Portræt af George De Forest Brush

De 65 mest berømte George De Forest Brush-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 66 værker af George De Forest Brush i vores katalog

Kort sagt

Af alle de originale værker, som George De Forest Brush efterlod, er det mest berømte Miss Tribbie, (painting) (1906). Lige efter følger Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting) (1898) og Jane Addams (1906). Vores katalog indeholder 66 værker af George De Forest Brush; galleriet har bevaret de 65 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1855 – 1941, Shelbyville Academic realism Flest værker: Metropolitan Museum of Art

George De Forest Brushs top 10 malerier: galleriets udvalg

1
Miss Tribbie, (painting) (1906) af George De Forest Brush

Miss Tribbie, (painting)

1906 · Oil On Canvas

In this 1906 portrait, we find ourselves in the presence of Miss Tribbie, a figure rendered with a profound sense of stillness. The composition is a close-up bust portrait, focusing our attention entirely on the subject's face and upper torso. There is a certain weight to her presence, a dignity that emerges from her contemplative expression. She does not look at us, but rather seems lost in a moment of…

2
Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting) (1898) af George De Forest Brush

Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting)

1898 · Oil On Canvas

In Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting), George De Forest Brush organizes his subjects through a deliberate pyramidal structure. The mother figure occupies the apex of this arrangement, providing a sense of stability and protection as she holds two of her children close to her. A third child kneels in the foreground, creating a sense of spatial depth that leads the eye through the family group. This…

3
Jane Addams (1906) af George De Forest Brush

Jane Addams

1906 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

In this 1906 oil portrait, we encounter Jane Addams not through the lens of her public activism, but through a moment of profound, private stillness. Presented in profile, her figure emerges from a dark, atmospheric background that pushes her presence toward the viewer. The composition is a classic bust-length study, focusing on the delicate architecture of her head and shoulders. There is a certain weight to her posture, a sense…

4
Miggles (1880) af George De Forest Brush

Miggles

1880 · Oil On Canvas

A woman sits upon the earth, her presence anchored to the rocky ground beneath her. She rests her head upon her hand, a gesture of profound stillness that seems to halt the very passage of time. Her white dress catches the light, creating a soft contrast against the rugged, stony landscape that surrounds her. Around her, the air feels alive with movement, as birds scatter through the scene, some perched…

5
Indian Burial, (painting) af George De Forest Brush

Indian Burial, (painting)

Oil On Canvas

The oil painting titled Indian Burial, (painting) is a work by George De Forest Brush. It is rendered in oil paint on canvas. The scene captures a somber moment of ritual and mourning. Figures move through a landscape of stone and shadow.

6
In the Garden (1906) af George De Forest Brush

In the Garden

1906 · Oil On Canvas · Metropolitan Museum of Art, New York

Step closer and observe the way the light settles upon these figures. In this 1906 oil on canvas, we find ourselves drawn into an intimate, vertical composition that feels almost like a shared secret. A motherly figure holds a young child with a tenderness that requires no explanation, while another small child stands quietly at her side. They are nestled within a soft, naturalistic garden where the edges of the…

7
The Escape, (painting) (1882) af George De Forest Brush

The Escape, (painting)

1882 · Oil On Canvas

A Native American man rides a horse at full gallop across a snowy landscape, captured in a monochromatic palette of white, gray, and black. The composition follows a sharp diagonal from the lower left to the upper right, creating a sense of immediate forward momentum. In the background, a second, smaller figure rides away, adding depth to the narrative of pursuit or flight. Bare trees on the left provide vertical…

8
Mourning Her Brave, (painting) (1885) af George De Forest Brush

Mourning Her Brave, (painting)

1885 · Oil On Canvas

In Mourning Her Brave, (painting) by George De Forest Brush, a single figure anchors the center of a desolate world. The woman stands against a rugged, mountainous landscape, her form the primary focus of the composition. She tilts her head upward, her face fixed in an expression of profound grief or quiet contemplation. A large, dark bundle is draped heavily over her shoulder, a physical manifestation of the weight of…

