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De 1 mest berømte Howard Arkley-malerier, en galleriselektion
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Howard Arkley i vores katalog
Kort sagt
Af alle de originale værker, som Howard Arkley efterlod, er det mest berømte Fast-lid, som er en del af samlingen på National Gallery of Victoria i Melbourne. Vores katalog indeholder 1 værker af Howard Arkley; galleriet har bevaret de 1 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
1951 – 1999, Australia
Flest værker: National Gallery of Victoria
Howard Arkleys top 10 malerier: galleriets udvalg
De museer, der udstiller Howard Arkleys originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Howard Arkley | Malerier fra denne liste |
|---|---|---|---|
 National Gallery of Victoria |
Melbourne | 1 | Fast-lid |
Samleres spørgsmål om Howard Arkleys malerier
Hvilket værk er Howard Arkley mest kendt for?Vis svaret
Fast-lid
Hvor mange malerier efterlod Howard Arkley?Vis svaret
Vores katalog indeholder 1 værker af Howard Arkley.
I hvilke museer udstilles Howard Arkley's mesterværker?Vis svaret
Primært i National Gallery of Victoria (Melbourne). Museumslisten ovenfor viser dem alle.
Howard Arkley: liv og værk
The Art of Suburbia
Howard Arkley was an Australian painter known for his airbrushed depictions of Melbourne suburbia. After studying at Prahran College of Advanced Education from 1969 to 1972, he discovered the airbrush, a tool he utilized to achieve the smooth surfaces he desired in his work. His early exhibitions, including his first at Tolarno Galleries in 1975, featured abstract works often composed of patterns or lines created with the airbrush. While his initial pieces were black and white, he eventually began experimenting with colour.
His career saw significant milestones, such as the creation of the mural Primitive in 1981 and painting a tram for the Victorian Ministry of the Arts in 1982. His artistic journey moved from abstraction toward figurative iconography and landscape. His work has been described as a visual equivalent to the monologues of Barry Humphries, capturing the essence of suburban life.
Life and Legacy
Arkley's life was marked by both artistic recognition and personal turbulence. He participated in the 1999 Venice Biennale and traveled to London to plan an album cover for Nick Cave. Following a successful exhibition at the Karen Lovegrove Gallery in Los Angeles, he traveled to Las Vegas, where he married Alison Burton. He returned to Melbourne, where he died in 1999.
His legacy is preserved through various publications and retrospectives, including: