Portræt af Jan de Jong

De 5 mest berømte Jan de Jong-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 5 værker af Jan de Jong i vores katalog

Kort sagt

Af alle de originale værker, som Jan de Jong efterlod, er det mest berømte The Barracks at the Oostplein in Rotterdam (1886). Lige efter følger Naked Figure (Boy) in a Forest (1890) og cityscape at Vierleeuwenbrug (1890). Vores katalog indeholder 5 værker af Jan de Jong; galleriet har bevaret de 5 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1864 – 1901, Rotterdam Flest værker: Museum Boijmans Van Beuningen

Jan de Jongs top 10 malerier: galleriets udvalg

De museer, der udstiller Jan de Jongs originalværker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Jan de Jong Malerier fra denne liste
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Naked Figure (Boy) in a Forest, Cherries in a Tin Mug, Alley
Museum Rotterdam, RotterdamMuseum Rotterdam Rotterdam 1 cityscape at Vierleeuwenbrug

Jan de Jong år for år: de originale værker, der definerer hvert år

Jan de Jong's daterede værker i dette udvalg dækker kun 5 år, fra 1886 til 1890: en kort karriere, vist her år for år.

Værker per år

Vælg et årstal for at se de originale værker.

Samleres spørgsmål om Jan de Jongs malerier

Hvilket værk er Jan de Jong mest kendt for?Vis svaret

The Barracks at the Oostplein in Rotterdam (1886). Derefter følger Naked Figure (Boy) in a Forest (1890) og cityscape at Vierleeuwenbrug (1890).

Hvor gammel var Jan de Jong, da The Barracks at the Oostplein in Rotterdam blev skabt?Vis svaret

22 år gammel: The Barracks at the Oostplein in Rotterdam er fra 1886, og Jan de Jong blev født i 1864.

Hvor mange malerier efterlod Jan de Jong?Vis svaret

Vores katalog indeholder 5 værker af Jan de Jong, dateret fra 1886 til 1890.

I hvilke museer udstilles Jan de Jong's mesterværker?Vis svaret

Primært i Museum Boijmans Van Beuningen (Rotterdam) og Museum Rotterdam (Rotterdam). Museumslisten ovenfor viser dem alle.

I hvilke år malede Jan de Jong sine mest berømte værker?Vis svaret

I 1890: 4 af de 5 værker på denne side blev skabt dengang, herunder Naked Figure (Boy) in a Forest.

Hvad er de første og de sidste berømte originaler af Jan de Jong?Vis svaret

På denne side er det tidligste The Barracks at the Oostplein in Rotterdam (1886) og det seneste Naked Figure (Boy) in a Forest (1890).

Hvilke værker af Jan de Jong udstilles på Museum Boijmans Van Beuningen?Vis svaret

Naked Figure (Boy) in a Forest, Cherries in a Tin Mug og Alley: Museum Boijmans Van Beuningen, Rotterdam har 3 af værkerne på denne side.

Jan de Jong: liv og værk

A Life in Rotterdam

Born in Rotterdam on 31 December 1864, Jan de Jong lived a life closely tied to the pulse of the Dutch city. Known also as Johannes de Jong, he spent his formative years and his final days within the same urban landscape. His presence in the visual arts was marked by a quiet dedication to his craft, working through the late nineteenth century until his death in Rotterdam on 28 May 1901.

His work was a reflection of the era's technical possibilities, utilizing various mediums to capture the world around him. He was a painter who moved between different materials, showing a versatility that allowed him to express himself through:

The Hand of the Artist

The pieces left behind by de Jong reveal a man comfortable with the tactile nature of his tools. Whether working on canvas or paper, his approach was grounded in the physical reality of his chosen mediums. His output included a variety of works that have since been catalogued by collectors and auction houses, reflecting a steady hand and a commitment to the visual arts.

His technical range allowed him to experiment with the fluidity of watercolor and the opacity of gouache, alongside the traditional weight of oil on canvas. This ability to shift between the delicate and the substantial suggests a painter who understood how light and texture could change the mood of a scene. Though his life was cut short, the works he completed remain as direct records of his skill and his time in the Netherlands.