Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 87 værker af James Carroll Beckwith i vores katalog
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I galleriets øjne er James Carroll Beckwiths mest berømte maleri The Falconer (1878). The Letter (1910) og Portrait of Tito (1878) fuldender trioen, som ethvert øje genkender. Ud af de 87 værker af James Carroll Beckwith i vores katalog præsenterer galleriet herunder de 77 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
In Portrait of Tito, James Carroll Beckwith centers the composition on the subject's face and upper torso. Presented from the chest up, the man gazes directly at the viewer, his expression carrying a slight melancholy. The perspective remains relatively shallow, a choice that directs all attention toward the sitter's immediate presence. This focus is reinforced by the way light and shadow define the figure; an unseen light source from the…
In this three-quarter length portrait by James Carroll Beckwith, titled Portrait of Mrs. William C. Bartlett, the subject is positioned slightly off-center. She meets the viewer with a calm, steady gaze. The composition relies on a controlled interplay of light and shadow, with illumination appearing to originate from the upper left. This directional light casts gentle shadows across the right side of her face, providing a sense of three-dimensional volume…
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
A somber, formal portrait of an elderly man emerges from a void of deep shadows. Positioned in a three-quarter view, the subject gazes forward with a steady, unyielding expression. The composition is minimalist, relying on a dark, muted palette of blacks and browns to push the brightly lit features of the face and the crisp white of a shirt cuff into the foreground. This use of chiaroscuro creates a profound…
The oil painting titled Normandy Girl was created by James Carroll Beckwith. This work emerged around 1883, a period when the artist was refining his naturalist approach. The canvas captures a quiet moment, a single figure suspended against a backdrop of textured straw.
James Carroll Beckwith created Under the Lilacs about 1879. The portrait features a young woman positioned in profile, her gaze directed downward in a moment of quiet contemplation. Her attire suggests a subject from an upper-middle class background, grounding the figure in the social realities of the late nineteenth century.
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
This monochromatic oil painting depicts George Martin Lane from the chest up in a three-quarter view. The subject faces toward the left of the frame, his gaze directed away from the viewer. He possesses a full, textured white beard and matching hair that catch the light against a dark background. He wears a dark suit, a white high-collar shirt, and a dark necktie. The lighting originates from the upper left,…
Sylvan Toilette1898
12
Samuel Verplanck Hoffman (1866–1942)1907 · New York Historical Society
13
Lost in Thought1908
14
Mother and Child1910
15
Self Portrait1898 · Detroit Institute of Arts
16
Palazzo Barberini, Rome
17
Nude Woman
18
Portrait of John Leslie Breck
19
John Singer Sargent (1856–1925)1876
20
La Tour de Solidor at St. Severin, Normandy1877
21
On the Banks of the Rhine, near St. Germain at Mont d'Or1878
22
Peasant Against Hay1883
23
Marguerite1882
24
William Walton1886
25
Portrait of Evelyn Nesbitt1900
26
Lake of Orta1910 · Metropolitan Museum of Art
27
Mrs. John William Davis (1832-1902)New York Historical Society
28
Portrait of William Merritt ChaseIndianapolis Kunstmuseum
29
Head of a Young Woman
30
Portrait of the Artist's Mother
31
Portrait of a Woman
32
Portrait of Minnie Clark
33
Nymph and Cupid
34
Portrait of Lida Rose McCabe
35
A Study with Sunlight
36
La Tour de Solidor at St. Severin, NormandySmithsonian American Art Museum
37
Portrait of a pensive lady
38
Portrait of Evelyn Nesbitt 1
39
Allee de l'Ete, Versailles
40
Woman with Guitar
41
An American Queen
42
Brunette Combing Her Hair
