Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 88 værker af Jean-Joseph Benjamin-Constant i vores katalog
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Scene in a Harem (Un Envoi de Serbie) (1876) er det maleri af Jean-Joseph Benjamin-Constant, der vækker mest opsigt; originalen findes på Metropolitan Museum of Art, New York. Derefter falder blikket på Caucasian Boy (1902) og Tronen i Byzantium. Blandt de 88 værker af Jean-Joseph Benjamin-Constant i vores katalog er disse 87 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Jean-Joseph Benjamin Constant og "The Throne Room In Byzantium" – Et Blik Ind i Imperiale Magt Jean-Joseph Benjamin Constants bemærkelsesværdige maleri, ”The Throne Room In Byzantium”, er mere end blot en visuel repræsentation af et majestætisk østligt palads; det er en rejse tilbage til middelalderen og en udforskning af magtens kompleksitet og religiøse betydning. Konstanten præsterede dette arbejde med stor dygtighed i den akademiske historicist stil, hvilket demonstrerer hans imponerende…
The canvas titled Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre) captures a monumental shift in history. Jean-Joseph Benjamin-Constant brings the viewer into the immediate aftermath of the siege of Constantinople in 1453 CE. The oil on canvas presents the triumphant entrance of the Ottoman Sultan, Mehmed II, as he moves through the city. This moment marks the conclusion…
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The oil on canvas titled Entrance of Mohammed II was painted by Jean-Joseph Benjamin-Constant in 1876. This work depicts the historical conquest of Constantinople. The subject matter focuses on the triumphant entrance of the Ottoman Sultan, Mehmed II, into the city. The scene captures a specific moment of transition following the siege of the city in 1453 CE.
In Arabes assis, Jean-Joseph Benjamin-Constant places three figures within a quiet, shared space. Two adults and a child sit together, their forms gathered in a moment of stillness. They rest upon an ornate rug, the patterns of which anchor the group to the ground. The scene captures individuals from North Africa or the Middle East, presented through the lens of the 19th-century Orientalist movement.
In "Portrait of a Bearded Young Man Called l'Albinos" by Jean-Joseph Benjamin-Constant, the subject emerges from a heavy, shadow-filled void. This bust-length portrait, created about 1875, centers on a young man whose pale features and light hair earn him the name l'Albinos. He sits with arms crossed against his chest, a posture that suggests a quiet guardedness or a deep, inward-looking introspection. The man’s light-colored hair and beard catch the…
The artwork titled Sketch for the church of Clichy-la-Garenne: The Immaculate Conception was created by the French artist Jean-Joseph Benjamin-Constant. This piece dates to about 1874. The subject matter is religious in nature, specifically representing the Immaculate Conception. The composition focuses on a single seated figure, depicted in a manner consistent with classical academic traditions.
Harem in Morocco is an oil on canvas painted by Jean-Joseph Benjamin-Constant. The work dates to about 1878. It captures a crowded, opulent interior through a high-angle perspective, looking into a cavernous room filled with architectural layers and heavy textiles.
The Pasha's Soldiers1880 · Rhode Island School of Design Museum of Art
12
Dance of the Veil1880
13
Odalisque1882
14
Odalisque1880
15
Carpet Seller in Tangiers1883
16
Lutetia Famae Genitrix.1880 · Musée des Augustins
17
Benjamin-Constant - Le caïd marocain Tahamy1880 · Musée d'art et d'histoire de Narbonne
18
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1889 · Petit Palais
19
Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1890 · Petit Palais
20
Evening on the Seashore—Tangiers1891 · Milwaukee Art Museum
21
Arcadian1893 · Musée Victor Hugo
22
Portrait of Jean Montfraix at the Age of Twelve Years1893 · Musée des Augustins
23
Portrait of Henri d'Orléans, Duke of Aumale1896 · Musée Condé
24
Mary Henderson1895 · National Portrait Gallery
25
Portrait of His Two Sons (André and Emmanuel)1899 · Musée des Augustins
26
Portrait of Angèle Delasalle1900 · Petit Palais
27
Portrait of Elia Demidof1900 · National Gallery
28
The Rt Hon. William McEwan MP (1827-1913)1900 · Polesden Lacey
29
Odalisque1900 · Musée d'art et d'histoire de Narbonne
30
Portrait of my son André1895 · Musée d'Orsay
31
Lying Odalisque1870 · Musée d'Orsay
32
Entry of Mahomet II into Constantinople
33
L'Imperatrice Theodora Au Colisee
34
Favorite of the Emir
35
The Cherifas1884 · Musée des Beaux-Arts
36
Favorite of the Emir1879
37
Dr John Chapman1885 · Nottingham Castle Museum And Art Gallery
38
Oriental Woman with a Drum1880
39
Empress Theodora at the Coliseum1889
40
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1893 · Petit Palais
