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Izaäk Schmidt malerier: De 2 mest berømte, set gennem et galleris øjne
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Izaäk Schmidt i vores katalog
Kort sagt
I galleriets øjne er Izaäk Schmidts mest berømte maleri Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), hvis original hænger på Museum Gouda i Gouda. Ud af de 2 værker af Izaäk Schmidt i vores katalog præsenterer galleriet herunder de 2 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1740 – 1818, Amsterdam
Flest værker: Museum Gouda
Galleriets top 10 Izaäk Schmidt malerier
De museer, der udstiller Izaäk Schmidts originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Izaäk Schmidt | Malerier fra denne liste |
|---|---|---|---|
 Museum Gouda |
Gouda | 2 | Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet |
Izaäk Schmidt, årets signaturmalerier
Hvert dateret originalværk af Izaäk Schmidt på denne side er skabt i 1784: her er de mest berømte først.
Værker per år
Vælg et årstal for at se de originale værker.
Izaäk Schmidt's malerier: galleriets svar
Hvilket maleri af Izaäk Schmidt er det mest berømte af alle?Vis svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)
Hvor gammel var Izaäk Schmidt, da Portrait of mr. Adriaan Jacob van der Does, 1756-1830 blev færdiggjort?Vis svaret
44 år gammel: Portrait of mr. Adriaan Jacob van der Does, 1756-1830 er fra 1784, og Izaäk Schmidt blev født i 1740.
Hvor mange værker skabte Izaäk Schmidt?Vis svaret
Vores katalog indeholder 2 værker af Izaäk Schmidt.
Hvor hænger Izaäk Schmidts mest berømte originaler?Vis svaret
Primært i Museum Gouda (Gouda). Museumslisten ovenfor viser dem alle.
Hvornår skabte Izaäk Schmidt sine mest berømte malerier?Vis svaret
I 1784: 2 af de 2 værker på denne side blev skabt dengang, herunder Portrait of mr. Adriaan Jacob van der Does, 1756-1830.
Hvilke originalværker af Izaäk Schmidt findes i Museum Gouda?Vis svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 og Portrait of Constantia Catherina Jongbloet: Museum Gouda, Gouda har 2 af værkerne på denne side.
Izaäk Schmidt: kunstneren
A Life in Amsterdam
Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.
His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.
The Art of the Everyday
Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.
His repertoire included various subjects that reflected his surroundings:
- Village views featuring figures gathered near inns or stone bridges.
- Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
- Landscape studies like country folk at a fence and scenes of rural life.
- Allegorical works including his piece titled Allegory of Painting.
There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.
A Lasting Record
Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.