Portræt af Jean Nocret

De 30 mest berømte Jean Nocret-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 30 værker af Jean Nocret i vores katalog

Kort sagt

Af alle de originale værker, som Jean Nocret efterlod, er det mest berømte The Family of Louis XIV (1670), som er en del af samlingen på Château de Versailles i Versailles. Lige efter følger Louis XIV and the royal family (1670) og Louis XIV as a young man (1655). Vores katalog indeholder 30 værker af Jean Nocret; galleriet har bevaret de 30 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1615 – 1672, Nancy Baroque Flest værker: Museo del Prado

Jean Nocrets top 10 malerier: galleriets udvalg

1
The Family of Louis XIV (1670) af Jean Nocret

The Family of Louis XIV

1670 · Oil On Canvas · Château de Versailles, Versailles

To stand before Jean Nocret’s 1670 masterpiece, The Family of Louis XIV, is to be transported into the very heart of French absolutism. This is not merely a portrait of a royal lineage; it is a breathtakingly orchestrated allegory that blurs the line between the mortal and the divine. At its center sits Louis XIV, the Sun King, rendered not just as a monarch, but as the radiant god Apollo.…

2
Louis XIV and the royal family (1670) af Jean Nocret

Louis XIV and the royal family

1670 · Oil On Canvas · Château de Versailles, Versailles

To stand before this monumental depiction of Louis XIV and his royal family is to be enveloped in an atmosphere of unparalleled grandeur. This painting is not merely a portrait; it is a meticulously constructed testament to absolute power, dynastic continuity, and the rigid elegance of the French court during the late Baroque period. The composition itself is breathtakingly dense, a veritable gathering of nobility where every figure seems placed…

3
Louis XIV as a young man (1655) af Jean Nocret

Louis XIV as a young man

1655 · Oil On Canvas · Museo del Prado, Madrid

In this 1655 portrait, we encounter a young Louis XIV at a moment of profound transition. The composition is a three-quarter length study, positioning the monarch slightly off-center to create a sense of movement and immediate presence. There is a certain weight to the figure, anchored by the firm grip on a commander's baton, a symbol of his sovereign authority. The lighting, appearing to descend from the upper left, casts…

4
Phillip of France I Duke of Orléans (1650) af Jean Nocret

Phillip of France I Duke of Orléans

1650 · Oil On Canvas · Museo del Prado, Madrid

Phillip of France I Duke of Orléans is a portrait by Jean Nocret, executed about 1650. The subject of the work is Phillip of France I Duke of Orléans. This representation captures the nobleman during the mid-17th century, a period defined by the rigid elegance of the French court.

5
The Renunciation of Louise de la Vallière (1650) af Jean Nocret

The Renunciation of Louise de la Vallière

1650 · Oil On Canvas · Musée des Beaux-Arts de Brest, Brest

In this 1650 oil painting, we find ourselves witnessing a profound shift in the life of Louise de la Vallière. The scene is set within a landscape that feels both expansive and intimate, where the heavy, theatrical lighting of the Baroque style casts deep shadows across the figures. A central female figure, draped in luminous white fabric, becomes the focal point of this emotional drama. Her presence is marked by…

6
Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria (1660) af Jean Nocret

Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria

1660 · Oil On Canvas · Basque Museum, Bayonne

In this oil on canvas, Jean Nocret presents Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria. Created in 1660, the work captures a significant moment of dynastic union through a complex mythological lens. Nocret, a painter who navigated the highest levels of the French court, utilizes this allegorical framework to frame the royal marriage within a celestial context.

