Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 15 værker af James Peter Quinn i vores katalog
Kort sagt
Af alle de originale værker, som James Peter Quinn efterlod, er det mest berømte A Japanese Lady (1914), som er en del af samlingen på Walker Art Gallery i Liverpool. Lige efter følger Lillias Hamilton (1858–1925), Physician (1924) og LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910). Vores katalog indeholder 15 værker af James Peter Quinn; galleriet har bevaret de 13 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 5 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af James Peter Quinn | Malerier fra denne liste |
|---|---|---|---|
 Canadian War Museum |
Ottawa | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 Art Gallery of New South Wales |
Sydney | 2 | George Bell (artist and critic), The rendezvous |
 Walker Art Gallery |
Liverpool | 1 | A Japanese Lady |
 Government Art Collection |
London | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
Forres | 1 | Fish Market at Étaples, France |
Vælg et årti for at se det originale værk, der definerer det.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914), Walker Art Gallery, Liverpool. Derefter følger Lillias Hamilton (1858–1925), Physician (1924) og LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910).
45 år gammel: A Japanese Lady er fra 1914, og James Peter Quinn blev født i 1869.
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) og Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 15 værker af James Peter Quinn, dateret fra 1910 til 1939.
Primært i Canadian War Museum (Ottawa), Art Gallery of New South Wales (Sydney) og Walker Art Gallery (Liverpool). Museumslisten ovenfor viser dem alle.
I 1930s: 5 af de 13 værker på denne side blev skabt dengang, herunder William Self Weeks.
På denne side er det tidligste LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) og det seneste George Bell (artist and critic) (1939).
Man (5), Chair (3) og Portrait (3), fordelt på de 13 værker på denne side.
Oil On Canvas, for 4 af de 13 værker på denne side.
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP og Major Okill Massey Learmonth: Canadian War Museum, Ottawa har 3 af værkerne på denne side.