9
Young Girl, (painting) (1885) af George De Forest Brush

Young Girl, (painting)

1885 · Oil On Canvas

The face of the young girl emerges from a soft, muted landscape. Her features are rendered with a quiet precision, capturing a moment of stillness amidst the shadows. The light falls gently across her skin, tracing the delicate contours of her cheek and the bridge of her nose. She gazes outward with an expression that carries a weight of introspection, a subtle melancholy that lingers in the depth of her…

10
Portrait of Mrs. Brush (1888) af George De Forest Brush

Portrait of Mrs. Brush

1888 · Oil On Canvas · Freer Gallery of Art, Washington, D.C.

In the intimate space of Portrait of Mrs. Brush, George De Forest Brush presents a close-up bust portrait that pulls the observer into a quiet, private moment. The subject, a single female figure, sits positioned slightly off-center, her presence commanding the frame through a direct and steady gaze toward the viewer. Her short, dark hair frames a face held in a serious, contemplative expression, as if she is caught mid-thought…

George De Forest Brush-udvalget fortsætter, fra 11 til 65

11Henry George (1888) af George De Forest BrushHenry George1888 · National Portrait Gallery 12Orpheus (1890) af George De Forest BrushOrpheus1890 · Museum of Fine Arts 13Orpheus, (painting) (1890) af George De Forest BrushOrpheus, (painting)1890 14Portrait of Mrs. Brush, (painting) (1888) af George De Forest BrushPortrait of Mrs. Brush, (painting)1888 15Indian Hunting Cranes in Florida, (painting) (1887) af George De Forest BrushIndian Hunting Cranes in Florida, (painting)1887 16Henry George, (painting) (1888) af George De Forest BrushHenry George, (painting)1888 · Bavarian State Painting Collections 17Portrait of Mrs. John J. Albright and Children (1902) af George De Forest BrushPortrait of Mrs. John J. Albright and Children1902 · Buffalo AKG Art Museum 18The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas Warren) (1901) af George De Forest BrushThe Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas Warren)1901 · Museum of Fine Arts 19Alan Harriman (1905) af George De Forest BrushAlan Harriman1905 · Metropolitan Museum of Art 20Miss Tribbie - Portrait of the Artist's Daughter (1906) af George De Forest BrushMiss Tribbie - Portrait of the Artist's Daughter1906 · Smith College Museum of Art 21In the Garden, (painting) (1906) af George De Forest BrushIn the Garden, (painting)1906 22Nancy, the Artist's Daughter [Mrs. Robert Pearmain] (1915) af George De Forest BrushNancy, the Artist's Daughter [Mrs. Robert Pearmain]1915 · New Britain Museum of American Art 23Mother and Child: A Modern Madonna (1919) af George De Forest BrushMother and Child: A Modern Madonna1919 · Brooklyn Museum 24Portrait of a Young Girl, (painting) (1920) af George De Forest BrushPortrait of a Young Girl, (painting)1920 25An Arapahoe Boy (1882) af George De Forest BrushAn Arapahoe Boy1882 · National Gallery of Art 26Leda and the Swan, (painting) (1883) af George De Forest BrushLeda and the Swan, (painting)1883 27Laying Away a Brave (also known as The Chieftain Passes The Burial) (1885) af George De Forest BrushLaying Away a Brave (also known as The Chieftain Passes The Burial)1885 · American Museum of Western Art 28A Celtic Huntress (1890) af George De Forest BrushA Celtic Huntress1890 · Fine Arts Museums of San Francisco 29An Aztec Sculptor (1887) af George De Forest BrushAn Aztec Sculptor1887 · National Gallery of Art 30The Silence Broken, (painting) (1886) af George De Forest BrushThe Silence Broken, (painting)1886 31The Indian Hunter, (painting) (1890) af George De Forest BrushThe Indian Hunter, (painting)1890 32The Moose Chase, (painting) (1888) af George De Forest BrushThe Moose Chase, (painting)1888 33Indian and the Lily, (painting) (1887) af George De Forest BrushIndian and the Lily, (painting)1887 34Mother and Child (1892) af George De Forest BrushMother and Child1892 · Addison Gallery of American Art 35The Indian and the Lily (1887) af George De Forest BrushThe Indian and the