7
Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670) (1650) af Jean Nocret

Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670)

1650 · Oil On Canvas · Opera House, Versailles

Henriette-Anne of England, Duchess of Orleans, is presented in a three-quarter length portrait that emphasizes her high station through a careful arrangement of texture and light. The subject is positioned against a dark, muted brown background, a choice that pushes her figure forward and creates a sense of depth through chiaroscuro. Her attire, a combination of blue silk and intricate white lace, reflects the light from an upper-left source, defining…

8
Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670) (1661) af Jean Nocret

Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670)

1661 · Oil On Canvas

To look upon this portrait is to encounter the quiet dignity of Princess Henrietta Anne, known to those closest to her as ‘Minette’. Painted in 1660, the work captures the Duchess of Orléans at a moment of profound transition, reflecting the poise required of a woman navigating the intricate hierarchies of the French court. She is presented in a three-quarter length view, her presence defined by a soft, luminous quality…

9
Maria Theresa of Spain (1638-1683), Queen of France (1650) af Jean Nocret

Maria Theresa of Spain (1638-1683), Queen of France

1650 · Oil On Canvas

This bust-length portrait, executed in 1650, presents Maria Theresa of Spain, Queen of France, within an oval vignette. The subject is positioned in a straight-on, eye-level view, creating a formal connection between the sitter and the viewer. Her face is framed by tight, blonde ringlets of hair that cascade around her head. The skin tones are rendered with a luminous quality, appearing smooth and porcelain-like under a directional light source…

10
So-called Portrait of Henrietta of England (1650) af Jean Nocret

So-called Portrait of Henrietta of England

1650 · Oil On Canvas

The painting titled So-called Portrait of Henrietta of England is an oil on canvas work by the French artist Jean Nocret. Dated 1650, this formal portrait depicts Princess Henrietta Anne Stuart. The subject, who was the youngest daughter of King Charles I, was known by the affectionate name ‘Minette’.

Jean Nocret-udvalget fortsætter, fra 11 til 30

Motiverne, der fangede Jean Nocrets blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Jean Nocrets originalværker

De 7 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Jean Nocret Malerier fra denne liste
Museo del Prado, MadridMuseo del Prado Madrid 3 Louis XIV as a young man, Phillip of France I Duke of Orléans, Portrait of Princess Marie Thérèse of France
Opera House, VersaillesOpera House Versailles 3 Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670), Marie Thérèse of Austria in Royal Costume, Anne Marie Louise d'Orléans holding a portrait of her father the late Duke of Orléans
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 The Family of Louis XIV, Louis XIV and the royal family
Musée des Beaux-Arts de Brest, BrestMusée des Beaux-Arts de Brest Brest 1 The Renunciation of Louise de la Vallière
Basque Museum, BayonneBasque Museum Bayonne 1 Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria
Royal Collection, LondonRoyal Collection London 1 Henrietta, Duchess of Orleans (1644-1670)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Henrietta Anne, Duchess of Orleans, 1644 - 1670. Fifth daughter of Charles I

Jean Nocret årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Jean Nocrets malerier

Hvilket værk er Jean Nocret mest kendt for?Vis svaret

The Family of Louis XIV (1670), Château de Versailles, Versailles. Derefter følger Louis XIV and the royal family (1670) og Louis XIV as a young man (1655).

Hvor gammel var Jean Nocret, da The Family of Louis XIV blev skabt?Vis svaret

55 år gammel: The Family of Louis XIV er fra 1670, og Jean Nocret blev født i 1615.

Hvad er de ti mest berømte Jean Nocret malerier?Vis svaret

The Family of Louis XIV, Louis XIV and the royal family, Louis XIV as a young man, Phillip of France I Duke of Orléans, The Renunciation of Louise de la Vallière, Allegory on the Marriage of Louis XIV and the Infanta Marie-Thérèse of Austria, Henriette-Anne of England, Duchess of Orleans, known as Madame (1644-1670), Princess Henrietta Anne, Duchess of Orléans (‘Minette’) (1644–1670), Maria Theresa of Spain (1638-1683), Queen of France og So-called Portrait of Henrietta of England. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Jean Nocret?Vis svaret

Vores katalog indeholder 30 værker af Jean Nocret, dateret fra 1650 til 1670.

I hvilke museer udstilles Jean Nocret's mesterværker?Vis svaret

Primært i Museo del Prado (Madrid), Opera House (Versailles) og Château de Versailles (Versailles). Museumslisten ovenfor viser dem alle.

I hvilke år malede Jean Nocret sine mest berømte værker?Vis svaret

I 1650s: 6 af de 30 værker på denne side blev skabt dengang, herunder Louis XIV as a young man.

