Kort sagt
Af alle de originale værker, som John Fraser efterlod, er det mest berømte Full Sail (1913), som er en del af samlingen på Dallas Museum of Art i Dallas. Lige efter følger Surf at Orotava og Hulks off Portsmouth. Vores katalog indeholder 43 værker af John Fraser; galleriet har bevaret de 43 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
John Frasers top 10 malerier: galleriets udvalg
John Fraser-udvalget fortsætter, fra 11 til 43
De museer, der udstiller John Frasers originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Fraser | Malerier fra denne liste |
|---|---|---|---|
| London | 42 | Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse | |
| Dallas | 1 | Full Sail |
John Fraser år for år: de originale værker, der definerer hvert år
1913 er året for hvert dateret John Fraser værk i dette udvalg: her er de, rangeret efter berømmelse.
Samleres spørgsmål om John Frasers malerier
Hvilket værk er John Fraser mest kendt for?Vis svaret
Full Sail (1913), Dallas Museum of Art, Dallas. Derefter følger Surf at Orotava og Hulks off Portsmouth.
Hvor gammel var John Fraser, da Full Sail blev skabt?Vis svaret
55 år gammel: Full Sail er fra 1913, og John Fraser blev født i 1858.
Hvad er de ti mest berømte John Fraser malerier?Vis svaret
Full Sail, Surf at Orotava, Hulks off Portsmouth, The Wolf Rock lighthouse, A mediaeval sailing barge, A Maltese dghaisa, A ship off Tenerife, Seascape, Seascape og Seascape. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Hvor mange malerier efterlod John Fraser?Vis svaret
Vores katalog indeholder 43 værker af John Fraser.
I hvilke museer udstilles John Fraser's mesterværker?Vis svaret
Primært i National Maritime Museum (London) og Dallas Museum of Art (Dallas). Museumslisten ovenfor viser dem alle.
Hvilke værker af John Fraser udstilles på National Maritime Museum?Vis svaret
Surf at Orotava, Hulks off Portsmouth og The Wolf Rock lighthouse: National Maritime Museum, London har 42 af værkerne på denne side.
John Fraser: liv og værk
Early Life and Family Background
Born in 1858, John Fraser entered a world defined by the bustling commerce of London. He was raised in the Fleet Street area, a district deeply embedded in the city's professional and literary pulse. His upbringing was rooted in a stable, middle-class environment, shaped by the disciplined life of his father, John Fraser, who worked as an accountant. This foundation of order and precision likely provided a quiet backdrop to his formative years.
His mother, Margaret English Fraser, née Partis, completed the family unit during his early life. The household was one of established respectability, situated within the heart of the United Kingdom. While his father’s profession dealt in the meticulous management of figures, the environment of London provided the sensory complexity that would later inform his perspective. He grew up amidst the constant movement of a major metropolitan center, a setting that offered a stark contrast to the maritime themes that would eventually define his professional output.
Professional Career and Artistic Subjects
As a marine painter, Fraser dedicated much of his professional life to the study of the sea and its various coastal environments. His brush captured the maritime character of diverse locations, with subjects ranging from the shores of France and Spain to the rugged landscapes of Gibraltar and the Canary Islands. This focus on nautical scenes required a keen eye for the shifting movements of water and the specific light of these Mediterranean and Atlantic settings.
During his career, he maintained a studio at 7 The Mall, off Church Street, in the Hampstead area of London, between 1890 and 1892. His professional life was also marked by a significant collaboration with Commendatore Eduardo de Martino. The two worked together extensively, a partnership that saw them navigating the complexities of high-level commissions. While Fraser sought to follow in the footsteps of his collaborator, his own path eventually led him away from the easel and toward the commercial side of the arts.
In his later years, his occupation shifted from the studio to the management of a print shop located in Westminster. This transition marked a departure from the direct creation of marine oils, moving instead into the trade of printed imagery. His life's work remains tied to the maritime imagery he once rendered, a period of focused observation before his eventual move into the print trade.








