Kort sagt
Af alle de originale værker, som James Herring efterlod, er det mest berømte James Monroe (1834), som er en del af samlingen på National Portrait Gallery i Washington, D.C.. Lige efter følger Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) og Jacob Jennings Brown (1775-1828) (1835). Vores katalog indeholder 6 værker af James Herring; galleriet har bevaret de 6 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
James Herrings top 10 malerier: galleriets udvalg
De museer, der udstiller James Herrings originalværker
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af James Herring | Malerier fra denne liste |
|---|---|---|---|
| New York City | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Washington, D.C. | 1 | James Monroe |
James Herring år for år: de originale værker, der definerer hvert år
Udvælgelsen strækker sig over 12 år med James Herring, fra 1834 til 1845, og indeholder de fineste originalværker fra hvert år.
Værker per år
Vælg et årstal for at se de originale værker.
Samleres spørgsmål om James Herrings malerier
Hvilket værk er James Herring mest kendt for?Vis svaret
James Monroe (1834), National Portrait Gallery, Washington, D.C.. Derefter følger Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) og Jacob Jennings Brown (1775-1828) (1835).
Hvor gammel var James Herring, da James Monroe blev skabt?Vis svaret
40 år gammel: James Monroe er fra 1834, og James Herring blev født i 1794.
Hvor mange malerier efterlod James Herring?Vis svaret
Vores katalog indeholder 6 værker af James Herring, dateret fra 1834 til 1845.
I hvilke museer udstilles James Herring's mesterværker?Vis svaret
Primært i New York Historical Society (New York City) og National Portrait Gallery (Washington, D.C.). Museumslisten ovenfor viser dem alle.
I hvilke år malede James Herring sine mest berømte værker?Vis svaret
I 1845: 2 af de 6 værker på denne side blev skabt dengang, herunder William Lintz (ca. 1815-1874).
Hvad er de første og de sidste berømte originaler af James Herring?Vis svaret
På denne side er det tidligste James Monroe (1834) og det seneste William Lintz (ca. 1815-1874) (1845).
Hvilke værker af James Herring udstilles på New York Historical Society?Vis svaret
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) og William Lintz (ca. 1815-1874): New York Historical Society, New York City har 5 af værkerne på denne side.
James Herring: liv og værk
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

