Portræt af Ignacio Pinazo Camarlench

Ignacio Pinazo Camarlench malerier: De 100 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 185 værker af Ignacio Pinazo Camarlench i vores katalog

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I galleriets øjne er Ignacio Pinazo Camarlenchs mest berømte maleri In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro (1881), hvis original hænger på Museo del Prado i Madrid. Boats og Bullfighter fuldender trioen, som ethvert øje genkender. Ud af de 185 værker af Ignacio Pinazo Camarlench i vores katalog præsenterer galleriet herunder de 100 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1849 – 1916, Valencia Impressionism Flest værker: Museo del Prado
In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro (1881) af Ignacio Pinazo Camarlench1. In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro 1881 Boats af Ignacio Pinazo Camarlench2. Boats Bullfighter af Ignacio Pinazo Camarlench3. Bullfighter

Galleriets top 10 Ignacio Pinazo Camarlench malerier

1
In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro (1881) af Ignacio Pinazo Camarlench

In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro

1881 · Oil On Canvas · Museo del Prado, Madrid

In this work, titled In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro, the artist Ignacio Pinazo Camarlench captures a profound moment of dynastic transition. Painted in 1881, the scene depicts King Jaime I of Aragon in his final moments, performing the solemn act of handing his sword to his son and heir, Pedro III of Aragon. It is a quiet, heavy moment of…

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2
Boats af Ignacio Pinazo Camarlench

Boats

Oil

In Boats, Ignacio Pinazo Camarlench invites us into a quiet maritime scene, capturing a moment of stillness within a harbor or coastal area. The subject matter focuses on several boats moored in calm waters, resting under a clear sky. There is a palpable sense of quietness here, as if the world has paused to breathe. The artist avoids the chaos of the open sea, choosing instead to document the stillness…

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3
Bullfighter af Ignacio Pinazo Camarlench

Bullfighter

Oil On Canvas

In Bullfighter, Ignacio Pinazo Camarlench captures a single, suspended moment of tension. The figure of the bullfighter occupies the center of the scene, frozen in a dynamic pose that suggests a pause before the inevitable movement of the arena. He stands with a hand resting upon his hip, a gesture of quiet preparation. This subject is a traditional Spanish scene, a study of the human form caught in the gravity…

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4
Nymphs and Cupids (sketch) (1887) af Ignacio Pinazo Camarlench

Nymphs and Cupids (sketch)

1887 · Oil · Fundación Banco Santander, Madrid

This oval-shaped sketch, dated 1887, presents a group of mythological figures arranged in a swirling, upward-sweeping motion. The composition directs the eye through a central axis, creating a sense of fluid movement within a nebulous, cloud-like space. The figures, identified as nymphs and cupids, are rendered with gestural and expressive lines rather than strict, defined borders. Their bodies and drapery appear organic, emphasizing a sense of grace and continuous motion.…

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6
Los Mayos (1898) af Ignacio Pinazo Camarlench

Los Mayos

1898 · Oil On Canvas · Museo Carmen Thyssen Málaga, Málaga

Los Mayos is a painting by Ignacio Pinazo Camarlench. The artist, a Spanish painter from Valencia, captured this scene about 1898. His hand moved across the canvas during a period that defined his place in the evolution of Spanish art. He lived from 1849 to 1916.

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7
Portrait (1900) af Ignacio Pinazo Camarlench

Portrait

1900 · Oil On Canvas · Fundación Banco Santander, Madrid

This oil on canvas work, titled Portrait, was created by the Spanish artist Ignacio Pinazo Camarlench. The piece dates to about 1900. It presents a bust-length view of a man, focusing on the head and shoulders of the sitter.

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8
Female Nude (1902) af Ignacio Pinazo Camarlench

Female Nude

1902 · Oil On Canvas · Museo del Prado, Madrid

Female Nude is an oil on canvas by Ignacio Pinazo Camarlench. The artist, born in 1849 in Valencia, Spain, produced this work about 1902. It remains part of the permanent collection at the Museo del Prado in Madrid.

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9
Portrait of the Artist (1900) af Ignacio Pinazo Camarlench

Portrait of the Artist

1900 · Oil On Canvas · Hispanic Society Museum - Library, New York

This work is the Portrait of the Artist by Ignacio Pinazo Camarlench. Created about 1900, the painting offers a quiet, intimate look at the man behind the brush. It captures a sense of character through a direct, psychological gaze that invites the viewer into a private moment of reflection.