Hvad er de første og de sidste berømte originaler af Jean Nocret?Vis svaret

På denne side er det tidligste Phillip of France I Duke of Orléans (1650) og det seneste The Family of Louis XIV (1670).

Hvilke motiver valgte Jean Nocret oftest?Vis svaret

Woman (9), Lace (7) og Pearls (5), fordelt på de 30 værker på denne side.

Hvilken teknik brugte Jean Nocret mest?Vis svaret

Oil On Canvas, for 13 af de 30 værker på denne side.

Hvilken kunstretning tilhører Jean Nocret?Vis svaret

Baroque, baseret på originalerne på denne side.

Hvilke værker af Jean Nocret udstilles på Museo del Prado?Vis svaret

Louis XIV as a young man, Phillip of France I Duke of Orléans og Portrait of Princess Marie Thérèse of France: Museo del Prado, Madrid har 3 af værkerne på denne side.

Jean Nocret: liv og værk

The Painter of Royal Splendor

Jean Nocret stands as a pivotal figure in the golden age of French portraiture, a master whose brush captured the very essence of 17th-century absolutism. Born in Nancy, France, Nocret’s journey through the art world was marked by an ambitious pursuit of excellence and a talent for navigating the highest echelons of the French court. His early training under Jean LeClerc provided a foundation of technical skill, but it was his travels to Rome that truly expanded his artistic horizons. In the heart of Italy, he encountered the profound influence of Nicolas Poussin, an encounter that would shape his approach to composition and narrative, even if the legendary Poussin himself viewed the young Nocret as somewhat pretentious for his eagerness to pursue more lucrative opportunities.

Upon returning to Paris in 1644, Nocret began to ascend the social and professional ladder of the French monarchy. His ability to blend the rigid elegance of courtly life with a sophisticated use of allegory allowed him to secure prestigious appointments, eventually serving as a painter to King Louis XIV and Gaston, Duke of Orléans. This proximity to power was not merely professional but personal, as he also served as the king's valet de chambre. His work during this period became a visual manifesto for the Bourbon dynasty, utilizing the language of Greek mythology to elevate mortal monarchs to the status of gods.

Mastery of Allegory and Technique

The brilliance of Nocret’s oeuvre lies in his ability to weave complex symbolic narratives into the fabric of portraiture. He did not merely record faces; he constructed legends. In his monumental works, such as The Family of Louis XIV, he transformed the royal lineage into a divine assembly. Through a masterful application of oil on canvas, Nocret rendered Louis XIV as the radiant Apollo and Queen Marie-Thérèse as Juno, creating an atmosphere where the boundaries between the terrestrial and the celestial dissolved. His technique was characterized by a meticulous precision, employing layers of glazes to achieve a luminous depth that made heavy golden draperies and intricate royal costumes appear to glow from within.

Nocret’s skill extended beyond the portrait to large-scale decorative projects that defined the interiors of the French aristocracy. His commissions included:

  • The decoration of the Château de Saint-Cloud with scenes from Greek mythology for the Duke of Orléans.
  • The elaborate decoration of Queen Maria Theresa's apartments at the Tuileries Palace, where he focused on themes relating to the goddess Minerva.
  • Diplomatic portraiture executed in Portugal, capturing the likenesses of the Portuguese Royal Family during a mission with the Bishop of Comminges.

Legacy and Historical Significance

Nocret’s contribution to the French Baroque style is cemented by his recognition within the Académie royale de peinture et de sculpture. His admission to this prestigious institution, earned through works such as The Repentance of Saint Peter, marked him as a leading light of his era. As a professor at the Academy, he helped shape the next generation of artists, ensuring that the traditions of formal portraiture and mythological allegory would endure. His influence even extended through his lineage, as his son, Jean-Charles Nocret, continued the family tradition of official portraiture and history painting.

Though much of his decorative work was tragically lost to history—destroyed during the burning of the Tuileries Palace and the later destruction of the Château de Saint-Cloud—the surviving remnants of his talent continue to evoke the grandeur of the Ancien Régime. Nocret remains a vital window into a period where art served as the ultimate instrument of political prestige, capturing a world of unparalleled luxury, rigid social hierarchy, and divine aspiration.