Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 24 værker af Henrique Bernardelli i vores katalog
Kort sagt
Af alle de originale værker, som Henrique Bernardelli efterlod, er det mest berømte A Tarantela (1886), som er en del af samlingen på Museu Nacional de Belas Artes i Rio de Janeiro. Lige efter følger Retrato de Joachim Lebreton (1909) og Interior Scene with a Girl Reading (1881). Vores katalog indeholder 24 værker af Henrique Bernardelli; galleriet har bevaret de 23 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Retrato do pianista Artur Napoleão1904 · Museu Nacional de Belas Artes
12
Head of an Indian1925 · Pinacoteca do Estado de São Paulo
13
Landscape of Ouro Preto1881 · Museu de Arte de São Paulo Assis Chateaubriand
14
D. João VI ouvindo o padre José Maurício ao cravo (estudo)Museu Histórico Nacional
15
Portrait (Human Figure 1)Ipiranga Museum
16
Cabeça de cavalo1920 · Museu Histórico Nacional
17
Marshall Deodoro da Fonseca1919 · Museu Histórico Nacional
18
Dom João VI listening to Father José Maurício at the harpsichord (study)1936 · Museu Histórico Nacional
19
Busto de Joaquim Nabuco1950 · Музей Вищого Суду Федерації
20
Fragmento de retratoIpiranga Museum
21
Retirada do Cabo de São Roque1927 · Ipiranga Museum
22
Últimos Momentos de um Bandeirante1932 · Ipiranga Museum
23
Ciclo da Caça ao Índio1922 · Ipiranga Museum
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Henrique Bernardelli | Malerier fra denne liste |
|---|---|---|---|
 Museu Nacional de Belas Artes |
Rio de Janeiro | 8 | A Tarantela, Retrato de Joachim Lebreton, Vista de Roma |
 Ipiranga Museum |
São Paulo | 6 | Bandeirantes na selva, Portrait (Human Figure 1), Fragmento de retrato |
 Museu Histórico Nacional |
Rio de Janeiro | 4 | D. João VI ouvindo o padre José Maurício ao cravo (estudo), Cabeça de cavalo, Marshall Deodoro da Fonseca |
 Museu de Arte de São Paulo Assis Chateaubriand |
São Paulo | 2 | Interior Scene with a Girl Reading, Landscape of Ouro Preto |
 Pinacoteca do Estado de São Paulo |
São Paulo | 2 | Portrait of a Lady, Head of an Indian |
 Музей Вищого Суду Федерації |
Brasília | 1 | Busto de Joaquim Nabuco |
Vælg et årti for at se det originale værk, der definerer det.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Bust of elderly man, directed to the left. Long face and nose. High forehead. Dark, unruly hair. Thin eyebrows. Brown eyes. Thick mustache and long beard, gray. Left ear visible. Dark jacket and tie sketches, and white shirt. White background. Author
In this evocative study by the Brazilian master Henrique Bernardelli Thierry, we are invited into an intimate, gilded moment of musical devotion. The scene captures a profound intersection of faith, royalty, and artistry as Dom João VI sits in quiet contemplation, listening to Father José Maurício perform at the harpsichord. There is a palpable stillness in the air, a sense of held breath that accompanies the delicate notes of a…
A Tarantela (1886), Museu Nacional de Belas Artes, Rio de Janeiro. Derefter følger Retrato de Joachim Lebreton (1909) og Interior Scene with a Girl Reading (1881).
28 år gammel: A Tarantela er fra 1886, og Henrique Bernardelli blev født i 1858.
A Tarantela, Retrato de Joachim Lebreton, Interior Scene with a Girl Reading, Vista de Roma, Messalina, Maternidade, Os Bandeirantes, Model at rest, Portrait of a Lady og Bandeirantes na selva. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 24 værker af Henrique Bernardelli, dateret fra 1880 til 1936.
Primært i Museu Nacional de Belas Artes (Rio de Janeiro), Ipiranga Museum (São Paulo) og Museu Histórico Nacional (Rio de Janeiro). Museumslisten ovenfor viser dem alle.
I 1880s: 7 af de 23 værker på denne side blev skabt dengang, herunder A Tarantela.
På denne side er det tidligste Messalina (1880) og det seneste Dom João VI listening to Father José Maurício at the harpsichord (study) (1936).
Man (3) og Portrait (3), fordelt på de 23 værker på denne side.
Oil On Canvas, for 2 af de 23 værker på denne side.
A Tarantela, Retrato de Joachim Lebreton og Vista de Roma: Museu Nacional de Belas Artes, Rio de Janeiro har 8 af værkerne på denne side.