Lily1887 · Crystal Bridges Museum of American Art 36Polly Cabot, (painting) (1896) af George De Forest BrushPolly Cabot, (painting)1896 37Mother and Child, (painting) (1894) af George De Forest BrushMother and Child, (painting)1894 38Mother and Child (1894) af George De Forest BrushMother and Child1894 · Metropolitan Museum of Art 39Mother and Child (Mrs. Brush and Tribbie), (painting) (1895) af George De Forest BrushMother and Child (Mrs. Brush and Tribbie), (painting)1895 40Little Cavalier, (painting) (1904) af George De Forest BrushLittle Cavalier, (painting)1904 41Nancy, (painting) (1905) af George De Forest BrushNancy, (painting)1905 42The Little Cavalier (1904) af George De Forest BrushThe Little Cavalier1904 · Cleveland Museum of Art 43Henry George (1903) af George De Forest BrushHenry George1903 · Metropolitan Museum of Art 44Portrait of a Lady, (painting) af George De Forest BrushPortrait of a Lady, (painting) 45Mrs. Guy M. Currier, (painting) af George De Forest BrushMrs. Guy M. Currier, (painting) 46Seated Indian, (painting) af George De Forest BrushSeated Indian, (painting) 47At Dawn, (painting) af George De Forest BrushAt Dawn, (painting) 48Mother and Children, (painting) af George De Forest BrushMother and Children, (painting) 49Head of a Boy, (painting) af George De Forest BrushHead of a Boy, (painting) 50Head of a Baby, (painting) af George De Forest BrushHead of a Baby, (painting) 51Portrait of a Woman, (painting) af George De Forest BrushPortrait of a Woman, (painting) 52Indian Portrait, (painting) af George De Forest BrushIndian Portrait, (painting) 53At the Fountain, (painting) af George De Forest BrushAt the Fountain, (painting) 54In the Garden (1906) af George De Forest BrushIn the Garden1906 55A Family Group (1907) af George De Forest BrushA Family Group1907 56Unknown Lady, (painting) (1914) af George De Forest BrushUnknown Lady, (painting)1914 57Polly, (painting) (1916) af George De Forest BrushPolly, (painting)1916 58Mrs Fiske Warren, née Osgood (1913) af George De Forest BrushMrs Fiske Warren, née Osgood1913 · Колегіум Святенни в Оксфорді 59Polly (1916) af George De Forest BrushPolly1916 · Smithsonian American Art Museum 60Nancy (1905) af George De Forest BrushNancy1905 · Smithsonian American Art Museum 61Still Life of Flowers, (painting) af George De Forest BrushStill Life of Flowers, (painting) 62Long Ago, (painting) af George De Forest BrushLong Ago, (painting) 63Family Group, (painting) af George De Forest BrushFamily Group, (painting) 64The Moose Chase (1888) af George De Forest BrushThe Moose Chase1888 · Smithsonian American Art Museum 65Untitled (AQTEKW) af George De Forest BrushUntitled (AQTEKW)

George De Forest Brushs berømte malerier, periode for periode

Motiverne, der fangede George De Forest Brushs blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller George De Forest Brushs originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af George De Forest Brush Malerier fra denne liste
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 In the Garden, Alan Harriman, Mother and Child
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 Polly, Nancy, The Moose Chase
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 2 Jane Addams, Henry George
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Orpheus, The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas Warren)
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 An Arapahoe Boy, An Aztec Sculptor
Freer Gallery of Art, Washington, D.C.Freer Gallery of Art Washington, D.C. 1 Portrait of Mrs. Brush
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 Henry George, (painting)
Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 1 Portrait of Mrs. John J. Albright and Children

George De Forest Brush årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om George De Forest Brushs malerier

Hvilket værk er George De Forest Brush mest kendt for?Vis svaret

Miss Tribbie, (painting) (1906). Derefter følger Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting) (1898) og Jane Addams (1906).

