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Ignazio Hugford malerier: De 1 mest berømte, set gennem et galleris øjne
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Ignazio Hugford i vores katalog
Kort sagt
I galleriets øjne er Ignazio Hugfords mest berømte maleri Portrait of Maddalena Guadagni Serristori (1749). Ud af de 1 værker af Ignazio Hugford i vores katalog præsenterer galleriet herunder de 1 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1703 – 1778, Pisa
Galleriets top 10 Ignazio Hugford malerier
Ignazio Hugford, årets signaturmalerier
Hvert dateret originalværk af Ignazio Hugford på denne side er skabt i 1749: her er de mest berømte først.
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Vælg et årstal for at se de originale værker.
Ignazio Hugford's malerier: galleriets svar
Hvilket maleri af Ignazio Hugford er det mest berømte af alle?Vis svaret
Portrait of Maddalena Guadagni Serristori (1749)
Hvor gammel var Ignazio Hugford, da Portrait of Maddalena Guadagni Serristori blev færdiggjort?Vis svaret
46 år gammel: Portrait of Maddalena Guadagni Serristori er fra 1749, og Ignazio Hugford blev født i 1703.
Hvor mange værker skabte Ignazio Hugford?Vis svaret
Vores katalog indeholder 1 værker af Ignazio Hugford.
Ignazio Hugford: kunstneren
The Life and Art of Ignazio Hugford
Born in Pisa, Italy, Ignazio Hugford was a painter and art historian who worked primarily in Tuscany. He studied under Anton Domenico Gabbiani, a master whose style he followed in his own religious paintings and copies. Hugford’s artistic output included works such as The Annunciation and Tobias Returns Sight to his Father. His religious commissions were significant, including several canvases for the refectory of the Benedictine Abbey of Vallombrosa and an altarpiece of Saints Charles Borromeo, Philip Neri and Antonio Abate before a Crucifix located in the Pieve di S. Andrea a Doccia.
Beyond his own brushwork, Hugford was a prominent figure in the art world as a collector, dealer, and critic. He was a member of the Accademia delle Arti del Disegno and taught at the Accademia di San Luca. He was also known for his involvement in the development of scagliola techniques. His extensive collection of drawings was eventually acquired by the Uffizi in 1779.