41
Salome with the Head of St. John the Baptist1896 · National Gallery of Canada
42
Henrietta Maria Walter, Wife of Arthur Fraser Walter of Bearwood, High Steward of Woking1896
43
Odalisque1880 · Baltimore Museum of Art
44
Portrait of a Renaissance ManMusée des Augustins
45
In the Sultan's PalaceUtah Museum of Fine Arts
46
The Daughter of Caesar
47
At Rest
48
AutoportraitMusée des Augustins
49
Portrait Of Mme M. S. DervizHermitage Museum
50
Arabian Nights
51
Salome with the Head of St. John the Baptist
52
Contemplation
53
Helene Vincent
54
Herodiade
55
Les Chérifas
56
Le Masque de BeethovenMusée des Augustins
57
Portrait d'Emmanuel, fils de l'artisteMusée des Augustins
58
The Palace Guard With Two Leopards
59
Victory
60
Series of Six Colored Planes1953 · Kunstmuseum Den Haag
61
The Favorite of the Emir1879 · National Gallery of Art
62
JudithMetropolitan Museum of Art
63
The Count of Toulouse Has His Standards Blessed at Saint-SerninMusée des Augustins
64
Bird and AnimalStatens Museum for Kunst
65
Gifts from a PashaMusée Des Beaux Arts
66
The Watchful Guard
67
Judith
68
Judith
69
The Houses of Parliament, London
70
The Sultan's TigerMetropolitan Museum of Art
71
Victrix
72
Maures à TangerVictoria Art Gallery
73
On the Terrace
74
Harem Women
75
Paris Welcoming The World
76
Drying Clothes
77
Portrait d'Emmanuel Arago (Fils de l'astronome François Arago. Benjamin Constant a épousé une de ses filles.)Musée des Augustins
78
Harem Scene
79
Twilight Hours
80
Afternoon Langour
81
Antigone au chevet de PolyniceMusée des Augustins
82
Portrait Of An Arab Woman
83
Guarding The Chieftain
84
Toulouse Capitole entrée du pape Urbain II
85
OdalisqueMetropolitan Museum of Art
86
Le jour des funérailles - Scène du Maroc1889 · Petit Palais
87
Evening on Terraces (Morocco)1879 · Montreal Museum of Fine Arts
#3 Tronen i Byzantium
#4 Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre)
#5 John Brooks Henderson
#16 Lutetia Famae Genitrix.
#18 Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jean-Joseph Benjamin-Constant | Malerier fra denne liste |
|---|---|---|---|
 Musée des Augustins |
Toulouse | 12 | Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos, Lutetia Famae Genitrix. |
 Petit Palais |
Paris | 6 | Sketch for the church of Clichy-la-Garenne: The Immaculate Conception, Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities, Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities |
 Metropolitan Museum of Art |
New York | 4 | Scene in a Harem (Un Envoi de Serbie), Judith, The Sultan's Tiger |
 National Portrait Gallery |
Washington, D.C. | 2 | John Brooks Henderson, Mary Henderson |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 2 | Benjamin-Constant - Le caïd marocain Tahamy, Odalisque |
 Musée d'Orsay |
Paris | 2 | Portrait of my son André, Lying Odalisque |
 Art Palace of Georgia - Museum of Cultural History |
Tbilisi | 1 | Caucasian Boy |
| Dahesh Museum of Art | New York City | 1 | Arabes assis |
Vælg et årti for at se det originale værk, der definerer det.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The Pasha's Soldiers is an oil painting by Jean-Joseph Benjamin-Constant. Created about 1880, this work belongs to the Orientalist movement, a period where the artist turned his attention toward the customs and aesthetics of North Africa and the Ottoman Empire. It reflects the specific interests that emerged following his travels to Morocco in 1872.
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Scene in a Harem (Un Envoi de Serbie) (1876), Metropolitan Museum of Art, New York. Derefter følger Caucasian Boy (1902) og Tronen i Byzantium.
31 år gammel: Scene in a Harem (Un Envoi de Serbie) er fra 1876, og Jean-Joseph Benjamin-Constant blev født i 1845.
Scene in a Harem (Un Envoi de Serbie), Caucasian Boy, Tronen i Byzantium, Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), John Brooks Henderson, Entrance of Mohammed II, Arabes assis, Portrait of a Bearded Young Man Called l'Albinos, Sketch for the church of Clichy-la-Garenne: The Immaculate Conception og Harem in Morocco. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 88 værker af Jean-Joseph Benjamin-Constant, dateret fra 1870 til 1902.
Primært i Musée des Augustins (Toulouse), Petit Palais (Paris) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser dem alle.
I 1880s: 14 af de 87 værker på denne side blev skabt dengang, herunder The Pasha's Soldiers.
På denne side er det tidligste Lying Odalisque (1870) og det seneste Caucasian Boy (1902).
Man (11), Woman (10) og Women (10), fordelt på de 87 værker på denne side.
Oil On Canvas, for 25 af de 87 værker på denne side.
Orientalism, baseret på originalerne på denne side.
Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos og Lutetia Famae Genitrix.: Musée des Augustins, Toulouse har 12 af værkerne på denne side.