Hvor gammel var George De Forest Brush, da Miss Tribbie, (painting) blev skabt?Vis svaret

51 år gammel: Miss Tribbie, (painting) er fra 1906, og George De Forest Brush blev født i 1855.

Hvad er de ti mest berømte George De Forest Brush malerier?Vis svaret

Miss Tribbie, (painting), Mrs. Frank Bulkeley Smith (Nancy Earle) and Children, (painting), Jane Addams, Miggles, Indian Burial, (painting), In the Garden, The Escape, (painting), Mourning Her Brave, (painting), Young Girl, (painting) og Portrait of Mrs. Brush. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod George De Forest Brush?Vis svaret

Vores katalog indeholder 66 værker af George De Forest Brush, dateret fra 1880 til 1920.

I hvilke museer udstilles George De Forest Brush's mesterværker?Vis svaret

Primært i Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) og National Portrait Gallery (Washington, D.C.). Museumslisten ovenfor viser dem alle.

I hvilke år malede George De Forest Brush sine mest berømte værker?Vis svaret

I 1880s: 18 af de 65 værker på denne side blev skabt dengang, herunder Miggles.

Hvad er de første og de sidste berømte originaler af George De Forest Brush?Vis svaret

På denne side er det tidligste Miggles (1880) og det seneste Portrait of a Young Girl, (painting) (1920).

Hvilke motiver valgte George De Forest Brush oftest?Vis svaret

Woman (14), Portrait (8) og Landscape (6), fordelt på de 65 værker på denne side.

Hvilken teknik brugte George De Forest Brush mest?Vis svaret

Oil On Canvas, for 19 af de 65 værker på denne side.

Hvilken kunstretning tilhører George De Forest Brush?Vis svaret

Academic realism, baseret på originalerne på denne side.

Hvilke værker af George De Forest Brush udstilles på Metropolitan Museum of Art?Vis svaret

In the Garden, Alan Harriman og Mother and Child: Metropolitan Museum of Art, New York har 4 af værkerne på denne side.

George De Forest Brush: liv og værk

Lærredets sjæl: Livet og eftermælet efter George De Forest Brush

George De Forest Brush (1855–1941) var en kunstner, der besad den sjældne evne til at bygge bro mellem to tilsyneladende adskilte verdener: den disciplinerede, klassiske elegance fra den italienske renæssance og den rå, spirituelle vitalitet i det oprindelige amerikanske liv. Han blev født i Shelbyville, Tennessee, men voksede op midt i de intellektuelle og kunstneriske strømninger i New England og Connecticut, og hans tidlige liv var gennemsyret af en dyb værdsættelse for skønhed og tradition. Hans mor, en selvlært kunstner, nærede hans medfødte talent fra en tidlig alder og skabte et livslangt engagement for de visuelle kunstarter. Denne fundamentale kærlighed til tegning og maleri ville i sidste ende føre ham langt ud over grænserne for hans opvækst i New England og guide ham mod de prestigefyldte atelierer i Paris og det enorme, solbeskinnede landskab i det amerikanske Vesten.

Retningen for Brushs karriere blev uigenkaldeligt ændret af hans formelle uddannelse under den legendariske Jean-Léon Gérôme ved École des Beaux-Arts. I de hellige sale i det parisiske akademi mestrede han de omhyggelige teknikker inden for klassisk realisme og opsugede renæssancens kompositionsprincipper. Denne periode indpodede i ham en ærefrygt for anatomisk præcision og en sofistikeret forståelse for lys og skygge. Brush var dog aldrig tilfreds med blot at kopiere fortiden; han søgte en måde at infundere denne akademiske strenghed med en moderne, spirituel puls. Ved hjemkomsten til USA vendte hans blik mod Wind River-regionen i Wyoming, hvor hans møder med Shoshone- og Arapahoe-folket skulle blive den dybeste inspiration i hans liv.

En symbiose af tradition og ånd

Brushs arbejde er karakteriseret ved en unik spænding mellem etnografisk observation og romantiseret idealisme. I modsætning til mange af hans samtidige, der nærmede sig oprindelige amerikanske motiver gennem en rent dokumentarisk linse, søgte Brush at indfange det, han opfattede som den underliggende spirituelle essens i disse samfund. Hans lærreder præsenterer ofte idealiseret fremstillinger, der transcenderer det rene portræt og i stedet læner sig mod det allegoriske. I mesterværker som The Indian and the Lily observerer man en sømløs integration af klassiske motiver med oprindelige emner, hvilket skaber et visuelt sprog, hvor naturens hellighed og menneskelig traditions værdighed er uadskilleligt forbundet.

Som hans stil modnedes, gennemgik Brushs teknik en subtil, men betydelig evolution. Mens han fastholdt den disciplinerede struktur, han havde lært i Paris, begyndte hans senere værker at omfavne en mere ekspressiv brug af farver og lys, hvilket genlydede af impressionismens spirende indflydelse. Han bevægede sig væk fra de stive, næsten skulpturelle figurer fra hans tidlige akademiske periode mod kompositioner, der føltes mere atmosfæriske og flydende. Dette skift gjorde det muligt for ham at udforske sekulariserede Madonna-motiver – ved at skildre mødre og børn med en ømhed, der resonerede med universelle temaer om omsorg og guddommelighed. Hans evne til at oversætte de dybe ritualer og den stille værdighed i det oprindelige amerikanske liv til et format, der talte til den vestlige klassiske tradition, forbliver hans mest vedvarende kunstneriske bedrift.

Ud over penslen: Innovation og indflydelse

Betydningen af George De Forest Brush strækker sig ud over de skønne kunsters grænser og berører krydsfeltet mellem videnskab, patriotisme og social filosofi. Hans intellektuelle nysgerrighed blev matchet af en praktisk opfindsomhed; bemærkelsesværdigt bidrog Brush, i samarbejde med sin ven Abbott H. Thayer, til udviklingen af tidlig militær camouflage ved at anvende sin skarpe forståelse for lys, tekstur og mønster på den moderne krigsførelses behov. Denne periode med innovation fremhæver en kunstner, hvis sind var lige så engageret i den skiftende verdens kompleksitet, som det var i hans subjekters tidløse skønhed.

Gennem hele hans lange og fremragende karriere forblev Brush en skikkelse af enorm kulturel betydning, hvilket førte til hans optagelse i National Academy of Design og efterlod et uudsletteligt mærke på den amerikanske kunsthistorie. Hans eftermæle defineres af flere centrale søjler:

  • Syntesen af stilarter: En succesfuld sammensmeltning af den akademiske præcision fra den franske Beaux-Arts-tradition med det amerikanske Vests spirituelle landskaber.
  • Kulturel fortolkning: At tilbyde et dybt empatisk, omend romantiseret, vindue ind i de oprindelige amerikanske kulturer i en periode med enorme historiske omvæltninger.
  • Teknisk alsidighed: Overgangen fra den omhyggelige realisme inspireret af Hudson River School til en mere lysende og atmosfærisk impressionistisk tilgang.
  • Tværfagligt bidrag: Anvendelsen af kunstneriske principper på videnskabelige fremskridt inden for camouflage og engagement med sin tids sociale filosofier.

I dag fortsætter værkerne af George De Forest Brush med at fange publikum og tjener som rørende påmindelser om en tid, hvor kunsten søgte at finde den universelle tråd, der forbinder den Gamle Verdens ældgamle traditioner med den spirende ånd i den Nye Verden.