Portræt af George Beare

George Beare malerier: De 15 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 15 værker af George Beare i vores katalog

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I galleriets øjne er George Beares mest berømte maleri An Unknown Woman, Called Peg Woffington (1740), hvis original hænger på Yale Center for British Art i New Haven. Portrait of a Woman (1740) og Portrait of a Lady Holding a Book (1740) fuldender trioen, som ethvert øje genkender. Ud af de 15 værker af George Beare i vores katalog præsenterer galleriet herunder de 15 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1725 – 1749 Flest værker: Yale Center for British Art

Galleriets top 10 George Beare malerier

1
An Unknown Woman, Called Peg Woffington (1740) af George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · Yale Center for British Art, New Haven

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) af George Beare

Portrait of a Woman

1740 · Oil · Philadelphia Museum of Art, Philadelphia

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) af George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, Baltimore

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) af George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · Yale Center for British Art, New Haven

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) af George Beare

An Unknown Man

1746 · Oil On Canvas · Yale Center for British Art, New Haven

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

George Beares malerier, rangeret fra 11 til 15

Motiverne, der fangede George Beares blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller George Beares originalværker

De 7 museer, der rummer flest af malerierne på denne side.

Museum By Værker af George Beare Malerier fra denne liste
Yale Center for British Art, New HavenYale Center for British Art New Haven 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, SalisburySalisbury - South Wiltshire Museum Salisbury 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
National Portrait Gallery, LondonNational Portrait Gallery London 2 Francis Price, Thomas Chubb
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Portrait of a Woman
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, SalisburySalisbury Guildhall Salisbury 1 Thomas Chubb of Salisbury (1679–1747)
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Portrait of an Unknown Man in Brown

George Beare, årets signaturmalerier

Næsten ti år, fra 1740 til 1749, var nok for George Beare: galleriet gennemgår dem år for år, ét berømt originalværk efter det andet.

Værker per år

Vælg et årstal for at se de originale værker.

George Beare's malerier: galleriets svar

Hvilket maleri af George Beare er det mest berømte af alle?Vis svaret

An Unknown Woman, Called Peg Woffington (1740), Yale Center for British Art, New Haven. Derefter følger Portrait of a Woman (1740) og Portrait of a Lady Holding a Book (1740).

Hvor gammel var George Beare, da An Unknown Woman, Called Peg Woffington blev færdiggjort?Vis svaret

15 år gammel: An Unknown Woman, Called Peg Woffington er fra 1740, og George Beare blev født i 1725.

Hvilke er George Beares top 10 malerier?Vis svaret

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady og Portrait of a Gentleman, possibly Hugh Marriott. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte George Beare?Vis svaret

Vores katalog indeholder 15 værker af George Beare, dateret fra 1740 til 1749.

Hvor hænger George Beares mest berømte originaler?Vis svaret

Primært i Yale Center for British Art (New Haven), Salisbury - South Wiltshire Museum (Salisbury) og National Portrait Gallery (London). Museumslisten ovenfor viser dem alle.

Hvornår skabte George Beare sine mest berømte malerier?Vis svaret

I 1747: 5 af de 15 værker på denne side blev skabt dengang, herunder Portrait of an Elderly Lady and a Girl.

Hvilke er George Beares tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste An Unknown Woman, Called Peg Woffington (1740) og det seneste Portrait of a Lady (1749).

Hvilke motiver vendte George Beare oftest tilbage til?Vis svaret

Woman (4), Lace (3) og White fabric (3), fordelt på de 15 værker på denne side.

Hvilket medie arbejdede George Beare mest med?Vis svaret

Oil On Canvas, for 3 af de 15 værker på denne side.

Hvilke originalværker af George Beare findes i Yale Center for British Art?Vis svaret

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl og An Unknown Man: Yale Center for British Art, New Haven har 3 af værkerne på denne side.

George Beare: kunstneren

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.