius Brutus Booth as Sir Edward Mortimer, Portrait of Henry Clay, Henry Clay
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 3 George Peabody, Gilbert Stuart, Pat Lyon at the Forge
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 3 John Haviland, Reverend Samuel Brown Wiley, John Walsh
Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 2 Pat Lyon at the Forge, Anna Gibbon Johnson
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 1 Portrait of a Man
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Reverend Gregory Townsend Bedell
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Portrait of Gilbert Stuart

John Neagle årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om John Neagles malerier

Hvilket værk er John Neagle mest kendt for?Vis svaret

Junius Brutus Booth as Sir Edward Mortimer (1823), National Portrait Gallery, Washington, D.C.. Derefter følger Portrait of a Man (1845) og Portrait of Henry Clay (1842).

Hvor gammel var John Neagle, da Junius Brutus Booth as Sir Edward Mortimer blev skabt?Vis svaret

27 år gammel: Junius Brutus Booth as Sir Edward Mortimer er fra 1823, og John Neagle blev født i 1796.

Hvad er de ti mest berømte John Neagle malerier?Vis svaret

Junius Brutus Booth as Sir Edward Mortimer, Portrait of a Man, Portrait of Henry Clay, George Peabody, Reverend Gregory Townsend Bedell, Portrait of Gilbert Stuart, William Strickland (1787-1854), Pat Lyon at the Forge, Gilbert Stuart og Pat Lyon at the Forge. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod John Neagle?Vis svaret

Vores katalog indeholder 32 værker af John Neagle, dateret fra 1822 til 1852.

I hvilke museer udstilles John Neagle's mesterværker?Vis svaret

Primært i National Gallery of Art (Washington), National Portrait Gallery (Washington, D.C.) og Museum of Fine Arts (Boston). Museumslisten ovenfor viser dem alle.

I hvilke år malede John Neagle sine mest berømte værker?Vis svaret

I 1820s: 12 af de 32 værker på denne side blev skabt dengang, herunder Junius Brutus Booth as Sir Edward Mortimer.

Hvad er de første og de sidste berømte originaler af John Neagle?Vis svaret

På denne side er det tidligste George Peabody (1822) og det seneste George Dodd (1852).

Hvilke motiver valgte John Neagle oftest?Vis svaret

Man (19), Dark background (10) og Portrait (8), fordelt på de 32 værker på denne side.

Hvilken teknik brugte John Neagle mest?Vis svaret

Oil On Canvas, for 20 af de 32 værker på denne side.

Hvilken kunstretning tilhører John Neagle?Vis svaret

Romanticism, baseret på originalerne på denne side.

Hvilke værker af John Neagle udstilles på National Gallery of Art?Vis svaret

Portrait of a Lady, Thomas W. Dyott og George Dodd: National Gallery of Art, Washington har 8 af værkerne på denne side.

John Neagle: liv og værk

A Master of American Character

In the vibrant landscape of nineteenth-century American art, few names resonated with as much fashionable prestige as John Neagle. A painter whose brush captured the very essence of a developing nation, Neagle emerged as a prominent figure in Philadelphia, a city that served as the beating heart of his creative life. His journey began in Boston, but it was through an early apprenticeship to Thomas Wilson—a skilled painter of signs and coaches—that his path toward fine art was paved. This formative period, though rooted in the practical craft of decorative painting, provided him with the technical foundation that would later allow him to master the complexities of light and human expression.

Neagle’s artistic evolution was deeply shaped by the masters who crossed his path. Through Wilson, he was introduced to Bass Otis and the celebrated Thomas Sully, the latter becoming a pivotal influence and even a future relative by marriage. Under their guidance, Neagle moved beyond the utilitarian world of coach painting to embrace the sophisticated realm of portraiture. His style, characterized by an incisive attention to psychology and a dazzling brushwork reminiscent of van Dyck and Sir Thomas Lawrence, allowed him to breathe life into his subjects, transforming mere likenesses into profound studies of character.

The Spirit of the Portrait

While Neagle’s career took him on brief sojourns to Lexington, Kentucky, and New Orleans, Louisiana, it was in Philadelphia where he truly established his dominion. By 1818, he had committed himself exclusively to the art of the portrait, setting up a studio that would attract the most notable figures of the era. His work was not merely about capturing a face; it was about documenting the soul of American society. His sitters ranged from the political elite and merchants to intellectuals and professionals, all rendered with a realism that balanced elegance with an unmistakable truth.

Among his most enduring contributions to the American canon is the strikingly unconventional Pat Lyon at the Forge. In this work, Neagle departed from the traditional, polished manner of portraiture to present a heroic, almost brutal depiction of a blacksmith. This masterpiece, which reached a wide audience through engraving, showcased his ability to blend the grand style with a raw, narrative power. His repertoire also included monumental works such as the Portrait of Henry Clay and portraits of figures like James Fenimore Cooper and the Marquis de Lafayette, cementing his status as a chronicler of American greatness.

Legacy and Artistic Contribution

Beyond the canvas, Neagle was a pillar of the artistic community. His commitment to the advancement of art in America was evidenced by his service as a Director of the Pennsylvania Academy of the Fine Arts and his role as a founder and president of the Artist's Fund Society of Philadelphia. These leadership roles reflected a man deeply invested in the institutional growth of his craft.

The significance of John Neagle lies in his ability to marry the grace of Romanticism with a rigorous, observant realism. His portraits remain vital windows into the nineteenth century, offering more than just historical documentation; they offer an emotional connection to the people who shaped the American identity. Through his masterful use of light and his profound understanding of human psychology, Neagle ensured that the faces of his era would endure long after the era itself had passed.