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Helen Torr malerier: De 1 mest berømte, set gennem et galleris øjne
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Helen Torr i vores katalog
Kort sagt
I galleriets øjne er Helen Torrs mest berømte maleri Extemporaneous (1927), hvis original hænger på Art Institute of Chicago i Chicago. Ud af de 1 værker af Helen Torr i vores katalog præsenterer galleriet herunder de 1 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
1886 – 1967, Roxbury
Flest værker: Art Institute of Chicago
Galleriets top 10 Helen Torr malerier
De museer, der udstiller Helen Torrs originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Helen Torr | Malerier fra denne liste |
|---|---|---|---|
 Art Institute of Chicago |
Chicago | 1 | Extemporaneous |
Helen Torr, årets signaturmalerier
Hvert dateret originalværk af Helen Torr på denne side er skabt i 1927: her er de mest berømte først.
Værker per år
Vælg et årstal for at se de originale værker.
Helen Torr's malerier: galleriets svar
Hvilket maleri af Helen Torr er det mest berømte af alle?Vis svaret
Extemporaneous (1927)
Hvor gammel var Helen Torr, da Extemporaneous blev færdiggjort?Vis svaret
41 år gammel: Extemporaneous er fra 1927, og Helen Torr blev født i 1886.
Hvor mange værker skabte Helen Torr?Vis svaret
Vores katalog indeholder 1 værker af Helen Torr.
Hvor hænger Helen Torrs mest berømte originaler?Vis svaret
Primært i Art Institute of Chicago (Chicago). Museumslisten ovenfor viser dem alle.
Helen Torr: kunstneren
The Life and Art of Helen Torr
Known by the nickname "Reds" due to her hair color, Helen Torr was an American painter and draftsperson. Born in Roxborough, Philadelphia, she pursued her artistic education through a scholarship to the Pennsylvania Academy of the Fine Arts, where she studied under William Merritt Chase, and later at Drexel University. Her creative practice focused on the creation of oil paintings and charcoal-based drawings.
Torr's life was marked by a deep connection to the artistic community, maintaining friendships with figures such as Georgia O'Keeffe and Arthur Dove. She lived a life of economic hardship, at times residing aboard a sailboat anchored in Halesite, Long Island, and later in a cottage in Centerport. Following the death of her husband, she requested that her body of work be destroyed; however, much of her work was preserved and donated by her sister.
Exhibitions and Legacy
Throughout her lifetime, Torr was reluctant to exhibit her work, with only two public exhibitions occurring during her life, including a group show at Alfred Stieglitz's gallery, An American Place, in 1933. Her legacy was further recognized through posthumous exhibitions, such as those held at the Graham Gallery in New York and the Heckscher Museum of Art.
Her artistic output is represented in several notable collections, including: