Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Ivan Tyurin i vores katalog
Kort sagt
Portrait of H. Lazarev (1872) er det maleri af Ivan Tyurin, der vækker mest opsigt; originalen findes på Hermitage Museum, Sankt Petersborg. Derefter falder blikket på Portrait of Baron Alexander Stieglitz (1872) og Portrait of Maria Adlerberg (1871). Blandt de 6 værker af Ivan Tyurin i vores katalog er disse 6 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
The Portrait of Baron Alexander Stieglitz presents us with a formal encounter with a man of significant standing. Painted by the Russian artist Ivan Tyurin, this work captures the essence of a distinguished figure from a bygone era. We find ourselves looking upon Baron Alexander Stieglitz, a man whose presence commands the space he occupies. The portrait, dating to 1872, freezes a moment of quiet dignity and high social station.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
A formal 1874 oil portrait, presented in an oval composition, captures F.I. Shuvalova in a moment of quiet composure. Seated in a three-quarter view, the subject gazes directly at the viewer, her expression marked by a calm and serious temperament. The composition utilizes a shallow depth, focusing attention entirely on the sitter through the placement of a draped table in the mid-ground. A small, framed photograph rests upon this surface,…
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Ivan Tyurin | Malerier fra denne liste |
|---|---|---|---|
 Hermitage Museum |
Sankt Petersborg | 6 | Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz, Portrait of Maria Adlerberg |
En lang karriere på 27 år, fra 1871 til 1897: Ivan Tyurins mest berømte originalværker, vist år for år.
Vælg et årstal for at se de originale værker.
In this 1871 portrait, we encounter Maria Adlerberg in a moment of stillness. She is seated in a three-quarter length pose, her figure anchored by the deep crimson of an upholstered chair. There is a certain weight to her presence, a dignity that comes from her contemplative expression and the steady way she holds herself. She is engaged in needlework, a task that suggests a life of quiet, disciplined routine.…
The room feels quiet, held in a stillness that only an old man’s gaze can command. H. Lazarev sits before us, his figure emerging from a deep, dark background that seems to swallow the very air around him. He is turned slightly to his right, yet his eyes find the viewer with a steady, unblinking directness. There is a weight to his presence, a gravity that settles in the space…
Mere fra 1872
The Portrait of Admiral N.K. Krabbe is an oil painting by the Russian artist Ivan Tyurin. Created in 1874, the work captures a high-ranking naval officer in a moment of formal stillness. The subject sits with the weight of command, his presence defined by the heavy textures of military regalia and the steady gaze of a man accustomed to authority.
Mere fra 1874
A heavy silence settles over the canvas, held in place by the dark, muted tones of a man who has lived through the friction of history. V.A. Volotsky sits in the quietude of his retirement, yet the authority of his former rank remains etched into the very fabric of his presence. He is framed from the chest up, a medium close-up that forces a direct, eye-level encounter with a gaze…
Portrait of H. Lazarev (1872), Hermitage Museum, Sankt Petersborg. Derefter følger Portrait of Baron Alexander Stieglitz (1872) og Portrait of Maria Adlerberg (1871).
48 år gammel: Portrait of H. Lazarev er fra 1872, og Ivan Tyurin blev født i 1824.
Vores katalog indeholder 6 værker af Ivan Tyurin, dateret fra 1871 til 1897.
Primært i Hermitage Museum (Sankt Petersborg). Museumslisten ovenfor viser dem alle.
I 1872: 2 af de 6 værker på denne side blev skabt dengang, herunder Portrait of H. Lazarev.
På denne side er det tidligste Portrait of Maria Adlerberg (1871) og det seneste Portrait of V.A. Volotsky, the Retired GeneraL of the Terek Cossack Army (1897).
Man (4), Red chair (3) og Medals (3), fordelt på de 6 værker på denne side.
Oil, for 4 af de 6 værker på denne side.
Academic realism og Realism, baseret på originalerne på denne side.
Portrait of H. Lazarev, Portrait of Baron Alexander Stieglitz og Portrait of Maria Adlerberg: Hermitage Museum, Sankt Petersborg har 6 af værkerne på denne side.
Ivan Tyurin was a Russian painter who lived during the nineteenth and early twentieth centuries. His life spanned from 1824 until 1904.