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10
Spring (portrait of Mary Jaumandreu) af Ignacio Pinazo Camarlench

Spring (portrait of Mary Jaumandreu)

Oil On Canvas

In Spring (portrait of Mary Jaumandreu), Ignacio Pinazo Camarlench presents us with a quiet, intimate encounter with nature. The subject is a young woman positioned amidst a dense, lush field of wildflowers and roses. She is dressed in a light pink gown and wears a delicate floral crown upon her head, holding a bouquet of flowers in her hands. The scene suggests a moment of stillness, capturing a sense of…

Historien bag dette originale værk

Ignacio Pinazo Camarlenchs malerier, rangeret fra 11 til 100

11Palm Sunday in the Plaza de la Virgen (1875) af Ignacio Pinazo CamarlenchPalm Sunday in the Plaza de la Virgen1875 12Playa de la Malvarrosa (1887) af Ignacio Pinazo CamarlenchPlaya de la Malvarrosa1887 13Merienda en la playa (1886) af Ignacio Pinazo CamarlenchMerienda en la playa1886 · Institut Valencià d'Art Modern 14Allegory of the Vintage (1900) af Ignacio Pinazo CamarlenchAllegory of the Vintage1900 15Anochecer en la escollera III (1899) af Ignacio Pinazo CamarlenchAnochecer en la escollera III1899 · Institut Valencià d'Art Modern 16Beach scene 6 af Ignacio Pinazo CamarlenchBeach scene 6 17Beach af Ignacio Pinazo CamarlenchBeach 18Twilight af Ignacio Pinazo CamarlenchTwilight 19Beach scene 2 af Ignacio Pinazo CamarlenchBeach scene 2 20Cars on the beach af Ignacio Pinazo CamarlenchCars on the beach 21Autorretrato af Ignacio Pinazo CamarlenchAutorretrato 22Beach af Ignacio Pinazo CamarlenchBeach 23Beach scene 4 af Ignacio Pinazo CamarlenchBeach scene 4 24La Tarara af Ignacio Pinazo CamarlenchLa Tarara 25Portrait of José M. Mellado Chapa af Ignacio Pinazo CamarlenchPortrait of José M. Mellado Chapa 26Nude 1 af Ignacio Pinazo CamarlenchNude 1 27Garden with figures af Ignacio Pinazo CamarlenchGarden with figures 28Rise to the chapel af Ignacio Pinazo CamarlenchRise to the chapel 29Beach scene 1 af Ignacio Pinazo CamarlenchBeach scene 1 30On the beach af Ignacio Pinazo CamarlenchOn the beach 31Little girl af Ignacio Pinazo CamarlenchLittle girlMuseo del Prado 32In the garden af Ignacio Pinazo CamarlenchIn the garden 33Cemetery Road af Ignacio Pinazo CamarlenchCemetery Road 34Valenciana af Ignacio Pinazo CamarlenchValenciana 35Nude 3 af Ignacio Pinazo CamarlenchNude 3 36Self-portrait af Ignacio Pinazo CamarlenchSelf-portrait 37Picnic af Ignacio Pinazo CamarlenchPicnic 38Nude by the sea af Ignacio Pinazo CamarlenchNude by the sea 39Emparrado y labradora af Ignacio Pinazo CamarlenchEmparrado y labradora 40The father of D. Emilio Alvarez af Ignacio Pinazo CamarlenchThe father of D. Emilio Alvarez 41Portrait of the poet Richart af Ignacio Pinazo CamarlenchPortrait of the poet Richart 42Beach scene with houses and boat af Ignacio Pinazo CamarlenchBeach scene with houses and boat 43The kite af Ignacio Pinazo CamarlenchThe kite 44Procession of the Corpus af Ignacio Pinazo CamarlenchProcession of the Corpus 45Laguna de Venecia af Ignacio Pinazo CamarlenchLaguna de Venecia 46Italian type af Ignacio Pinazo CamarlenchItalian type 47Station af Ignacio Pinazo CamarlenchStation 48Fiesta. Fires before the church af Ignacio Pinazo CamarlenchFiesta. Fires before the church 49Portrait of don José María Mellado af Ignacio Pinazo CamarlenchPortrait of don José María Mellado 50Self-portrait 11 af Ignacio Pinazo CamarlenchSelf-portrait 11Museo del Prado 51Paseo