Portræt af Araki Katsumochi

De 13 mest berømte Araki Katsumochi-malerier, en galleriselektion

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 13 værker af Araki Katsumochi i vores katalog

Kort sagt

Af alle de originale værker, som Araki Katsumochi efterlod, er det mest berømte Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601). Lige efter følger The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) og The Four Pleasures (1625). Vores katalog indeholder 13 værker af Araki Katsumochi; galleriet har bevaret de 13 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1578 – 1650, Aichi-præfekturet Flest værker: Cleveland Museum of Art
Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) af Araki Katsumochi1. Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) 601 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) af Araki Katsumochi2. The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 The Four Pleasures (1625) af Araki Katsumochi3. The Four Pleasures 1625

Araki Katsumochis top 10 malerier: galleriets udvalg

1
Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) af Araki Katsumochi

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu)

601 · Ink

The air hangs heavy and damp, thick with a grey veil that blurs the line between the earth and the heavens. In this quiet moment, a man stands alone on the right, his figure a solitary silhouette against the encroaching gloom. He faces a closed gate, a wooden barrier that separates him from the sanctuary of a mountain cottage. This is the scene of Yūgiri, a man caught in the…

Historien bag dette originale værk
2
The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) af Araki Katsumochi

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals

601 · Pigment · Metropolitan Museum of Art, New York

Introduction to Nihonga Art Movement and Iwasa Matabei The Nihonga art movement emerged during the Meiji period (1868-1912) as a response to the rise of Western-style painting known as Yōga. The term "Nihonga" literally translates to "pictures of Japan," emphasizing its connection to traditional Japanese art forms. Iwasa Matabei, an artist from this movement, is renowned for his unique style and contribution to Nihonga. The Poet Mibu no Tadamine: A…

Se nærmere på dette værk
3
The Four Pleasures (1625) af Araki Katsumochi

The Four Pleasures

1625 · Ink · Cleveland Museum of Art, Cleveland

We are looking at The Four Pleasures, a work attributed to the Japanese artist Iwasa Matabē. Created during the early Edo period, this piece reflects the refined sensibilities of a painter who lived from 1578 to 1650. It is a significant example of the artistic output from this era, capturing a specific moment in the evolution of Japanese visual language.

Historien bag dette originale værk
6
“A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) af Araki Katsumochi

“A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu)

601

Iwasa Matabei, also known as Araki Katsumochi, was a prominent Japanese artist of the early Tokugawa period. Born in 1578 and passing away on July 20, 1650, he specialized in genre scenes of historical events and illustrations of classical Japanese and Chinese literature, as well as portraits. Matabei's work is highly regarded for its unique style and attention to detail, making him a sought-after artist during his time. One of…

Se nærmere på dette værk
9
Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630) af Araki Katsumochi

Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals

1630 · Ink

In ancient Japanese court society, poetry was the quintessential literary experience. Idealized and deeply admired, poets were often commemorated in portraiture. In the early eleventh century, Fujiwara Kintō (966–1041) selected thirty-six “poetic immortals” (kasen) from the past, and their images became a popular theme in Yamato-e, traditional Japanese painting. This imaginary portrait of Archbishop Henjō was originally part of a set of album leaves comprising all thirty-six poets. Some of…

Historien bag dette originale værk
10
“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari) (1640) af Araki Katsumochi

“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari)

1640

This painting pictorializes a scene from The Tale of the Heike, the great early medieval tale of war, valor, and tragic love that commemorates the Genpei War of 1180–85, which pitted the two great courtier families—the Taira (Heike clan) and Minamoto (Genji clan)—against each other. Matabei captures one of the most pivotal and poignant episodes of the entire tale, showing one of the last heirs to the Taira family’s power,…

Se nærmere på dette værk

Araki Katsumochi-udvalget fortsætter, fra 11 til 13

11Festival of Hōkoku Shrine (right screen) af Araki KatsumochiFestival of Hōkoku Shrine (right screen)Tokugawa Art Museum 12Festival of Hōkoku Shrine (left screen) af Araki KatsumochiFestival of Hōkoku Shrine (left screen)Tokugawa Art Museum 13Eight Views of Xiao and Xiang (1640) af Araki KatsumochiEight Views of Xiao and Xiang1640

Motiverne, der fangede Araki Katsumochis blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

Portrait 2 værker

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601), Araki Katsumochi #2 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 · Metropolitan Museum of Art Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630), Araki Katsumochi #9 Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals 1630

Yamato-e 2 værker

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601), Araki Katsumochi #2 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 · Metropolitan Museum of Art Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630), Araki Katsumochi #9 Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals 1630

