Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 50 værker af George Grey Barnard i vores katalog
Kort sagt
Af alle de originale værker, som George Grey Barnard efterlod, er det mest berømte The Mystery of Life (1897). Lige efter følger Sherman and His Generals (1866) og Untitled (1846). Vores katalog indeholder 50 værker af George Grey Barnard; galleriet har bevaret de 47 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet, monochromatic depths of George N. Barnard’s Sherman and His Generals, we find more than a mere photographic record; we encounter a profound meditation on authority and the heavy mantle of leadership. Created in 1866, this striking work captures nine men—most notably General William Tecumseh Sherman and his senior commanders—arranged in a deliberate, semi-circular formation. There is an undeniable gravity to their presence, as they sit upon chairs…
This work, titled Untitled, is a vintage daguerreotype photograph created by George Grey Barnard. Dating from about 1846, the piece offers a rare glimpse into a specific moment of mid-19th-century portraiture. It captures a family portrait of four children, presented with the formal arrangement characteristic of the era.
This work is titled Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign. It was captured by George N. Barnard in 1864. The image provides a direct record of the devastation within the city, specifically focusing on the remnants of a church. A prominent clock tower rises from the wreckage, marking the site of what was once a central structure.
In this monochromatic albumen silver print from 1864, we find ourselves standing before a scene of quiet, heavy stillness. The image captures a moment of pause amidst the chaos of the American Civil War, specifically within the context of Sherman's Campaign. A solitary cannon, its metallic form rendered in subtle shades of gray, sits positioned within defensive fortifications. It is the central weight of the composition, anchored by the dark,…
Ringold, Georgia from the album Photographic Views of Sherman's Campaign is a photographic work by George N. Barnard. Produced in 1864, the image captures a landscape where natural terrain meets human settlement. The scene presents a view of rolling hills and dense forest, punctuated by a small village and a prominent stone wall in the foreground.
In "Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866)" by George Grey Barnard, the scene unfolds as a heavy, silent aftermath of conflict. The composition is dominated by the towering ruins of a large building, its broken architecture reaching upward like a fractured skeleton against the sky. These remnants of a church or cathedral loom over the landscape, their jagged edges and sharp, broken surfaces…
A Snapshot of Resilience: George Grey Barnard’s “City of Atlanta, Georgia No. 2” The photograph presented here—George Grey Barnard’s “City of Atlanta, Georgia No. 2,” created in 1866—is more than just a depiction of a street scene; it's a testament to endurance and an emblem of the American spirit emerging from the shadow of Reconstruction. Captured during Sherman’s devastating march through Georgia, this panoramic view offers a glimpse into the…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign1864
12
Fountain and Park, Savannah from the album Photographic Views of Sherman's Campaign1864
13
The Crest of Mission Ridge from the album Photographic Views of Sherman's Campaign1864
14
The Hell Hole, Battlefield of New Hope Church from the album Photographic Views of Sherman's Campaign1864
15
The Potter House, Atlanta from the album Photographic Views of Sherman's Campaign1864
16
The Battle Ground of Resaca, No. 1 from the album Photographic Views of Sherman's Campaign1864
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Interior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
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Savannah River, near the City from the album Photographic Views of Sherman's Campaign1864
19
Orchard Knob, from Mission Ridge from the album Photographic Views of Sherman's Campaign1864
20
Pass in the Racoon Range, No. 1 from the album Photographic Views of Sherman's Campaign1864
21
Sherman's Hair Pins1864
22
The Battle Ground of Resaca, No.2 from the album Photographic Views of Sherman's Campaign1864
23
Ruins of the Pinckney Mansion, Charleston from the album Photographic Views of Sherman's Campaign1864
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The Battle Ground of Resaca, No. 3 from the album Photographic Views of Sherman's Campaign1864
25
The New Capitol, Columbia, South Carolina from the album Photographic Views of Sherman's Campaign1864
26
Atlanta, from the Works, No. 3 from the album Photographic Views of Sherman's Campaign1864
27
Pass in the Raccoon Range, No. 2 from the album Photographic Views of Sherman's Campaign1864
28
Exterior View of Fort Sumter from the album Photographic Views of Sherman's Campaign1864