af Ignacio Pinazo CamarlenchPaseo 52Figures leaving the church af Ignacio Pinazo CamarlenchFigures leaving the churchBavarian State Painting Collections 53Royal bridge af Ignacio Pinazo CamarlenchRoyal bridge 54Portrait of Antonio Pinazo af Ignacio Pinazo CamarlenchPortrait of Antonio Pinazo 55Female Nude af Ignacio Pinazo CamarlenchFemale Nude 56Self-portrait 3 af Ignacio Pinazo CamarlenchSelf-portrait 3 57Nude 5 af Ignacio Pinazo CamarlenchNude 5 58Maria Theresa, granddaughter of the artist af Ignacio Pinazo CamarlenchMaria Theresa, granddaughter of the artist 59Joseph, son of the artist af Ignacio Pinazo CamarlenchJoseph, son of the artist 60Pepito painting af Ignacio Pinazo CamarlenchPepito painting 61Ignacio, son of the artist af Ignacio Pinazo CamarlenchIgnacio, son of the artist 62Carnival in the Alameda de Valencia af Ignacio Pinazo CamarlenchCarnival in the Alameda de Valencia 63Beach scene 3 af Ignacio Pinazo CamarlenchBeach scene 3 64Christ lying af Ignacio Pinazo CamarlenchChrist lying 65Beach 1 af Ignacio Pinazo CamarlenchBeach 1 66La fiesta af Ignacio Pinazo CamarlenchLa fiesta 67Carriage af Ignacio Pinazo CamarlenchCarriage 68Trace and Mascletá af Ignacio Pinazo CamarlenchTrace and Mascletá 69Self-portrait 6 af Ignacio Pinazo CamarlenchSelf-portrait 6 70Plaza de la Virgen af Ignacio Pinazo CamarlenchPlaza de la Virgen 71Nuns af Ignacio Pinazo CamarlenchNuns 72Italian woman af Ignacio Pinazo CamarlenchItalian woman 73Street in Godella af Ignacio Pinazo CamarlenchStreet in Godella 74Ignacio, son of the artist 1 af Ignacio Pinazo CamarlenchIgnacio, son of the artist 1 75Self-portrait 9 af Ignacio Pinazo CamarlenchSelf-portrait 9 76Exit from the mass in Godella af Ignacio Pinazo CamarlenchExit from the mass in Godella 77Walking in Valencia af Ignacio Pinazo CamarlenchWalking in Valencia 78Venetian corner af Ignacio Pinazo CamarlenchVenetian corner 79Self-portrait 8 af Ignacio Pinazo CamarlenchSelf-portrait 8 80Italian woman hanging the laundry af Ignacio Pinazo CamarlenchItalian woman hanging the laundry 81Terrace af Ignacio Pinazo CamarlenchTerrace 82Self Portrait with Palette af Ignacio Pinazo CamarlenchSelf Portrait with Palette 83Figures walking af Ignacio Pinazo CamarlenchFigures walking 84Portrait of Teresa af Ignacio Pinazo CamarlenchPortrait of Teresa 85Pintando af Ignacio Pinazo CamarlenchPintando 86Italian woman 1 af Ignacio Pinazo CamarlenchItalian woman 1 87Afternoon of the bulls af Ignacio Pinazo CamarlenchAfternoon of the bulls 88Teresa with umbrella af Ignacio Pinazo CamarlenchTeresa with umbrella 89Ladies on the beach af Ignacio Pinazo CamarlenchLadies on the beach 90Altar boy playing the zambomba af Ignacio Pinazo CamarlenchAltar boy playing the zambomba 91Street next to the Turia af Ignacio Pinazo CamarlenchStreet next to the Turia 92Portrait of Dr. Marzal af Ignacio Pinazo CamarlenchPortrait of Dr. Marzal 93Marisa, granddaughter of the artist af Ignacio Pinazo CamarlenchMarisa, granddaughter of the artist 94Gentlemen's salon af Ignacio Pinazo CamarlenchGentlemen's salon 95Portrait of his son Joseph af Ignacio Pinazo CamarlenchPortrait of his son Joseph 96Portrait of Doña María Martínez Monfort af Ignacio Pinazo CamarlenchPortrait of Doña María Martínez Monfort 97Self-portrait 7 af Ignacio Pinazo CamarlenchSelf-portrait 7 98Seaside af Ignacio Pinazo CamarlenchSeaside 99Washer women af Ignacio Pinazo CamarlenchWasher women 100Paseo Romano af Ignacio Pinazo CamarlenchPaseo Romano

