Kort sagt
Af alle de originale værker, som Jean Vignaud efterlod, er det mest berømte Death of Eustache Lesueur among the Carthusians (1812), som er en del af samlingen på Musée des Beaux-Arts et d'Archéologie i Besançon. Lige efter følger Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) og Abelard and Heloise Surprised by the Abbot Fulbert (1819). Vores katalog indeholder 4 værker af Jean Vignaud; galleriet har bevaret de 4 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
Jean Vignauds top 10 malerier: galleriets udvalg
De museer, der udstiller Jean Vignauds originalværker
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jean Vignaud | Malerier fra denne liste |
|---|---|---|---|
| Besançon | 1 | Death of Eustache Lesueur among the Carthusians | |
| Paris | 1 | Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus | |
| Omaha | 1 | Abelard and Heloise Surprised by the Abbot Fulbert | |
| Nîmes | 1 | The Abbot Bonhomme (1759-1844) |
Jean Vignaud år for år: de originale værker, der definerer hvert år
Knap et årti, fra 1812 til 1821, gav verden hvert eneste daterede Jean Vignaud originalværk i dette udvalg: her er de, år for år.
Værker per år
Vælg et årstal for at se de originale værker.
Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus
Mere fra 1819
Samleres spørgsmål om Jean Vignauds malerier
Hvilket værk er Jean Vignaud mest kendt for?Vis svaret
Death of Eustache Lesueur among the Carthusians (1812), Musée des Beaux-Arts et d'Archéologie, Besançon. Derefter følger Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) og Abelard and Heloise Surprised by the Abbot Fulbert (1819).
Hvor gammel var Jean Vignaud, da Death of Eustache Lesueur among the Carthusians blev skabt?Vis svaret
38 år gammel: Death of Eustache Lesueur among the Carthusians er fra 1812, og Jean Vignaud blev født i 1774.
Hvor mange malerier efterlod Jean Vignaud?Vis svaret
Vores katalog indeholder 4 værker af Jean Vignaud, dateret fra 1812 til 1821.
I hvilke museer udstilles Jean Vignaud's mesterværker?Vis svaret
Primært i Musée des Beaux-Arts et d'Archéologie (Besançon), Petit Palais (Paris) og Joslyn Art Museum (Omaha). Museumslisten ovenfor viser dem alle.
I hvilke år malede Jean Vignaud sine mest berømte værker?Vis svaret
I 1819: 2 af de 4 værker på denne side blev skabt dengang, herunder Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus.
Hvad er de første og de sidste berømte originaler af Jean Vignaud?Vis svaret
På denne side er det tidligste Death of Eustache Lesueur among the Carthusians (1812) og det seneste The Abbot Bonhomme (1759-1844) (1821).
Jean Vignaud: liv og værk
The Life and Career of Jean Vignaud
Born in Beaucaire, France, Jean Vignaud was the son of a tailor. Rather than following his father's trade, he dedicated himself to the passion of painting. After beginning his journey as a self-taught artist, he served as a drawing teacher at the École Centrale de Nîmes. In 1796, he moved to Paris, where he worked for a engraver, using his leisure time to copy old masters in the Louvre and modern masters in the Luxembourg. His growing talent led to financial support from the Dutchman Wander Wold and eventually brought him into the studio of Jacques-Louis David. Supported by the Prefect of Police Dubois, who provided him with a studio and portrait commissions, Vignaud became a recognized figure at the Salon between 1806 and 1824.
Artistic Legacy and Notable Works
Vignaud was a history painter and portraitist whose works were frequently acquired by the State for museums and churches. His notable achievements include receiving a gold medal for La Mort de Lesueur chez les Chartreux, which is held at the Palace of Versailles. Other significant works include:
In 1820, he returned to Nîmes to serve as the first director of the newly opened school of drawing. He was also a collector of paintings, a collection that was acquired by the city of Nîmes in 1827 to enrich the newly founded Musée des Beaux-Arts.