29
Trestle Bridge, at Whiteside from the album Photographic Views of Sherman's Campaign1864
30
Rebel Works in front of Atlanta, No. 1 from the album Photographic Views of Sherman's Campaign1864
31
Battlefield of New Hope Church, Georgia, No. 1 from the album Photographic Views of Sherman's Campaign1864
32
Buen Ventura, Savannah from the album Photographic Views of Sherman's Campaign1864
33
Battlefield of the New Hope Church, Georgia, No. 2 from the album Photographic Views of Sherman's Campaign1864
34
Lu La Lake, Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
35
Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign1864
36
Battlefield of Atlanta, 22nd July, 1864, No. 1 from the album Photographic Views of Sherman's Campaign1864
37
Ruins of the R.R. Depot, Charleston from the album Photographic Views of Sherman's Campaign(1866)1864
38
Untitled (Chicago after the Chicago Fire)1871
39
(Untitled) (Mansfield 1907)1907
40
(Untitled Head, Two Women, studies)1920
41
(Untitled Striding Figure)1925
42
(Untitled Woman and Serpent)1925
43
My Mother As I Visioned When a Boy1935
44
(Untitled Head)1925
45
Therefore1924
46
The Dance1910 · Smithsonian American Art Museum
47
The Leap of the Soul1921
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
#2 Sherman and His Generals
#6 Ringold, Georgia from the album Photographic Views of Sherman's Campaign
#11 Scene of General McPherson's Death from the album Photographic Views of Sherman's Campaign
#35 Chattanooga Valley, from Lookout Mountain from the album Photographic Views of Sherman's Campaign
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af George Grey Barnard | Malerier fra denne liste |
|---|---|---|---|
 J. Paul Getty Museum |
Los Angeles | 2 | Sherman and His Generals, City of Atlanta, Georgia, No. 2 |
 Taft Museum of Art |
Cincinnati | 1 | Solitude, or Adam and Eve |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Dance |
Vælg et årti for at se det originale værk, der definerer det.
Chicago’s Great Fire of 1871 killed 300 people, left 100,000 homeless, and leveled four square miles of the city. Yet as the flames died, resolve replaced despair. This photograph was made perhaps one month after the fire, and it shows the makeshift homes, businesses, telegraph poles, and streetcar tracks that were in place even before the rubble was pushed into the lake. Within three years, Chicago would regain its position…
The Mystery of Life is a marble relief created by the American sculptor George Grey Barnard. Modeled between 1895 and 1897, this work belongs to a specific series of allegorical images exploring the themes of Life and Death. It was originally conceived as a component of an urn intended to hold the ashes of Anton Seidl.
In the quiet stillness of George Grey Barnard’s Solitude, or Adam and Eve, one finds much more than a mere depiction of biblical figures; one encounters a profound meditation on the very essence of human intimacy. Created in 1906, this exquisite marble masterpiece captures a moment of tender vulnerability, where the boundaries between two souls seem to dissolve into the stone itself. The sculpture portrays Adam and Eve locked in…
Le Lys Casse (The Broken Lily) is a pencil drawing by the American sculptor George Grey Barnard. Created about 1910, the work reflects the artist's engagement with the human form through a medium distinct from his primary sculptural practice.
The Mystery of Life (1897). Derefter følger Sherman and His Generals (1866) og Untitled (1846).
34 år gammel: The Mystery of Life er fra 1897, og George Grey Barnard blev født i 1863.
The Mystery of Life, Sherman and His Generals, Untitled, Ruins in Columbia, South Carolina from the album Photographic Views of Sherman's Campaign, Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign, Ringold, Georgia from the album Photographic Views of Sherman's Campaign, Ruins in Charleston, South Carolina from the album Photographic Views of Sherman's Campaign(1866), City of Atlanta, Georgia, No. 2, Le Lys Casse (The Broken Lily) og Solitude, or Adam and Eve. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 50 værker af George Grey Barnard, dateret fra 1871 til 1935.
Primært i J. Paul Getty Museum (Los Angeles), Taft Museum of Art (Cincinnati) og Smithsonian American Art Museum (Washington, D.C.). Museumslisten ovenfor viser dem alle.
I 1920s: 6 af de 47 værker på denne side blev skabt dengang, herunder (Untitled Head, Two Women, studies).
På denne side er det tidligste Untitled (Chicago after the Chicago Fire) (1871) og det seneste My Mother As I Visioned When a Boy (1935).
Civil war (4), American history (4) og Woman (3), fordelt på de 47 værker på denne side.
Black and White Photography, for 3 af de 47 værker på denne side.
Contemporary realism og Documentary photography, baseret på originalerne på denne side.
Sherman and His Generals og City of Atlanta, Georgia, No. 2: J. Paul Getty Museum, Los Angeles har 2 af værkerne på denne side.