Ignacio Pinazo Camarlenchs berømte malerier, periode for periode

Mature Period

1881 – 1902 · 22 værker på denne liste
In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro (1881), Ignacio Pinazo Camarlench #1 In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro 1881 · Museo del Prado Nymphs and Cupids (sketch) (1887), Ignacio Pinazo Camarlench #4 Nymphs and Cupids (sketch) 1887 · Fundación Banco Santander El Cid’s Daughters (1889), Ignacio Pinazo Camarlench #5 El Cid’s Daughters 1889 · Fundación Banco Santander Los Mayos (1898), Ignacio Pinazo Camarlench #6 Los Mayos 1898 · Museo Carmen Thyssen Málaga Female Nude (1902), Ignacio Pinazo Camarlench #8 Female Nude 1902 · Museo del Prado

Late Period

1900 · 6 værker på denne liste
Portrait (1900), Ignacio Pinazo Camarlench #7 Portrait 1900 · Fundación Banco Santander Beach scene 2, Ignacio Pinazo Camarlench #19 Beach scene 2 Nude by the sea, Ignacio Pinazo Camarlench #38 Nude by the sea Ignacio, son of the artist 1, Ignacio Pinazo Camarlench #74 Ignacio, son of the artist 1 Figures walking, Ignacio Pinazo Camarlench #83 Figures walking

Motiverne, der fangede Ignacio Pinazo Camarlenchs blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

Portraits 14 værker

Self-portrait, Ignacio Pinazo Camarlench #36 Self-portrait Portrait of the poet Richart, Ignacio Pinazo Camarlench #41 Portrait of the poet Richart Portrait of don José María Mellado, Ignacio Pinazo Camarlench #49 Portrait of don José María Mellado Self-portrait 11, Ignacio Pinazo Camarlench #50 Self-portrait 11 Museo del Prado

Portrait 8 værker

Portrait (1900), Ignacio Pinazo Camarlench #7 Portrait 1900 · Fundación Banco Santander Portrait of the Artist (1900), Ignacio Pinazo Camarlench #9 Portrait of the Artist 1900 · Hispanic Society Museum - Library Spring (portrait of Mary Jaumandreu), Ignacio Pinazo Camarlench #10 Spring (portrait of Mary Jaumandreu) Portrait of José M. Mellado Chapa, Ignacio Pinazo Camarlench #25 Portrait of José M. Mellado Chapa

Spanish art 7 værker

Beach scene 2, Ignacio Pinazo Camarlench #19 Beach scene 2 Nude by the sea, Ignacio Pinazo Camarlench #38 Nude by the sea Beach scene with houses and boat, Ignacio Pinazo Camarlench #42 Beach scene with houses and boat Portrait of Antonio Pinazo, Ignacio Pinazo Camarlench #54 Portrait of Antonio Pinazo

Beach 6 værker

Cars on the beach, Ignacio Pinazo Camarlench #20 Cars on the beach Beach scene 4, Ignacio Pinazo Camarlench #23 Beach scene 4 Beach scene 1, Ignacio Pinazo Camarlench #29 Beach scene 1 Beach scene 3, Ignacio Pinazo Camarlench #63 Beach scene 3

De museer, der udstiller Ignacio Pinazo Camarlenchs originalværker

De 6 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Ignacio Pinazo Camarlench Malerier fra denne liste
Museo del Prado, MadridMuseo del Prado Madrid 5 In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro, Female Nude, Little girl
Fundación Banco Santander, MadridFundación Banco Santander Madrid 3 Nymphs and Cupids (sketch), El Cid’s Daughters, Portrait
Institut Valencià d'Art Modern, ValenciaInstitut Valencià d'Art Modern Valencia 2 Merienda en la playa, Anochecer en la escollera III
Museo Carmen Thyssen Málaga, MálagaMuseo Carmen Thyssen Málaga Málaga 1 Los Mayos
Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 1 Portrait of the Artist
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 Figures leaving the church

Ignacio Pinazo Camarlench, ét signaturmaleri per årti

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Ignacio Pinazo Camarlench's malerier: galleriets svar

Hvilket maleri af Ignacio Pinazo Camarlench er det mest berømte af alle?Vis svaret

In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro (1881), Museo del Prado, Madrid. Derefter følger Boats og Bullfighter.

Hvor gammel var Ignacio Pinazo Camarlench, da In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro blev færdiggjort?Vis svaret

32 år gammel: In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro er fra 1881, og Ignacio Pinazo Camarlench blev født i 1849.

Hvilke er Ignacio Pinazo Camarlenchs top 10 malerier?Vis svaret

In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro, Boats, Bullfighter, Nymphs and Cupids (sketch), El Cid’s Daughters, Los Mayos, Portrait, Female Nude, Portrait of the Artist og Spring (portrait of Mary Jaumandreu). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Ignacio Pinazo Camarlench?Vis svaret

Vores katalog indeholder 185 værker af Ignacio Pinazo Camarlench, dateret fra 1875 til 1902.

Hvor hænger Ignacio Pinazo Camarlenchs mest berømte originaler?Vis svaret

Primært i Museo del Prado (Madrid), Fundación Banco Santander (Madrid) og Institut Valencià d'Art Modern (Valencia). Museumslisten ovenfor viser dem alle.

Hvornår skabte Ignacio Pinazo Camarlench sine mest berømte malerier?Vis svaret

I 1880s: 5 af de 100 værker på denne side blev skabt dengang, herunder In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro.

Hvilke er Ignacio Pinazo Camarlenchs tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Palm Sunday in the Plaza de la Virgen (1875) og det seneste Female Nude (1902).

Hvilke motiver vendte Ignacio Pinazo Camarlench oftest tilbage til?Vis svaret

Portraits (14), Portrait (8) og Spanish art (7), fordelt på de 100 værker på denne side.

Hvilket medie arbejdede Ignacio Pinazo Camarlench mest med?Vis svaret

Oil On Canvas, for 7 af de 100 værker på denne side.

Hvilken stilart er Ignacio Pinazo Camarlench associeret med?Vis svaret

Impressionism, baseret på originalerne på denne side.

Hvilke originalværker af Ignacio Pinazo Camarlench findes i Museo del Prado?Vis svaret

In his final moments, King Jaime el Conquistador gives his sword to his son, Pedro, Female Nude og Little girl: Museo del Prado, Madrid har 4 af værkerne på denne side.

Ignacio Pinazo Camarlench: kunstneren

Ignacio Pinazo Camarlench: Liv og eftermæle

Tidligt liv og modgang

  • Født: Valencia, Spanien i 1849 i en fattig familie.
  • Pinazo mødte tidlig nød og blev tvunget til at bidrage til familiens indkomst fra en ung alder.
  • Han arbejdede som sølvsmed, flisemaler og viftedekoratør, før han påbegyndte sin formelle kunstneriske uddannelse.
  • Hans mors død af kolera og hans fars bortgang førte til, at han boede hos sine bedsteforældre.
  • I 1864 blev han indskrevet ved San Carlos Akademiet for Skønne Kunster i Valencia, mens han fortsatte med at arbejde som hattemager for at forsørge sig selv.

Kunstnerisk udvikling og indflydelser

  • Pinazos kunstneriske karriere begyndte omkring 21-års alderen, og han opnåede sin første succes i Barcelona tre år senere.
  • Hans tidlige værker fokuserede på konventionelle historiske temaer, men ændrede sig dramatisk efter en skelsættende rejse til Rom i 1873.
  • Inspireret af sine rejser omfavnede han maleriet af familiemotiver, nøgenfigurer og scener fra dagliglivet – hvilket foregreb stilen hos Joaquine Sorolla y Bastida og Francisco Domingo.
  • Et andet længere ophold i Rom (1876-1881), finansieret af et legat, forfinede hans impressionistiske tilgang yderligere.
  • Han udviklede en stil karakteriseret ved mørke farver – sort, brun og jordtoner – side om side med impressionismens funklende palet, ofte anvendt med hurtige penselstrøg.

Store bedrifter og anerkendelse

  • Pinazo modtog bestillingsarbejder fra den valencianske adel, herunder markisen af Benicarló.
  • Han vandt sølvmedaljer ved kunstudstillinger i 1881 og 1885, efterfulgt af guldmedaljer i 1887 og 1899.
  • Han blev tildelt en kongelig medalje for sine kunstneriske bidrag.
  • I 1912 ærede byen Valencia ham ved at opkalde en gade efter ham.
  • Bemærkelsesværdige værker: Las hijas del Cid, Los últimos momentos del rey Don Jaime el Conquistador, El guardavía og Barca en la playa
    • .

Privatliv og familie

    Pinazo blev gift med Teresa Martinez Montfort, og de fik to sønner, Ignacio og Jose, som begge også blev malere.
  • Han flyttede midlertidigt til Bétera under en koleraepidemi i Valencia i 1884, hvor han boede på villaen ”Maria”, der tilhørte bankmanden Jose Jaumandreu.

Historisk betydning og eftermæle

  • Pinazo betragtes som en af de mest fremtrædende valencianske kunstnere i slutningen af det 19. århundrede, der byggede bro mellem traditionelle stilarter og de fremvoksende impressionistiske teknikker.
  • Hans arbejde giver et værdifuldt indblik i det spanske samfund og dagliglivet i hans æra.
  • Den største samling af hans malerier og tegninger findes på Institut Valencià d'Art Modern (IVAM), selvom de ikke altid er udstillet permanent. Hans værker kan også findes i Museu de Belles Arts de València og Museo del Prado.
  • Død: Godella, Spanien i 1916 i en alder af 67 år, hvor han efterlod sig en betydelig kunstnerisk arv.
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