De museer, der udstiller Araki Katsumochis originalværker

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Araki Katsumochi Malerier fra denne liste
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 The Four Pleasures, Coastal Landscape
Tokugawa Art Museum, NagoyaTokugawa Art Museum Nagoya 2 Festival of Hōkoku Shrine (right screen), Festival of Hōkoku Shrine (left screen)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals
Tokyo National Museum, TokyoTokyo National Museum Tokyo 1 Rakuchū rakugai zu (Funaki)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Portrait of the Poet Kakimoto no Hitomaro

Araki Katsumochi årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Araki Katsumochis malerier

Hvilket værk er Araki Katsumochi mest kendt for?Vis svaret

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601). Derefter følger The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) og The Four Pleasures (1625).

Hvad er de ti mest berømte Araki Katsumochi malerier?Vis svaret

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu), The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals, The Four Pleasures, Coastal Landscape, Rakuchū rakugai zu (Funaki), “A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu), Portrait of the Poet Kakimoto no Hitomaro, Two Women, Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals og “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Araki Katsumochi?Vis svaret

Vores katalog indeholder 13 værker af Araki Katsumochi, dateret fra 1594 til 1640.

I hvilke museer udstilles Araki Katsumochi's mesterværker?Vis svaret

Primært i Cleveland Museum of Art (Cleveland), Tokugawa Art Museum (Nagoya) og Metropolitan Museum of Art (New York). Museumslisten ovenfor viser dem alle.

I hvilke år malede Araki Katsumochi sine mest berømte værker?Vis svaret

I 1640s: 2 af de 13 værker på denne side blev skabt dengang, herunder “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari).

Hvad er de første og de sidste berømte originaler af Araki Katsumochi?Vis svaret

På denne side er det tidligste Coastal Landscape (1594) og det seneste “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari) (1640).

Hvilke motiver valgte Araki Katsumochi oftest?Vis svaret

Portrait (2) og Yamato-e (2), fordelt på de 13 værker på denne side.

Hvilken teknik brugte Araki Katsumochi mest?Vis svaret

Ink, for 3 af de 13 værker på denne side.

Hvilke værker af Araki Katsumochi udstilles på Cleveland Museum of Art?Vis svaret

The Four Pleasures og Coastal Landscape: Cleveland Museum of Art, Cleveland har 2 af værkerne på denne side.

Araki Katsumochi: liv og værk

tidligt liv og indflydelser

Araki Katsumochi, en fremtrædende skikkelse i Japans tidlige Tokugawa-periode, satte et uudsletteligt præg på kunstverdenen med sine genrebilleder, historiske illustrationer og fængslende portrætter. Katsumochi blev født i 1578 som søn af Araki Murashige, en betydningsfuld daimyō, hvis liv fik en tragisk afslutning. Denne skæbne førte til, at Katsumochi adopterede sin mors familienavn, Iwasa.

kunstnerisk stil og teknik

Katsumochis værker er kendetegnet ved sine karakteristiske figurer, der ofte fremviser store hoveder og fint tegnede ansigtstræk. Hans unikke penselteknik, som var en mesterlig sammensmeltning af elementer fra både Tosa- og Kanō-skolerne, gjorde det muligt for ham at excellere i både farvelagte værker og monokrome tusch-malerier. Selvom han blev oplært under Kanō Naizen fra den berømte Kanō-skole, var Katsumochis personlige stil dybt præget af Tosa-skolens traditioner.

bemærkelsesvæde værker og eftermæle

Et af Katsumochis mest fejrede mesterværker er portrætserien af de 36 poesi-udødelige (1640), bestilt af Tokugawa Iemitsu til et tempel. Dette hovedværk, signeret som "kunstneren Matabei fra den senere strømning af Tosa Mitsunobu", udstiller Katsumochis exceptionelle evne til at indfange både historiske begivenheder og klassisk litteratur.

kontrovers og eftermæle

Der pågår stadig en debat blandt lærde om, hvorvidt Katsumochis værker reelt kan betegnes som ukiyo-e eller ej. I Japan betragtes han ofte som ukiyo-e-genrens fader, mens visse teorier foreslår, at han var en uafhængig maler fra Tosa-skolen grundet hans forbindelser til mæcener af høj social status. Konklusion Katsumochis gådefulde liv og kunstneriske bidrag har efterladt et varigt aftryk på japansk kunst. Hans unikke stil, der forener traditionelle teknikker med nyskabende penselarbejde, fortsætter med at fascinere kunstelskere over hele verden.

referencer

relaterede kunstnere og bevægelser

Alle 13 værker af Araki Katsumochi →