Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 30 værker af Hermann Struck i vores katalog
Kort sagt
I galleriets øjne er Hermann Strucks mest berømte maleri Moroccan Jew, Jerusalem (1900), hvis original hænger på Leo Baeck Institute i New York City. Haifa V (1900) og Jerusalem, Russian Building II (1900) fuldender trioen, som ethvert øje genkender. Ud af de 30 værker af Hermann Struck i vores katalog præsenterer galleriet herunder de 30 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…
In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…
In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…
Aus Holland II1907 · Leo Baeck Institute
12
Palm Beach, Florida I1913 · Leo Baeck Institute
13
Central Park, New York1913 · Leo Baeck Institute
14
Fruit Trees in Odenwald1919 · Leo Baeck Institute
15
Jerthe United States1926 · Leo Baeck Institute
16
Stepped Pyramid at Saqqara1939 · Leo Baeck Institute
17
Engadine Lakes1900 · Leo Baeck Institute
18
Patriath1935 · Leo Baeck Institute
19
Duomo and Baptistery, Florence, plate from Hesse1923 · Leo Baeck Institute
20
Jerusalem, Mosque of Omar1900 · Leo Baeck Institute
21
Havana III1913 · Leo Baeck Institute
22
Jerusalem X1916 · Leo Baeck Institute
23
Nablus (Palestine)1900 · Leo Baeck Institute
24
Lake Tiberias II1934 · Leo Baeck Institute
25
Tomb of Giovanni Segantini (1858-1899)1907 · Leo Baeck Institute
26
Jewish Chimney Sweep1915 · Leo Baeck Institute
27
Palestine Sunset1939 · Leo Baeck Institute
28
Two palm trees, plate from Hesse1923 · Leo Baeck Institute
29
Jerusalem, Chapel of the Ascension1905 · Leo Baeck Institute
30
Shabbat KiddushJewish Museum of São Paulo
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Hermann Struck | Malerier fra denne liste |
|---|---|---|---|
 Leo Baeck Institute |
New York City | 29 | Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II |
 Jewish Museum of São Paulo |
Sao Paulo | 1 | Shabbat Kiddush |
Vælg et årti for at se det originale værk, der definerer det.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
Moroccan Jew, Jerusalem (1900), Leo Baeck Institute, New York City. Derefter følger Haifa V (1900) og Jerusalem, Russian Building II (1900).
24 år gammel: Moroccan Jew, Jerusalem er fra 1900, og Hermann Struck blev født i 1876.
Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II, The Pyramids at Giza in the Distance, Aus dem Spreewalde II, Portrait of Rabbi Samson Raphael Hirsch (1808-1888), Talmudic Scholar, Fuerstenhaus-Karlshorst, Cactus og The Blind Beggar. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 30 værker af Hermann Struck, dateret fra 1900 til 1939.
Primært i Leo Baeck Institute (New York City) og Jewish Museum of São Paulo (Sao Paulo). Museumslisten ovenfor viser dem alle.
I 1900s: 15 af de 30 værker på denne side blev skabt dengang, herunder Moroccan Jew, Jerusalem.
På denne side er det tidligste Moroccan Jew, Jerusalem (1900) og det seneste Stepped Pyramid at Saqqara (1939).
Etching (16), Landscape (13) og Black and white (10), fordelt på de 30 værker på denne side.
Etching, for 17 af de 30 værker på denne side.
Realism, baseret på originalerne på denne side.
Moroccan Jew, Jerusalem, Haifa V og Jerusalem, Russian Building II: Leo Baeck Institute, New York City har 29 af værkerne på denne side.