43
The BlacksmithSmithsonian American Art Museum
44
Margharite
45
Diand
46
The Embroiderer
47
Carrefour at the End of the Tapis Vert, Versailles
48
Corner of the Terrace, Versailles1911
49
Cathedral at le Puy1911 · Smithsonian American Art Museum
50
Palazzo Barberini, Rome1910 · Smithsonian American Art Museum
51
St. Isidor, Rome1911 · Smithsonian American Art Museum
52
Terminal Figure of Ceres1911 · Smithsonian American Art Museum
53
New Hamburg Garden1910
54
Jardin de la Fontaine at Nimes, France1911 · Smithsonian American Art Museum
55
In the Gardens of the Villa Palmieri1910 · Smithsonian American Art Museum
56
Modigliani Gate Post1910 · Smithsonian American Art Museum
57
The Palace of the Popes and Pont d'Avignon1911 · Smithsonian American Art Museum
58
Parterre du Nord, Fontaine des Sirenes1913 · Smithsonian American Art Museum
59
Nymph and Cupid1913 · Smithsonian American Art Museum
60
Allee de l'Ete, Versailles1913 · Smithsonian American Art Museum
61
Bassin de Neptune, Versailles1913 · Smithsonian American Art Museum
62
Syrinx, Par Maziere, 1689 Bassin d'Apollon1913 · Smithsonian American Art Museum
63
Arcade of the Grand Trianon, Versailles1913 · Smithsonian American Art Museum
64
One of the Figures at the Parterre d'Eau1913 · Smithsonian American Art Museum
65
L' Empereur1912 · Smithsonian American Art Museum
66
Untitled1910
67
Cathedral at le Puy
68
UntitledSmithsonian American Art Museum
69
Back of J.F. Millet's Garden
70
The Boathouse in Central Park
71
In the Gardens of the Villa Palmieri
72
The emperor
73
Arcade of the Grand Trianon, Versailles
74
The Palace of the Popes and Pont d'Avignon
75
A Wistful Look
76
Gree
77
On the Banks of the Rhine, near St. Germain at Mont d'OrSmithsonian American Art Museum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 7 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af James Carroll Beckwith | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 20 | La Tour de Solidor at St. Severin, Normandy, The Blacksmith, Cathedral at le Puy |
 New York Historical Society |
New York City | 4 | Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Samuel Verplanck Hoffman (1866–1942) |
 Indianapolis Kunstmuseum |
Indianapolis | 2 | Portrait of Mrs. William C. Bartlett, Portrait of William Merritt Chase |
 Cooper Hewitt, Smithsonian Design Museum |
New York City | 1 | The Telephone and the Ticker; Study for Manufactures Building |
 Harvard Art Museums |
Cambridge | 1 | George Martin Lane (1823-1897) |
 Detroit Institute of Arts |
Detroit | 1 | Self Portrait |
 Metropolitan Museum of Art |
New York | 1 | Lake of Orta |
Vælg et årti for at se det originale værk, der definerer det.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
The Falconer (1878). Derefter følger The Letter (1910) og Portrait of Tito (1878).
26 år gammel: The Falconer er fra 1878, og James Carroll Beckwith blev født i 1852.
The Falconer, The Letter, Portrait of Tito, Portrait of Mrs. William C. Bartlett, Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Normandy Girl, Under the Lilacs, The Telephone and the Ticker; Study for Manufactures Building og George Martin Lane (1823-1897). Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 87 værker af James Carroll Beckwith, dateret fra 1876 til 1913.
Primært i Smithsonian American Art Museum (Washington, D.C.), New York Historical Society (New York City) og Indianapolis Kunstmuseum (Indianapolis). Museumslisten ovenfor viser dem alle.
I 1910s: 22 af de 77 værker på denne side blev skabt dengang, herunder The Letter.
På denne side er det tidligste John Singer Sargent (1856–1925) (1876) og det seneste Parterre du Nord, Fontaine des Sirenes (1913).
Man (7), Woman (7) og Portraits (7), fordelt på de 77 værker på denne side.
Oil On Canvas, for 13 af de 77 værker på denne side.
Impressionism, baseret på originalerne på denne side.
La Tour de Solidor at St. Severin, Normandy, The Blacksmith og Cathedral at le Puy: Smithsonian American Art Museum, Washington, D.C. har 20 af værkerne på denne side.
